Feral

🏆 Contest #303 Winner!

Crime Fiction Sad

This story contains sensitive content

Written in response to: "Write about a character who becomes the villain in another character’s story." as part of Beyond Redemption with Mel Torrefranca.

I taught her to lie before she could spell her name. Told her people were soft, stupid, and always looking for a story that made them feel good about parting with money. Back then, our narrative was the plain truth: an amputee raising his kid on his own. Before long, we noticed how different people responded to different aspects of our lives. Our narrative then developed into a collection of short stories we kept at the ready. I curated those tales, and she delivered them with big eyes and borrowed grief. We weren’t thieves; not in our minds. Just realists cashing in on a world that stopped caring about people like us long ago.


“Only a fool would put his hope in the compassion of strangers. It’s us or them, and it sure as hell ain’t gonna be us.”


Back then, she just nodded. Lately, she doesn’t wait for me to speak.


We’re in some town; I don’t even remember the name. We never stay long. Too many faces recognize you, too many stories get recycled. So we move on.


June picks the marks now, and I don’t stop her. Not because I agree with her choices, but because she makes them with precision, and pride. It used to be me. I’d scan the crowds the way I once scanned rooftops, looking for tells. Shaky hands, unfocused gaze, someone seemingly neglected. June was the hook. A girl with a welfare ruck three sizes too big for her; tremble in her voice. Maybe a fake bruise under the cheekbone, when we needed it.


“The guy with the cardigan. At the boardwalk,” she says, peeling an orange.


“Why him?”


“Thinks the world still owes him something.”


“What’s the story?”


She shrugs. “Something tragic. I’ll improvise.”


There was a time I polished the lies. Refined them; cleaned them up. Now, June writes her own scripts. Better than I ever did. She always admired me. Even if I couldn’t look at her without remembering the woman she took from me.


By now, she learned everything I taught her and started adding her own. It wasn’t a game to her. It was art; a show. Every victim, a new stage. But somewhere along the line, it stopped being for money. It was for me. June wanted me to be proud. And I was.


Her cons get sharper each time. One afternoon, she comes home from a run, smiling like she’s just won a medal.


“You should’ve seen him,” she says, tossing some bills on the counter like a trophy. “Tears down his face. Thought I was his niece from Pittsburgh.”


I hear her talking to herself at night, practicing voices. Some little-girl sweet, some hollow and broken. Something she figured out on her own along the way. One morning I hear her sing in a low, breathy voice:


“Nana, please remember my name. I still sleep holding your frame.”


It’s too good. Too cruel.


“You scare me sometimes.”


She grins like it’s a compliment. Another time we drive by a care home.


“Let me try something,” she says, grabbing my arm.


Says she’ll find someone lonely; someone slow. I stay in the car, engine idling, fingers tightening on the wheel. June walks in with her scarf tied like a schoolgirl’s bow. She finds a guy in a chair by the fish tank. Gray sweater; lost eyes. She kneels at his side.


I can see her mouthing Grandpa. His head lifts; confused, hopeful. She nods, her voice breaks. His hands tremble. She takes them. They talk. He weeps. Laughs. Takes off his ring and presses it into her hand. June kisses his forehead and walks out like she was born from the silence in that room. Back in the car, she rolls the ring across her palm.


“Solid gold,” she says, looking at it. “Can you believe it? Sometimes I feel like I could tell them anything and they’d buy it.” She laughs, low and self-satisfied.


And there it is. A strange mix of pride and rot in my chest. I want to be proud. And I used to be. Until now. She reminds me of all the young, hot-headed boots back in the day. They’d discard the leash by week two. Drunk on power and the silence of command. Barely dry and determined to go out wilding in the village. Eager to do something. Everything. Anything devoid of order, structure, and rules.


And then there were others. The ones who’d gone feral. Lacking any morals or remorse. Not looking at you, or even through you. Just profiling and scanning for weakness. Back then, I hated those types. The ones who stopped pretending they were human and wore it like a badge.


“You enjoyed it?” I ask. “The moment, I mean.”


“Yeah,” she says, turning her head. “Of course.”


That night I can’t sleep. I watch the ceiling and think of the way her face lit up. How natural it all looked. She didn’t just lie — she fed on it. Not just the money, but the ease of manipulation; the victory.


I tell her we’re leaving. No more cons for a while. June doesn’t protest. Thankfully, doesn’t even ask why. We drive west. Through small towns where most have little and those who do keep it close. We sleep in the car for three nights, and I don’t speak a word. The silence stretches between us like no-man's-land. Neither of us willing to cross it. On the fourth, she asks if we’re going somewhere in particular.


“No,” I say.


We end up in a town by the sea. Cheap motels, weather-beaten storefronts, off-season quiet. A place seemingly forgotten by the world. We check in under new names and I tell her we’ll find work. "Something honest this time." June just rolls her eyes.


I take a job helping around the dock and she disappears most days. I don’t ask. One night she comes back late, knuckles scabbed. June doesn’t say anything. I don’t push. Later, I find her sitting in the bathroom, the door half-open, staring at her reflection.


“You hate me now, don’t you?” she asks.


“No.” Then, after a beat, almost without meaning to, I add: “You did nothing wrong.”


June doesn’t say a word. Just closes the door, and I stand there, stunned at the lie I’d said like I believed it. I don’t sleep. On the edge of the bed, I ponder how many times I reassured myself it was all for her. To feed her, clothe her. To keep her safe. But it was always for me. For my anger; my loss. And she took it all in. Let it fill her. Because she wanted me to see her. And I never did; never could. Not the child, nor the student. Not even the echo of the woman I lost.


Now, for the first time, I see not just the damage in her, but the void. A space I carved out, piece by piece, and filled with my bile. She isn’t me; she’s worse. I told myself I had reasons: grief, betrayal, bills, pain. But her reason? Me.


That night, I pack. I leave her money and the keys to the car. Considering a note, no words come to mind, so I just walk away. Not because I don’t love her. But because I finally do.

Posted May 23, 2025
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241 likes 126 comments

Marilyn Flower
21:39 Jun 02, 2025

Love the voice in this story, Dan. You captured it so well...and how it circles back around from using and disdain to love...catching him as well as us by surprise. Thanks for leaving gaps that we readers get to fill in. And for how he takes responsibility for how June turned out. Not just the damage, but the void. wow. thanks so much for a great read!

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Dan Thonberg
16:33 Jun 05, 2025

Thank you, Marilyn!

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Justin J. Harris
18:34 Jun 02, 2025

Oh, the loving irony and selfless selfishness. I love the contrary beauty of this tale. The inheritance of toxic behavior like an addictive gene and the idea of stunting it by severance; hoping it isn't too late. Thank you for writing it! Awesome work. I wanted more ;)

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Dan Thonberg
16:34 Jun 05, 2025

Thank you, Justin!

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Silent Zinnia
17:32 Jun 02, 2025

This is really nice, love the writing and the way the words flow in the sentences. Really well written. Congrats on the win, you deserved it.

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Dan Thonberg
16:34 Jun 05, 2025

Thank you, Yasmine! I'm currently working on precisely that aspect of my writing.

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Silent Zinnia
22:46 Jun 05, 2025

yea man, anytime. I am trying to work on that as well, so my sentences don't sound as blocky anymore

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Colin Smith
15:56 Jun 02, 2025

Powerful writing. Nice work, Dan! It was nice to experience your unique stylistic choices and to appreciate their cleverness and intentionality.

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Dan Thonberg
16:36 Jun 05, 2025

Thank you, Colin! Though I took some chances on those aspects, and even tried something new. I’m so glad I turned out the way it did :)

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Colin Smith
18:03 Jun 05, 2025

No doubt. Solid work, Dan.

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Story Time
15:49 Jun 02, 2025

I think keeping the sentences short really helped create an urgency to the piece that held throughout. A tense but very satisfying read. Well done.

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Dan Thonberg
16:36 Jun 05, 2025

Thank you!

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Beth Finneran
23:23 Jun 01, 2025

This was a very challenging prompt and you created an amazing story out of it. Your characters are very believable and it's incredible how you managed to get us to have both empathy and disapproval for them at the same time. The way you get into your main character's psychology is deep and thought provoking. Keep up the good work! And good for you for taking risks! It worked for you!

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Dan Thonberg
16:37 Jun 05, 2025

Thank you so much, Beth!

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Dena Linn
07:36 Jun 01, 2025

Super story telling Dan. I loved your rhythm, and how you created the intense feelings between these characters. Even the scant dialogue worked so well. Thank you for 'taking the chance' to write this story.

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Dan Thonberg
16:38 Jun 05, 2025

Thank you, Dena!

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Penny Prettyman
15:11 May 31, 2025

Wow. Just... wow.

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Dan Thonberg
16:45 Jun 05, 2025

Thank you!

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Stevie Burges
07:16 May 31, 2025

That was an amazing story. Beautifully written. Well done for winning.

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Dan Thonberg
16:46 Jun 05, 2025

Thank you, Stevie!

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Indrani Talukdar
06:11 May 31, 2025

I loved the story and the style; each line was a punchline. You deserve to win. Congratulation!

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Dan Thonberg
16:46 Jun 05, 2025

Thank you, Indrani!

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Glenn Sutton
03:34 May 31, 2025

This is a great story short sentence's nailing the thoughts in a few words. Way to go. The End killed me. I did pass it along to a few friends. Thank you

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Dan Thonberg
17:04 Jun 05, 2025

Thank you, Glenn!

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Sidhi Gupta
03:14 May 31, 2025

woah.

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Dan Thonberg
17:04 Jun 05, 2025

Thanks Sidhi :)

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Rhaevyn Hart
02:24 May 31, 2025

You packed so much into such a short story. It's visceral and raw, aching with loss and the things we are willing to do to survive. Even at the risk of watching someone we love become the worst part of ourselves. Like others, that last line completes this story like a shiny bow on a dark present. Well done!

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Dan Thonberg
17:06 Jun 05, 2025

Thank you, Rhaevyn! I was actually afraid that it ended up too short. I had more scenes, which I cut. Being pressed for time, I had to make the best of what I left myself with.

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AnneMarie Miles
23:48 May 30, 2025

That ending line hits like a truck! Nice take on the prompt, too. Congrats!

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Dan Thonberg
17:07 Jun 05, 2025

Thank you, AnneMarie! The ending was actually the first idea I had for this story. Everything else just fell into place.

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17:48 May 30, 2025

Beautifully expressed.

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Dan Thonberg
18:10 Jun 05, 2025

Thank you!

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Matt Ballance
17:27 May 30, 2025

Man, well deserved. That was phenomenal!

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Dan Thonberg
18:11 Jun 05, 2025

Thank you!

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Mary Bendickson
16:12 May 30, 2025

Congrats on the 🥳win. Raw and emotional.

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Dan Thonberg
18:14 Jun 05, 2025

Thank you, Mary!

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Mary Bendickson
18:33 Jun 05, 2025

Thanks gor the follow.

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Elizabeth Rich
15:56 May 30, 2025

Love/hate/indifference/caring. It's all there. The black hole of June's soul. Nice. Cool style.

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Dan Thonberg
18:15 Jun 05, 2025

Thank you so much, Elizabeth!

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Aiden Mars
14:27 May 30, 2025

The emotional architecture of this—the quiet rot, the aching pride, the slow unraveling of what love turns into when it’s built on damage—it’s masterful. June haunted me. The ring scene. The fish tank. That final silent lie. I honestly sat there, just still, after finishing it. You didn’t just write a story—you built a tragedy that’s still echoing. Huge congratulations—this was unforgettable.

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Dan Thonberg
18:22 Jun 05, 2025

Thank you so much, Aiden! A couple of things I’ve been working on came together in this story; as it would seem. Over the past few months I have worked through the Emotional craft of fiction, and another book aimed at writing more compact, more concise scenes. It started with the last two sentences. I had a hunch for the narrator, and I just went with it. How it all worked out still leaves me speechless. I thought it was way too short, and that the ending was going to be regarded as a rather low-hanging fruit for the prompt.

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Aiden Mars
20:52 Jun 05, 2025

It’s always wild when a story takes on a shape of its own, and it’s clear that your work with emotional craft really paid off here. Funny how something that starts with a couple lines can unravel into something quietly devastating. The ending didn’t feel low-hanging at all to me—it felt earned, precise, and haunting in its restraint. Sometimes the shortest pieces cut the deepest, and this one absolutely did.

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Olive Silirus
13:01 May 30, 2025

Love that last line.

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Dan Thonberg
18:23 Jun 05, 2025

Thank you, Olive! That was actually the start of it all. I worked backwards from that line.

Reply

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