No Diggity

Fiction Horror

This story contains sensitive content

Written in response to: "Your protagonist returns to a place they swore they’d never go back to." as part of Echoes of the Past with Lauren Kay.

Child endangerment. Psychological trauma.

It was the smell that brought him back. A blending of scents, ingrained deep in his salivating senses. Popcorn butter. Fried dough with cinnamon. Hot dogs, seared and juicy on rotisserie. The sharp sting of pickles and onions swimming in vast vats of peppercorn brine. Spilled lemonade. Burnt sugar. And hot garbage smooshed into a thousand rubber soles.

But the fryers were empty. The grills were cold. Dead leaves skittered over cracked pavement, swirling, settling. Still.

In his memory, this place was cramped, frenzied. Huge, primary-bright machines loomed in pendulous splendor over the narrow lanes. Sharp elbows and sticky fingers threw chaotic shapes in the press and surge of color and sound. In his mind, every other person had been squeezing the throat of a huge stuffed toy, the off-brand mark of arcade success. Rationally, he knew, they could not have been that common. No one he knew had ever won one.

Now, vast expanses stretched between the plywood shies, padlocked and zip-tied into submission. Skeletal rides slouched above the awnings, indifferent landmarks in a lead grey sky. It would take too long to skirt the perimeter, so he cut through the labyrinth of asphalt avenues. The poster-plastered barriers quickly swallowed up the streets.

He was all alone in there.

He hoped.

Stickers of the cartoon mascots were peeling and fading from every shade. He tried to remember their names. The cat was Kaboodle. Higgelty was the pig. Somewhere, there were pictures of him stiffly accepting hugs from each of the felt-faced animals.

Somewhere, there were other pictures.

It wasn't that he wanted to be there. There was no irresistible urge compelling him to rake away the autumn leaves of self-delusion and dig into the dirt and worms of his past. He didn't plan out an Everest expedition to the bleakest peak of his subconscious. He'd just been driving while his mind was elsewhere, and went left when he should have gone right. Now that he was here, he didn't seem to have the option of being anywhere else.

He walked on past the sound stage, the skee ball range, the hook-a-duck (the duck was Quackerjack). Under a wide, white awning, a gross of bone-dry fishbowls were collecting dust. He noticed, vaguely, that he hadn't seen so much as a mosquito here, let alone a squirrel or rat. When he was little, the hopping sparrows begging for bits of french fry had been as entertaining as the paid performers. There were no sparrows anymore.

The bird had been called Flyaway. He thought it was a lark.

In the center of the maze was a grand carousel, three steeds deep, plastered with mold-spackled mirrors and flaking gold paint. Not only horses, but tigers and peacocks and midget giraffes all galloped in the same tight circle. He thought he'd ridden on a kangaroo, and took a lap to locate it, when--

There's something there!

Did something move?

He waited, breath baited, staring through the shadowy shapes. Was it just a reflection? A memory? He didn't dare turn his back on the ramshackle pack as he carefully edged away.

As his heart resigned itself to the prison of his chest, he glanced up at the overcast sky. The dark clouds drained all the color from the rusting rails of the Mad Mouse (there was no mouse mascot). He wasn't sure he was headed in the right direction, but he kept going, every now and then glancing over his shoulder, and finding nothing there. Part of him wanted to turn back now, forget his intentions, and bury it all in a watery grave of cheap gin and denial.

The rest of him knew it was too late for that. The striped sign was up ahead.

There it was.

Painted on boards thirty feet high, a grinning black cat (Kaboodle) held its mouth open wide, a bright red tongue on the concrete steps leading up to the haunted house entrance. Sitting canter on the rails, half-eaten with rust, was the ghost train. It seemed darker as he trudged up the stairs.

What was supposed to happen? People climbed down into the little trolley train, clutching their mom or their boyfriend, squeezed tight together as the cars rattled down the rails. Inside the house, puppets and mannequins flew out on wires and chemical smoke, colored gels flapping over floodlights. What was supposed to happen was a couple quick scares, a little laugh over a rabbiting (Hippity) heart. Pay extra for a novelty picture.

What actually happened...

What actually happened?

He stepped down off the platform, onto the tracks.

In the beam of his flashlight, inching forward with steady steps, it really didn't seem all that scary. There was the ghost bride, the ghost clown, the ghost...ghost. He remembered his little kid pulse at a mile a minute, nerves on fire, terrors leaping out from every shade. He'd clutched tight to the hand that led him deeper into the dark.

Was that a sound?

He didn't remember much about what happened, but he remembered what happened after. He'd emerged from the plywood exit, eyes fixed to the ground. Someone bought him an ice cream, and it dripped and puddled over numb fingers. Stuck in sticky tufts to his stuffed toy prize.

He didn't eat for three days. Didn't speak for six or seven; he wasn't sure. Nobody else seemed to notice. Certainly no one wrote it down.

That was a sound.

He stepped up off the tracks, keeping his back to the wall. The beam of his flashlight rolled over the cheap plastic and paper mache. He held his breath, blood rushing in his ears, waiting. His eyes flicked toward the exit, not so far, outlining the silver sky. Seven strides, maybe. He took the first step.

One.

He listened, barely breathing. Couldn't hear a thing.

Two.

He swept the ground with his flashlight beam. The only eyes looking back at him were dusted glass.

Three.

This was stupid. There was no one else here. No web, no spider. No ghosts. Nothing in the dark that wasn't there when the lights were on. Not only was nothing waiting to pounce on him from the shadows, but there was no secret, magical answer that would finally make it all make sense. No dragon. No treasure. Just faded paint.

There was nothing there.

In a way, wasn't that what he'd been afraid of?

When his eyes flicked back toward the exit, something moved.

A patch of painted blackness lurched into the frame. It unfurled slowly, limb by detangling limb, bulbous head lolling upright, stretching to an impossible height.

He wanted to run, he wanted to leave, hot sweat peeling from his electric skin, eyes wide, staring. The memory shot through him, sick and twisted as a poisonous knife.

The dog.

It was the dog.

Long, felt-fuzzed arms stretched toward him, reaching for a hug.

Posted Feb 08, 2026
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23 likes 19 comments

Scott Speck
21:14 Mar 16, 2026

Beautifully written. Vivid sensory descriptions that made everything so real. Great work!

Reply

Rebecca Hurst
17:04 Feb 24, 2026

You should have won with this one, Keba.

Reply

Keba Ghardt
01:05 Feb 25, 2026

Extremely sweet of you to say so :)

Reply

Marty B
05:02 Feb 20, 2026

I liked how this ended!
'
Long, felt-fuzzed arms stretched toward him, reaching for a hug.'

Thanks!

Reply

Jason Basaraba
00:34 Feb 18, 2026

The opening lines grab our attention and then you meander through a tlae with just giving us enough tips and hints to have us rush forward. The reveal says it all, in retrospect we should have guessed and perhaps we had an idea but the layers you peeled back made this such a wonderful read

Reply

Elizabeth Hoban
12:31 Feb 16, 2026

I just wrote a comment on another story of how much I'm a sucker for dog stories, but what the...? This is such a visceral read - and a great example of showing and not telling. I've had nightmares about abandoned amusement parks, and your vivid descriptions of him making his way to Kaboodle raised the hairs on my arms. I love how you left this up to our imagination as to what happens to the MC. Nice use of the prompt. Well done, again!

Reply

Rebecca Hurst
11:48 Feb 16, 2026

Every single line of this is literary perfection. What more can I say?

Reply

Wally Schmidt
12:14 Feb 15, 2026

The sensory details are so strong, After I read the first paragraph I almost had to go get a snack. When I got to the second paragraph I though is he imaging those smells since the fryer is off? The tension builds nicely. The sights, smells, and sounds blur into his unease as he tries to confront his memory of the past. Making the dog, which is usually the comfort object in any childhood story relived, into the dreaded villian works to disorient the reader, unsettling them even more than a traditional monster would.
Exploring the distortions of memory and the intensity of a child’s perception is one of the highlights of this piece because they bleed together so naturally.

Reply

Marjolein Greebe
05:33 Feb 14, 2026

This is control. Absolute tonal control.

The sensory opening is feral — olfactory memory as a time machine — and you never loosen your grip after that. The fairground isn’t just abandoned; it’s emotionally evacuated. Every image is doing double work: decay as architecture, decay as psyche.

And that final reveal — the dog — is masterful restraint. You don’t explain it. You don’t moralize it. You let the felt arms reach, and that’s enough. That’s confidence.

If I’m being ruthless (and you write at a level that deserves ruthlessness): there are one or two metaphors early on that slightly announce themselves (“Everest expedition to the bleakest peak of his subconscious”) where the prose briefly admires its own intelligence. You don’t need that. The concrete imagery is far more powerful than the abstract flourish.

This is the kind of piece that doesn’t ask for attention. It commands it.

Reply

Keba Ghardt
13:12 Feb 14, 2026

Thank you! What a flattering review. I'm glad it connected for you on more than a literal level, and I appreciate your thoughtful eye.

And you're right; I shoehorned in that whole paragraph because I was under the word count. I had time to refine it, and didn't. You are right to call me out :)

Reply

Kelsey R Davis
15:21 Feb 10, 2026

Oh I loved this! Again, super distilled world building and movement, and there’s some really good sounds in your writing here too. I love what you did at the end. It’s dark and nostalgic/Americana and disturbing, all my favorite elements of fiction haha.

Reply

Keba Ghardt
03:48 Feb 11, 2026

Thank you! You definitely see me, and yet you keep coming back. Always welcome and appreciated :)

Reply

Kelsey R Davis
02:46 Feb 16, 2026

Ditto! I missed this one, but will keep circling around. Everyone loves a good prompt, even if they don't know it's good, ha.

Until your next one...

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Nina H
14:38 Feb 09, 2026

The building of tension and suspense, suspicion even, of what happened was spot on here for me. Never forced, just moving and moving as if on one of the abandoned rides. How perfect he faces the ghosts of his past in the haunted house. We can guess what happened, but it’s never told, which is more satisfying to this reader than if it were placed on a platter. Your use of rich language and imagery are a gift. This is wonderful writing.

Reply

Keba Ghardt
22:57 Feb 09, 2026

Thank you so much! I appreciate you strapping in with me

Reply

James Scott
02:14 Feb 09, 2026

Super creepy atmosphere and the narrator being so unsure of things really added to that. Love an open ending and so much left to interpretation. Was it a literal monster, or something more insidious?

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Keba Ghardt
16:22 Feb 09, 2026

Yes :)

Reply

Alexis Araneta
16:54 Feb 08, 2026

Keba, as usual, you shine here. Incredible descriptions of the abandoned theme park. You really did a great job sustaining the suspense. Great work!

Reply

Keba Ghardt
17:23 Feb 08, 2026

Thank you, sweet one! I really appreciate how generous you are with your time and attention. It means so much to me

Reply

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