The room is a stark and sterile morgue designed for the meticulous work of a forensic pathologist. Stainless steel tables dominate the space, shining under soft overhead lights that create a calm, almost ethereal glow. The air is cool and carries a faint antiseptic smell, adding to the clinical atmosphere. A quiet hum reverberates softly, a reminder of the machines and equipment that assist in the autopsies. Shadows dance gently on the walls, creating an ambiance that feels detached yet strangely comforting to Dr. Samuel Grayson. This environment, where he lays out the dead with unwavering dignity, offers him solace, which starkly contrasts the unpredictability of life outside these walls. The body lying before him was just another case, another puzzle to solve.
Or so he thought.
The cadaver on the table had no identification, no records, and no apparent history. Authorities found this individual naked in an alley downtown, with no visible wounds. His pallid yet unnaturally unblemished skin appeared eerily artificial under the surgical lights. There was something else—something unsettling. Dr. Grayson couldn’t quite identify it, but a growing unease settled in his gut.
“All right,” he muttered, his voice bouncing off the cold, unyielding walls of the dimly lit room. A shiver ran down his spine as he reached for the small recorder on the metal tray beside him. His fingers hovered over the worn buttons briefly before pressing down, the soft click breaking the eerie silence.
“Case number 2376. Male, approximately 30 to 40 years old. No visible signs of trauma or external injury. The skin appears unusually pale, almost translucent, under the light. Several faded tattoos are present, including a sequence of four numbers and two letters, ‘9468YA,’ on the left forearm and a star on the right shoulder. A healed scar on the lower abdomen suggests a past surgical procedure. Starting Y-incision.”
He positioned the scalpel at the center of the sternum, the cool metal gleaming under the harsh overhead light. With a steady hand, he applied pressure, expecting the familiar resistance of flesh yielding beneath the blade.
But instead of cutting, the scalpel glided effortlessly over the skin as if skimming across glass. Dr. Grayson’s brow furrowed. No matter how much force he applied, the blade refused to break the surface, as though an invisible barrier shielded the body from harm.
His heartbeat quickened. He had cut through bone, cartilage, and flesh countless times, but this was different. Frowning, he switched blades, assuming the first was dull, and pressed down again. Still nothing. No give. No incision. It was as if the body refused to be opened.
He set the scalpel down and leaned in, his breath fogging the strangely smooth skin of the body. He reached out and pressed his fingers against the man’s arm. The flesh felt ice-cold and unyielding, as if he were touching something inorganic. A chill ran down his spine.
His gloved hands moved to the man’s face. He pried open the eyelids—
And stumbled back with a sharp gasp.
The eyes were black. Not just the irises—all of it. Deep, endless pools of obsidian. No whites, no pupils, just voids of ink that swallowed the light.
“What the hell!”
Dr. Grayson had encountered many horrors on his table, but this? This wasn’t right. He steadied his breathing, forcing himself to focus. Science had the answer. He needed to find them.
“Further analysis required,” he muttered, returning to his tools.
He reached for the bone saw, intent on examining the skull. If he couldn’t cut through the flesh, the bone might have a different result. The sudden high-pitched whine filled the sterile room as he powered on the saw. He pressed it against the forehead.
The room shifted.
Not physically. No walls moved, no objects stirred. But something—somewhere—changed. The very air thickened, humming with an electric charge. Dr. Grayson’s ears popped like he had ascended too high in an airplane. A pressure bore down on him, something unseen, something vast and watching.
The saw stopped. The lights flickered.
His breath hitched. He turned to the tray beside him—to the recorder. His fingers trembled as he reached for it.
“Unexpected resistance to standard incisions,” he whispered. “No reaction to—”
The body twitched.
A violent, jerking spasm, like a marionette pulled by unseen strings.
Dr. Grayson dropped the recorder. The device clattered to the ground, its microphone capturing his ragged breathing. His instincts screamed at him to leave, but his rational mind—the part that had dissected a thousand corpses without fear—kept him rooted in place.
Then, the corpse sat up.
A sound, low and unnatural, gurgled from its throat. It wasn’t a moan or a breath—a vibration, like something trying to speak in a language no human tongue could form.
The black voids of its eyes turned to him.
“Impossible…” he whispered, stumbling back.
Then, the surrounding walls melted.
The morgue dissolved, like paint washed from a canvas. Cold steel gave way to something organic, pulsating, and wet. The lights above warped, elongating into bioluminescent tendrils that throbbed with an eerie green glow. The air reeked of ammonia and a chemical odour.
Dr. Grayson gasped, clutching his head as a sharp, piercing noise filled his skull. The room—the ship—solidified around him.
The autopsy table was gone.
And he was the one lying down.
Restrained.
The instruments he had just wielded were now floating above him, but they were no longer his trade’s familiar stainless steel tools. They were aliens. Elongated, shifting, almost alive.
He thrashed, his body sluggish as though submerged in a thick liquid.
Panic clawed up his throat. He turned his head to the side and saw them.
Silhouettes — tall, impossibly thin, with too many joints, too many fingers. Their black eyes—like the ones he had just examined—glowed with something that wasn’t human.
A voice, though not spoken, entered his mind.
Subject self-aware. Start sedation.
“No!” Dr. Grayson tried to scream, but the thick air swallowed his voice. Something pressed against his forehead, sending a ripple of unnatural warmth through his skull.
Fractured and scattered memories rushed into him all at once, flooding his mind like a tidal wave. Faces blurred together, voices overlapped in an unintelligible hum, and fleeting images flickered in and out of focus. He saw glimpses of places he couldn’t name, hands reaching for him, laughter twisted with sorrow. The past crashed into the present, disjointed and overwhelming, leaving him grasping for clarity in the chaos.
He wasn’t in a morgue.
He had never been to a morgue.
This was an experiment. He was an experiment.
And he was about to be dissected.
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A complete 180 twist.
Thanks for likings 'Woods,Weeds and Words' and 'Twisting in the Wind'
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