Why I Wear Monarch Wings

Creative Nonfiction Drama

Written in response to: "Your protagonist inherits something. What happens next?" as part of What We Carry.

The monarchs rest high in the trees. They drift in the leaves. They hide from the wind. I do not hide. My wings look like theirs. Orange. Black. Bright. But I am not a monarch. I am something older. I travel beside them. I listen to the memory inside their wings. I ride the cold mountain air. I catch raindrops after storms. I drink the light from them. That is how I keep the fire in my chest.

Below me, the Blue Ridge Mountains roll like a dark blanket. The monarchs are flying south. They do not ask why. They do not ask where to go. Their bodies already know. Their memory comes from long ago. It comes from mothers and fathers they never met. It comes from ancestors who are gone. The memory passes from one butterfly to the next. It keeps going, as long as the monarchs keep going.

Then I see a small light below. It shines near a wooden porch. A young girl sits there. Beside her is her grandmother. The grandmother’s light is warm and slow. The child’s light is bright and quick. Their family is inside the cabin. But these two are outside together. They are making a memory.

Monarchs do not often leave the trees. Humans can be dangerous to them. I have seen roads cut through milkweed. I have seen flowers disappear. I have seen paths break. When I see this, I feel sad. It feels like a stone in my chest. I feel worried for the monarchs. I worry the way a bird worries when the nest is too close to the ground. Humans often think they are strong. They forget they are also delicate. Still, I fly down. My wings tremble a little. I feel afraid, but I also feel pulled toward the porch.

I come close to the porch. The girl sees me. Her light jumps. The grandmother sees me too. Her light grows warm. They both become very still. They do not want to scare me away. In that quiet moment, I see the difference. The butterfly flies because its body remembers. The child watches because her grandmother has taught her wonder.

We stay still together. The mountain is quiet. The trees are quiet. The child and grandmother shine with the same joy. Humans inherit self-awareness. They know they are alive. They know life does not last forever. They learn by watching. They learn by choosing. The monarch is different. It does not know why it flies. It follows a memory it cannot name.

Then I fly lower. I land on the girl’s nose. The grandmother laughs softly. The girl is scared for one small breath. Then the grandmother touches her shoulder. She whispers to her. The fear leaves. The porch feels golden and warm. The girl learns that the butterfly is peaceful. She learns it because her grandmother shows her. Now they share that memory. Now the memory can travel on.

I look at them and feel a small ache. It is a tender kind of sadness. It feels like hearing a sweet song from far away. I wish the girl could see herself the way I see her. She looks at my wings and sees beauty. She sees color. She sees something gentle. But she cannot see her own light changing. This makes me feel sorry for her. It also makes me love her more. Her fear becomes trust, like a tight hand opening. Her wonder becomes memory, like a spark kept safe. Love becomes something she can carry.

So I forgive the humans. I do not forgive them because the harm is small. The harm is not small. It is big enough to make my wings feel tired. I forgive them because I have seen more than harm. I have seen their mistakes. I have seen how they forget the earth needs care. But I have also seen their tenderness. I have seen hands place milkweed in the soil. I have seen children cup their palms and not close them. This gives me hope. Some protect the path. Some teach children to be still before a butterfly. Some teach them to be gentle with small lives.

Humans think butterflies are fragile. They see thin legs. They see soft wings. They see a life that can be crushed. But the monarch is not weak. Its body is brave. Its journey is long. Its danger comes from what it needs. It needs milkweed. It needs flowers. It needs a safe path. If humans break that path, the monarch’s old memory has nowhere to go.

Humans are fragile too. But in another way. A grandmother can carry a whole home inside her memory. But the child will not receive it unless the grandmother shares it. This worries me. It feels like watching a candle flicker near an open door. Human memory must be spoken. It must be shown. It must be held. It must be repeated. That is why I wear monarch wings. That is why I land near children and elders. I want to help them remember. I am turning grief into a bridge, one small landing at a time.

When the grandmother laughs, the child remembers. When fear becomes wonder, a story begins. When the story is told again, the memory keeps living. In that moment, I feel less alone. It feels like finding another flame in the dark. I join the human and the monarch. I join them with tenderness. I still feel grief. I know the butterfly’s path can be lost. I know human memory can be lost too. But I also feel hope. Hope rises in me like warm air under my wings. I begin to let the grief go. The butterfly is called a monarch for a reason.

A monarch is a kind of king. People watch kings. People follow them. But this monarch does not give orders. It leads in a quiet way. It shows humans how to change. First there is an egg. Then there is a caterpillar. Then there is a long sleep. Then wings open. The child sees this. She thinks, I can change too.

The butterfly does not know it is beautiful. It only flies. It only follows the old memory inside itself. But the child sees it. She sees the wings. She sees the change. She sees hope. The grandmother gives the child a memory. The child keeps it safe. One day, she may give it to someone else. The monarch passes between them. It does not know it is wearing a crown. But the crown still shines.

I still fly with the monarchs. I still gather light from rain. But now I feel less sad. My heart feels lighter, like a leaf lifted by wind. When I see a child listen to an elder, I feel glad. I feel glad the way the morning feels glad when the sun comes back. I see something bright. I see memory finding a new home. I see kindness moving forward. From wing to hand. From grandmother to child. From today to tomorrow. And I remember this. Beautiful things do not live by strength alone. They live because love remembers the way.

Posted Aug 23, 2026
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5 likes 10 comments

Rae Williams
September 07, 2026 16:21

The part where the butterfly lands on the girl’s nose was probably my favorite. It was such a small moment, but it brought the whole idea of wonder and passing memories from one generation to another together.

What kind of stories do you usually enjoy writing? I’d be curious to see if this is your usual style or something different for you.

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Sean Gaboya
September 09, 2026 13:10

Rae, thank you so much — that moment you mentioned, when the butterfly lands on the girl’s nose, is one of my favorites too. I’m really glad it carried the feeling of wonder and inheritance for you.

These whimsical, mythic‑observer pieces are actually new for me. My usual writing leans toward historical narratives — bringing the past alive through a modern “pilgrim” or witness who stands slightly outside the moment, watching, interpreting, carrying memory forward. This story is me experimenting with that same narrator‑observer voice, but in a more magical, gentle setting.

I’m grateful you spent time with it. Your question means a lot.

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Rae Williams
September 09, 2026 15:29

That’s a really interesting way to approach it. I can see how the observer voice fits naturally with historical stories too, especially with that idea of carrying memory forward.

Have you ever thought about bringing some of those historical pieces together into a book?

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Sean Gaboya
September 10, 2026 12:50

Rae, I honestly hadn’t considered that until now — but your question makes me stop and think.
You’re right about the observer voice fitting naturally with historical pieces. In the way I write, the history itself does most of the work — it drives the friction, the tension, and the plot. The narrator simply carries the memory forward, watching how the past keeps shaping the present.

I’ve never thought about gathering those pieces into a book, but the idea is intriguing. There’s something compelling about placing those witness‑voices side by side and letting them speak across different eras. You’ve given me something new to consider, and I appreciate that.

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Rae Williams
September 11, 2026 13:17

Honestly, I’m really happy my response got you thinking about it. Sometimes an idea is already there, it just takes someone looking at it from a different angle to bring it out. And I really do think those different witness voices could make for a fascinating collection.

Now that the idea has crossed your mind, do you think you’d be tempted to go back through your historical pieces and see what kind of book might be hiding in there?

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Sean Gaboya
September 12, 2026 15:57

I think you’re right — and I’m realizing I probably should start taking those historical pieces more seriously.
When I write them, they usually begin as very loose reflections inside personal correspondences with friends — people who share my interest in history, family, or long‑standing human patterns, and who generously indulge me with their time. Because of that, they’ve never had a unified structure. They were experiments in expression, ways for me to come to terms with tragic or heavy eras of human history, and attempts to articulate humanity to people who were struggling with their own understanding of societal behavior.

It honestly never occurred to me that anyone outside those private circles might find them interesting. But as I sit with your idea, I can see how they could form a book — especially if gathered under the narrative voice I’ve been developing and publishing here. The witness‑narrator, the observer who carries memory forward, might be the thread that ties all those pieces together.

Right now they’re scattered and reflective of whatever emotional state I was in when I wrote them. But maybe that’s part of the story too. Maybe the shape of the book is already hiding in that mosaic, waiting to be arranged.

You’ve given me a lot to think about, and I’m grateful for the nudge.

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