Look in the Mirror

Suspense

Written in response to: "Include a huge twist, swerve, or reversal in your story." as part of Flip the Script with Kate McKean.

It’s the creak that first gets my attention.

Five months in this place and I’ve become intimately familiar with each groan of wood and click of boots on stone. This is different. There’s a sharp quality to it unlike the normal shifting of things, of dust, of something farther away in the compound. I lift my head up from its resting position between my knees and peer into the semidarkness, trying to make out if there’s anything different about the shadowed corners and cracked tiles. My neck aches. Three weeks spent in one position is too long, I guess. I roll my shoulders in an attempt to ease the tight throb, but stop quickly when pain lances through the cramped muscles. I think there’s a point when you’ve gone too far in the way of a statue and your body starts to accept the change. Maybe I’ve reached it.

Shifting on my cold slab of a bed, I scan the cell for a sign of where that noise came from. There it is again. It sounds like a door shifting at the end of the corridor, but no one’s been down here in days, so it’s unlikely. I glance up at the camera above my bed, and the red light’s still blinking, meaning they haven’t forgotten about me yet. It’s a small consolation to know that someone’s watching, but I’m still very much alone.

I lie down and close my eyes to try and stop the spinning of my thoughts. You’d think after a long enough time down here everything would just slow down, but it’s the opposite – your mind refuses to believe you’re isolated and fills the silence with anything it can come up with. That’s probably just what that creak was, like when your computer is falling asleep and you shift the mouse to wake it back up.

Wake up, mind. You’re not dead yet.

Someone grabs my shoulder and yanks me up off the bed. My eyes open immediately but the rest of my body isn’t so quick to respond, and I’m slammed against the wall before I can turn to see who is attacking me. The stone, untouched for so long, spits dust in my face and I try to cough but choke instead, mouth pressed against the rough surface. My weak limbs spasm from the sudden movement. I can’t turn my head at all, and my pulse starts to kick up. Who are you? My cries are silenced and my face is pushed harder into the sharp grit.

Pain. A blow hits my rib cage and my breath gushes out. Needles scrape my throat. Another strike, a knee to my stomach, has me doubling over, skin scraping against the wall. Twisting, I try to look behind me, but the attacker uses my momentum to slam a fist across my jaw. My arm is wrenched behind my back. I gasp, and my mind chooses this moment to slow down, to shutter. I can’t react. I’m pummeled from all sides. Shaken. Scraped. I swear I feel fingernails rake over my stomach, ripping cloth.

I try to gain control of the situation through my mind, in the classic strategy of denial. This isn’t happening. This isn’t happening. This is definitely happening. The ends of my shaggy hair are tugged with superhuman strength, sending white hot pain into my scalp. A scream I didn’t know I had in me is pulled from my throat. Desperate. Confused. Scared. I haven’t felt scared in longer than I can remember.

A glove comes down hard over my mouth, muffling the sound and shoving me to the floor. I hear as opposed to feel my knees hit the tile, the thump finding my ears like I’m a spectator outside my own body. Echoing. My mind can’t decide whether to speed up or slow down, so I’m frozen, waiting for the next blow to land.

Something thick is wrapped around my throat from behind and yanked. Sharp pressure explodes across my windpipe, snaking down into my chest. Constricting. I choke and cough, limbs flailing as I fall backwards. I can’t breathe. I lash out but my fist connects with air, tipping me even more off balance. Spots of black swim into view in front of my eyes and I see the face of a young child flash in pieces among them, fractured. My face. Pins and needles pull me downwards.

The blinding pain in my throat starts to fade to a dull ache, one that pulses throughout my body. When I start to feel calm, that’s when I know it’s almost over. There’s an internal war; part of me wants to just rest, finally, while something else screams to hold onto life. To keep existing. To feel again. That something grows smaller and smaller, at the brink of nothing, then suddenly flares up. Sharp. Stinging. Pushing a final cry from me.

And that’s when the door opens, and the pressure releases, and I gasp, collapsing to the icy floor.

“Hey! What’s going on in here?” A gruff voice accompanies the tall shadow falling over me, but I can’t raise my head to see who it belongs to.

“I– I was attacked–didn’t you see?” I wheeze as my lungs fill up with air too quickly. “Someone attacked me”.

The guard steps around into view, “Mate, what are you talking about? You can’t just yell and flap about to get one of us down here. You’re gonna be locked up for a long time–get used to it.”

“What–no! I was just lying here and someone grabbed me! They tried to kill me, look!” I gesture to my neck frantically, where surely some mark is left from the assault. The movement pulls on the skin and pain flares, making me wince.

“Buddy, I don’t know what you’re talking about. There’s nothing there. Come on, you gotta come talk to my supervisor. This can’t happen again”.

What is he saying? My whole body stings, aches, burns. Why won’t he believe me? There was someone here trying to strangle me, where did they go?

The burly man pulls me up–he must be new because I don’t remember seeing him before–and clasps cuffs around my wrists. The cool metal actually feels nice against my flaming skin, calming my senses.

He pushes me in front of him and I stumble down the hallway, my limbs shaking. I don’t remember much of the walk. My mind has retreated in on itself, a haze of confusion and fear. It struggles to interpret the pain signals being sent to it from all over my body, creating a dull pulse that makes it hard to think about anything else.

A door is opened and I’m forced through to the other side. I trip on the change of surface, stone to carpet. It tickles my bare feet, the soft wool almost uncomfortable after so long in the solid cell. The guard behind me grabs my chin and yanks it up, forcing me to look straight ahead. There’s a man there, hunched in front of a mass of screens.

“Sir, I have him for you. He says he was attacked but there’s no evidence in the cell or on his body”.

The chair swivels then, and a dark, tattooed face levels its gaze on me, burning. “No evidence on tape either–just checked it thoroughly. He’s trying for attention. You’re not getting out, Beckers, what do you want?”

I shift my eyes to the screen behind him, where my struggle is being looped through the cell’s camera. I see myself crumpling, hear myself crying out. There’s no one behind me. No one hitting me, no one wrapping a rope around my neck. It’s just me. On my own. Dying.

A tear slowly rolls down my cheek.

Posted Feb 07, 2026
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5 likes 6 comments

W. L. Caelum
20:52 Feb 10, 2026

Well done! This really stayed with me. The way you embody physical discomfort is vivid without ever feeling gratuitous; the ache, dust, grit, pressure, and loss of breath made me feel completely trapped inside. I was especially drawn to how you leaned into psychological horror rather than shock, using dissociation as a coping mechanism and turning the comfort of being watched into something deeply unsettling. That’s a hard balance to strike, and you handle it beautifully.

I also loved your reversal. It isn’t a flashy “gotcha” twist, but a quiet, devastating realization that made me rethink everything that came before, which makes the story even stronger.

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Vivien Mossman
05:06 Feb 12, 2026

Thank you so much!! I'm really glad you appreciated my description of how the character experienced pain - I especially tried to hone that balance for this story, as well as how the mind kind of shuts down and tries to protect you in these situations. I really appreciate you reading and taking the time to comment!

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Pascale Marie
21:00 Feb 09, 2026

This was excellent. Your descriptions are so vivid and immersive. You had me hooked, waiting for the reveal.

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Vivien Mossman
05:07 Feb 12, 2026

Thank you so much for reading and I'm really glad you enjoyed it!

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Rebecca Lewis
03:25 Feb 09, 2026

Let me just say- this hits. Like hits. You sucked me right into that messed-up headspace, and I felt every single moment, even the parts I didn’t wanna feel. That’s not easy to do. You nailed that sense of isolation - not just being alone, but being trapped inside your own brain, you know? You got the whole “I’m living inside my body and it sucks” vibe down. The little details - the stone, the blinking light, cold slab, that itchiness of the carpet under bare feet after the cell - every sense you dropped in is pulling double duty. It’s not just scenery, it’s the actual feeling of being there, and it’s way more effective than just describing a prison. Feels like I’m locked up right there with them. And the way you handled the attack? That was fire. It wasn’t even about the violence, it was about how your brain starts glitching when stuff goes down. Like the moment where the MC’s mind slows down and it’s all dissociating, everything feels floaty and out of body - super realistic. That’s what trauma does. And then you hit us with the twist- nobody else is there. Damn. That hurt, but in a way that makes sense. You didn’t cheat it, didn’t throw in some cliché shadow in the corner - you kept it grounded, so when the reveal drops, it’s heartbreaking. The ending is just brutal. Not in a flashy way, just… empty. The one tear, the hopelessness. You earned that moment, and it lands. Your voice throughout is real. No fake drama, no overwritten lines, just real thoughts - sometimes unsure, sometimes raw, sometimes just tired. “Maybe I’ve reached it.” Stuff like that is why I kept reading. It’s how someone would think, not just what they’d say out loud.

Your emotional intelligence is next level. You get how fear works, how your brain tries to protect you but just ends up hurting you, how being ignored is its own kind of violence. It’s all here. That’s what makes this story stick, not just your style.

Feels like a mashup of psychological horror and soft dystopian sci-fi. Sort of like if Black Mirror was about people’s inner breakdowns instead of just tech.

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Vivien Mossman
06:10 Feb 09, 2026

Thank you so much!! This made me so happy that you felt the story in the way I was aiming for! I really wanted to encompass that out of body feeling when you've been stuck in your own head for so long and you don't really know what's real anymore - you notice weird things and thoughts just pop into your head. Also, I'm really glad you liked the attack! I worked really hard to try and capture both the emotional and physical side of it without ruining the flow, so thank you for noticing! I really appreciate you taking the time to give me all this feedback and saying so many nice things :)

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