119 Best Creative Writing Exercises for Authors in 2025

Pick up one of your favorite novels. Open it to a random page. Whatever chapter you land on, rewrite it your own way. Take it in a totally different direction than how it actually plays out in the book.

Nothing can create conflict for your characters like good old-fashioned fear. Take time now to define your protagonist's biggest fear. Is it something physical (e.g. tight spaces or flying in an airplane) or internal (e.g. fear of failure, commitment, or rejection)? Write a scene in which your protagonist must face this fear.

This is a challenge that will exercise your prowess at one of the oft-used components of English: punctuation. To start off, write a paragraph of no more than 500 words about the benefits of skin care. Within this paragraph, use ; : - _ ! ? " ' , . at minimum twice.

If you have 5 minutes, prep for your outlining by making a list of lists. This could include:

• 5 possible endings for your book
• 5 twists
• 5 possible subplots
• 5 ways the subplots could tie into the main plot
• 5 ways the character could grow
• 5 surprising things that we could learn about a character
• 5 ways to add some unexpected elements to the book (humor, suspense, sadness, fear)
• 5 ways to describe the main setting/another setting

Your protagonist meets your villain for the first time - on a blind date. What happens?

There's a saying: "Everyone is the hero of his or her own story." For a 10-minute writing exercise, enter your book from another character's eyes. Think about how differently that character would experience your plot and capture that in a short story.

Make a list of the things that make you feel guilty about your writing. (For example: "I haven't written in 10 days even though I could have made the time.") Call yourself out. Then, go through each point and write a goal or accomplishment to challenge that guilt. (For example: "I have already written more than I did last month", or "I will set aside 30 minutes to write today.")

Our individual perspectives define what we first notice about a person's physical appearance. How do your characters see those around them? Describe one character's physical appearance from the perspectives of three other characters. What does each beholder's description reveal about who they are?

Your protagonist has just made it into a New York Times headline. What does the headline say? Write down the reaction of your protagonist to hearing the news that day.