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Write your book in Reedsy Studio. Try the beloved writing app for free today.
Craft your masterpiece in Reedsy Studio
Plan, write, edit, and format your book in our free app made for authors.
DIRECTORY
Showing 46 writing exercises curated by Reedsy.
Your protagonist meets your villain for the first time - on a blind date. What happens?
Your protagonist has just made it into a New York Times headline. What does the headline say? Write down the reaction of your protagonist to hearing the news that day.
Describe the same character twice. Once as the hero of a story and once as the antagonist.
A talk show is scripted to promote the guest and discuss topics with which the guest is comfortable. Imagine your protagonist on the Ellen Degeneres Show (or The Late Show With Stephen Colbert - whichever show you're familiar with). What questions would be asked of your protagonist? What funny anecdotes would your protagonist share? Write down the reactions of both your protagonist and the host.
Humans are highly resistant to change - for a character to believably undergo a personal journey that substantially alters them, something HUGE and specific must happen to them. This event doesn't have to happen in your story, but once you can identify your character's limits, you can determine what is required to create a potential change in their fundamental nature.For this exercise, determine what this catalyst for change might be by considering situations or attributes that feel counterintuitive. For instance, if your character is a Good Samaritan, it is unlikely they would commit a crime. What would have to be at stake for this unlikely situation to happen - and for a core part of your character to change?
How people perceive your character may be markedly different from who your character really is. Think about what the average stranger might think - or hear - of your character. What's the gossip around town concerning your character? Write down a scene in which your protagonist is forced to confront this gossip, and the consequences of that confrontation.
Moments of crises force characters to act without thinking, revealing things that might not have been previously obvious. Now imagine that there has been a blazing fire in your protagonist's house. What are the three things that your protagonist would unthinkingly grab as he or she breaks for the door? In 500-1,000 words, put this scene and its aftermath down on paper.
Your protagonist sits down at a desk and begins penning a letter to his or her younger self. What would they tell their past selves? What regrets do they voice? What lessons have they learned? How have they changed? Write this imagined note yourself, in your protagonist's voice.
Select a scene that involves 2-3 characters. Write a paragraph from the point of one character. Now write the same interaction from another character's point of view. For example: your paragraph could involve the point of view of a convenience store clerk contrasted with a customer's point of view of the same incident.
Create a timeline of the significant moments of your character's life. Like many authors, you can use post-it notes or a big whiteboard to visualize your character's life. You can easily move or add events until you feel your character has a well-developed history. After you've finished the timeline, distill it into the top 5-10 moments that have shaped your character. For instance, if loss is a thematically important part of your book, perhaps a significant part of your character's past is when they lost a grandparent as a child.
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