Submitted to: Contest #326

The Quiet That Cut

Written in response to: "Begin with laughter and end with silence (or the other way around)."

African American Contemporary Thriller

Lauryn

Men always think the punchline belongs to them.

Mark was six-five of “you-should-smile-more” confidence poured into an Old Navy hoodie. Bald head, neat beard, hands big enough to palm my whole life. We matched on Bumble while I was killing time in the break room, pretending the cappuccino machine was a coastal escape and the leasing CRM wasn’t a vampire feeding directly on my soul.

Three years divorced, both of us. We trauma-bonded so fast the metaphor should’ve come with seatbelts. The messages were therapy-lite with thirst-trap undertones: I never thought I’d be here. Same. I miss being touched without being owed. Say less. You know the dance—two grown people taping together the shards and calling it a vase.

He moved into my luxury Midtown high-rise after three months—the building where the concierges know my coffee order and the elevators whisper. I was assistant property manager then, which meant my apartment came discounted and the rent came straight out of my check. Mark Ubered, then Lyfted, then found a patient‑intake job at Emory, which felt like an upgrade until the State of Georgia took one look at his child‑support history and said, We accept all major forms of delusion, including yours. Forty percent gone before his pay hit air. Then his car died, and he cried on my couch like a man who thought tears were a coupon.

“Baby,” he said, holding my hands like a televangelist. “If you co‑sign, I swear—”

I swore too. Quietly. The special kind of oath you take when you know you’re about to do something spectacularly stupid.

You know the rest. Bills multiplied like righteous rabbits. I picked up slack until the slack strangled me. My performance slipped, then I slipped. They “restructured” me right out the door, and the apartment with it. Mark left the way only men who’ve practiced can—suddenly, completely, like a trick with mirrors. I woke up to empty drawers and a note that said, I need space to become who I’m meant to be. I wrote back in my head: And here I thought your skull was all the space you needed.

Rentless and ruined, I moved in with my daughter, MacKenzie, who didn’t say “I told you so” but absolutely wore it. I got a new property job in Buckhead, a therapist who talked less and listened more, and a notebook where I mapped out credit repair like a war campaign. It took a year to name what happened with Mark: theft with a smile. It took another to let the heat turn into clarity instead of poison.

Then he slid into my Facebook DMs like mildew.

Mark: Been thinking about you.

Mark: I’m sorry. For everything.

Mark: I’m in Phoenix now. Whole new me. Come see.

Phoenix. Of course. Desert men love desert promises—big sky, no shade. I ignored him for three days because that’s the correct number for resurrections. On the fourth, I wrote back.

Lauryn: What changed?

Mark: I did.

Lauryn: How?

Mark: Therapy. Accountability. Missing you.

Therapy, accountability, missing you. The Holy Trinity of Men Who Want Another Chance, delivered like he’d just finished a podcast.

He FaceTimed me outside a stucco complex under a bleached sky, sun bouncing off his skull like a prayer. He looked good—he always did. That was part of the problem.

“Come visit,” he said, voice low, pulling the camera back just enough to show me a new sofa and a clean kitchen. “Let me make things right. I’ll pay for your flight.”

I laughed—short, humorless. “You still can’t pay all your child support, but you can buy me a ticket?”

“I want to honor you,” he said, like a man who’d learned five new words and wanted treats.

My therapist, Dr. Diane, has a trick. When you want to do something your better self would veto, imagine the scene ten minutes after it’s over. I did and found… not regret. Not this time. I found a quiet I hadn’t felt since before Mark, a blank space where his shadow used to loom. The quiet had edges. If I pushed, it would cut.

“Fine,” I said. “One weekend. You plan it. And I’m not staying with you. Get me a hotel.”

“Done.” The smile he gave me was the one from our beginning—the one that says I have already won.

Men always think that.

Phoenix is a furnace masquerading as a city. The heat hit me like an airless hand. Mark picked me up in the Mustang. My Mustang. The one I’d co‑signed for, the one he’d driven across the country without a second thought, the one he was barely making payments on. It roared like insecurity, and the sheer audacity of it all was a fresh wound. He looked like a billboard for Second Chances—new sneakers, a watch I knew he couldn’t afford, breath mints so strong they made my eyes water.

He didn’t stop touching me. A hand at my lower back. A thumb under my jaw. The familiar choreography. We checked into a boutique hotel downtown where everything was matte black and scented like bergamot, the kind of place designed to make regret look expensive.

In the elevator, he leaned down so his beard scratched my ear. “Let me redeem myself.”

“You’re not a coupon,” I said, but I pressed closer.

Our room was a cool shadow. He set my bag down, palms up. “Permission?” I nodded.

We’d done this dance before. Not the full thing. The tease of it. Breath and control and the way surrender can feel like power if you hold the rope yourself. Back then, it was careful, full of rules; back then, I believed men said what they meant when they wanted something from you.

“Say what you want,” I told him, voice low.

His throat worked. “I want to earn you. I want to give you everything you asked for and I couldn’t give before.” Boyish, eager. “I want to be held down by you. I want to feel you take me to the edge and bring me back.”

“Trust,” I said, rolling it on my tongue like a vintage wine. “You have any of that left?”

“Only for you.”

Men are reliable like that. They’ll always give you the weapon you need, as long as it feels like love.

We ate first, tapas where every dish “whispers” and the ice didn’t melt. He watched me more than he ate. It felt like being purchased.

Back in the room, I showered while he set the stage—lamps lowered, music a late‑night thrum. When I came out in the robe, he was already bare on the bed, big hands on his knees, looking both ridiculous and beautiful.

“Turn around,” I said. He did. I fastened his wrists—nothing complicated. He exhaled. The muscles in his back moved under his skin—the ghost of his old career rippling.

“You safe?”

“Yes.”

“What’s the word if you want out?”

He named it. The old word, from when this was a game with guardrails. The word I’d honored then, even when honoring it meant ending a night with my body singing and my heart hungry.

“Good,” I said. “Open your mouth.”

He did. I fed him my fingers, slow. Control is a perfume. You wear it and people smell their fantasies.

When I slid behind him, he melted. Big men love to be undone. They give up the story they tell the world and collapse into the one they only tell in the dark. It’s tender. It’s cruel. It’s honest. I placed my palm just under his jaw where the pulse beats like a trapped thing. He moaned.

“There,” he said. “There. God, Lauryn. Don’t stop.”

“I decide that,” I said, and his whole body flinched like I’d flipped a switch.

Here’s the part where I tell you revenge isn’t sweet. It’s saline—it preserves. If I’m confessing, I’ll say I’d fantasized about this for months—not the sex, though yes, that too—but the quiet at the center of it. The moment where the past goes still. The tiny, holy hush when the engine that’s been running loud in your head finally cuts.

I pressed. Not hard. Not yet. I let him feel the promise of it. He begged, and the begging was music. He said my name the way some people say please.

I stopped and moved in front of him. He watched me loosen my robe. The sound he made—low and helpless—rearranged my molecules. I stepped closer so he could breathe me, so he could remember every inch he’d lost. Then I pulled away.

His eyes went wide. “Lauryn—”

“You remember the day you left?” I asked softly. “You remember what you took?”

He flinched like the words had weight. “I—”

I slid my hand into his beard, thumb against his mouth. “Hush. We’ll talk after.”

We didn’t. There was nothing left to say.

He asked for more. I gave it.

“Take me,” he said, and I did. Slow at first, then faster—rhythm that lives exactly between annihilation and salvation. He floated to the edge and grinned at the drop. I brought him back and he sobbed with relief. Again. Again. Power is sexy. Rescue is sexier.

“Trust me?” I asked.

“With my life,” he said, and meant it.

Men always mean the wrong part.

Here is the moment you want me to justify: the tilt from play to punishment. I won’t.

I tightened my hand. He saw heaven for a second—the kind without angels. I loosened. He gulped air, eyes wet. “Perfect,” he whispered. “God, Lauryn. You’re perfect.”

Another pass. Closer. A little longer. Bodies are simple machines; they tell the truth. His truth was that he wanted to disappear and be held at the same time.

He shuddered. I eased. He breathed. “I love you,” he said, because men say that to the person holding their oxygen like a secret.

I could have stopped and given him back to himself, new and grateful and ready to worship. I could have made him the man he pretended to be. I could have forgiven him with my hands and called that healing.

Instead, I let the quiet move in.

A little more pressure. A little longer. The body panics and then releases. It’s a trick door. Most people stop at the panic. Not me. Not tonight.

The word—our word—bloomed in his mouth. I saw it form. Hang there, petals trembling. I pretended not to notice. He tried again, smaller. I kissed him, slow, and he swallowed the word like a stone.

His eyes went huge. He bucked. I held. He went still the way bodies do when they’re arguing with themselves. Then his face changed—the lights inside re‑arranging. It’s a look I’ve seen on men a thousand times, right before they talk themselves out of decency.

Mark slipped.

I let go.

He sucked air, a shuddering, ugly sound. His chest rose too fast. He stared fixedly at the ceiling like it had said something terrible about his mother. I waited, listening to the room return to itself: air conditioner whisper, the ice bucket clicking as it softened, bruise‑colored music.

“Hey,” I said softly. “You with me?”

He didn’t blink.

“Mark?”

He tipped, slow, like a tree felled in a forest that refuses to make a sound. I caught him and lowered, wiped his mouth with a washcloth, checked his pulse because of course I did. I’m not a monster. I talked to him the way the nurses at Emory talk to men who’ve tried to die in quiet rooms. He made a gurgling sound that wasn’t a word.

“Okay,” I said. “Okay.”

I called downstairs and told them my partner was having a medical emergency. The word “partner” slid out clean. The night manager sent up a discreet medic—boutique hotels have those, apparently, along with monogrammed slippers and silence clauses.

In the ambulance, I held Mark’s hand and watched the desert roll by like a screensaver. The ER staff were competent and terrifyingly calm. They ran tests. They said words I needed a year of WebMD to understand. They asked what happened. I said we were intimate and he suddenly couldn’t speak or move. I said I might have forgotten the safe word. I let my voice fracture on “forgotten.”

They nodded the way people nod at hard truths—grief‑shaped and clinical. A neurologist with startlingly gentle hands said “hypoxic injury,” then “brainstem,” then two words I’ll never stop tasting: locked‑in.

For those who don’t know: locked‑in syndrome is the devil’s favorite magic trick. You’re all there—mind, memory, awareness. The lights are on. You just can’t move. Sometimes you can blink. Mark couldn’t—not yet. The neurologist explained it with a laminated diagram and a face that had delivered too many impossible facts.

“Will he recover?”

“It’s too soon to tell.”

“Will he understand?”

“Yes.”

The universe is an improviser. It hears your theme and riffs. I’d asked for silence; it gave me a man trapped inside his own body with nothing but my name for a blanket.

I stayed two nights. I slept in a chair and fed him ice chips with a sponge while the nurses pretended not to know how culpability smells. When the social worker asked for family contacts, I gave her his ex‑wife’s number in Atlanta. I didn’t apologize for the time zone.

On the third morning, alone with him, I folded the sheet over my knees the way my grandmother used to—crisp and deliberate.

“Listen,” I said. “Here’s your ending.”

His eyes—still glossy, still wrong—tracked to me. Slowly. Deliberately. There he was. Mark, the man who thought redemption meant staying long enough to be applauded.

“You wanted me to take you to the edge and bring you back.” I leaned in until my breath fogged his. “I took you there. You didn’t come back with me.”

A tear ran from the corner of one eye, then stopped at his ear like it had learned manners.

“This is where I tell you I’m sorry. This is where I claim it was an accident and cry until the nurses use my first name.”

I brushed the tear away with my thumb. “I’m not sorry.”

The machines kept their metronome. Somewhere down the hall, a TV laughed at a joke canned in 2011.

“You were going to live off my light forever,” I said. “Now you get to sit with yours.”

I stood, smoothed my dress, checked my lipstick in the black glass of the unplugged TV. Men always make everything about them; you have to practice the small rituals of selfhood or you’ll forget you exist.

The neurologist caught me in the hall. “We’ll keep you updated,” she said, like I’d asked to be haunted.

“Please don’t,” I replied, and meant it.

Back in Atlanta, October finally broke the back of summer heat, and the city exhaled like a woman who’d unclasped a bra that had turned into a grudge. I moved into a modest place with tall windows and a plant I didn’t kill. MacKenzie helped me hang art and then stole half my skincare. I said thank you to my body for making it through; it said you’re welcome with better sleep.

I went back to work Monday. The new property was smaller, older—my kind.

On Wednesday, a certified letter arrived from Phoenix. A hospital lawyer wrote about “incident,” “liability,” and no criminal inquiry— a sterile bow on a feral story.

I signed where they told me and sent it back with a Post‑it: No further contact.

I slept without a dream.

Three weeks later, his ex‑wife messaged: he’d been moved to a long‑term facility; the kids counted blinks for yes and no; they were raising money for a device to translate his eyes into words.

I thought you’d want to know, she wrote. He asked about you. With his eyes.

I closed my laptop. Then I sent a donation under a fake name because I’m not pure, but I am precise.

That night, I dreamed of a hotel room made of mirrors. Every reflection was me. In each, I looked different—older, younger, meaner, softer—but I was alone in all of them, and the alone wasn’t empty. It was spacious.

In the morning, I put on a fitted black dress and red lipstick so sharp it could file down a man’s ego. I met my friend Aaliyah for brunch, and when she asked how Phoenix was, I said, “Dry.”

“Girl,” she said, cackling. “You’re terrible.”

“I’m consistent.”

At a stoplight, a bus ad screamed REVENGE. I smiled. Real revenge is quieter— it hums.

That night, alone in bed, I rolled onto my back and watched the ceiling fan spin slow circles. I pressed my fingers lightly against my own throat and felt the racing, then the calm. I whispered my name in the dark. I answered: Here.

The quiet came back. Not the scary kind. The useful kind. The kind you plant in and water.

The punchline, in case you missed it, wasn’t him. It was me. It was the way I laughed—low and sure—at the life I’d built out of ashes and late fees and a high‑rise view I no longer needed to prove I belonged.

Men always think the joke is on you. Then you learn to write your own.

And you do.

And it lands.

Posted Oct 25, 2025
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11 likes 2 comments

Lena Bright
21:37 Dec 07, 2025

"Lauryn" is a bold, fierce exploration of power, betrayal, and self-discovery. With sharp wit and raw emotion, the story dives into a woman's journey from manipulation to liberation. It’s a stunning portrayal of reclaiming one’s narrative after heartbreak, with an unforgettable twist. The punchline? It’s not about the man, it's about the woman who learned to write her own story.

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Erica Bunker
19:45 Dec 13, 2025

Hi Lena!
Thank you so much for this thoughtful reading. You absolutely caught the heart of it—this story was never really about him. It was about what happens when a woman stops shrinking her pain, reclaims her power, and decides to author her own ending. I’m grateful you felt the wit, the rage, and the liberation all at once. That means everything. 🖤

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