The Osmotic Library

Contemporary Fantasy Fiction

Written in response to: "Your protagonist has stepped into a shop that weaves magic into its wares. What happens next?" as part of Everyday Enchantment with Lynn D. Jung.

The woman behind the desk wore bifocals on a chain and didn’t look up when I entered.

“First time?” she asked, stamping something.

“Yes.”

“No bags. No phones. No cameras.” She gestured to a bin. “Nothing leaves.”

I set down my backpack, my phone. She pushed a clipboard across the counter.

“Sign here. Print your name there.”

The form asked for emergency contact information. I hesitated.

“It’s procedure,” she said. “Most people come out fine.”

“Most?”

She looked at me then, bifocals catching the light. “The books stay here. What they do to you—that’s yours to keep.”

The reading room stretched back farther than the building should have allowed. Shelves rose to a ceiling I couldn’t quite see. A girl sat cross-legged in the aisle, younger than me, maybe twenty-five. She read silently, turning pages carefully. A small pile of books sat beside her. They were slim volumes with cracked spines.

I pulled a volume at random. Collected Poems, Someone I’d Never Heard Of. The pages felt warm, almost alive. I opened to the middle:

The orchard remembers / what the house forgets— / twenty-three springs of blossom / and a boy who climbed too high.

My throat tightened. I didn’t know why.

An old man shuffled past, one hand trailing along the book spines. His face was calm, almost blank, as he selected a thick volume and settled into a chair by the window.

“Excuse me,” I whispered. “What are you reading?”

He showed me the spine without looking up. “Anna Karenina,” he said quietly.

I found myself in the history section without meaning to. The books there smelled of smoke and salt water. I pulled one down: Letters from the Western Front, 1916-1918.

The handwriting was terrible. I read anyway.

Dear Mother, The rats here are the size of house cats. Williams says they remember being men once. Says he can see it in their eyes. I told him he’s gone soft, but last night I watched one drag a photograph from Jenkins’ pocket. It studied the picture for a full minute before eating it.

My hands shook. I turned the page.

We buried Williams today. His mother will get a different letter than this one. The Captain says I have a talent for lying kindly.

I read until my eyes burned. When I finally stood, my knees cracked.

Near the back, past a shelf of road atlases, I found a grease-stained notebook wedged between two hardcovers: Birch Brothers Garage — Field Notes, 1951–1968. Not published. Just recorded. The handwriting was cramped but certain, the margins crowded with diagrams — crankshafts annotated in pencil, carburetor throats labeled with arrows, torque specs circled and underlined like they were the most important facts in the world.

Feb. 4, ‘53. The Pellerin boy brought in his father’s Hudson again. Same knock, third time this winter. Told him it’s the rod bearings. Told him last time too. He says his father won’t believe me. I told him the engine doesn’t care what his father believes.

You can hear a lot in an engine if you stop talking. Most people won’t stop talking.

The entries ran for seventeen years. Oil changes and overhauls and a 1961 Ford someone drove into a lake and then brought back, still expecting it to run. The last entry was dated October 14, 1968: Sold the shop to McCauley. He’s a good mechanic but he doesn’t listen yet. He’ll learn. Or the engines will teach him.

I read every page.

“Find something?” The woman from the front desk appeared beside me.

“I don’t know.”

“That’s how it starts.” She took the book gently, shelved it. “The not knowing.”

“What happens when I leave?”

“You’ll have to tell me. You’re the one who’s been reading.”

I walked back to the front desk. The girl from earlier was there, arms full of books. She set them down carefully—five volumes of Emily Dickinson. Different editions, different years, all read cover to cover.

“All set?” the woman asked.

The girl nodded. “Thank you.”

“Let’s check your pockets.”

The girl pulled them inside out. Empty. She lifted her hands, showed her palms. Nothing hidden.

“Front door only.”

The girl left through the main entrance, walking normally, shoulders relaxed. Through the glass, I watched her cross three parking spaces before she stopped. Her hand went to her throat. Her mouth opened. No sound at first, then I saw her lips moving rapidly, frantically. She turned in a slow circle, hand still at her throat, reciting something over and over. Her voice rose—I could hear it now through the glass, high and desperate. She was speaking in rhythm, in meter, words tumbling out like she’d been holding them back for years and the dam had finally broken.

The old man appeared beside me, heading for the door. Still calm. Still quiet. He’d left his book on the chair by the window.

“Finished?” the woman called after him.

He nodded without turning around.

He pushed through the door, took two steps into the sunlight, and stopped. His briefcase slipped from his hand. Then his knees buckled. He caught himself on a car hood and slid down to sit on the asphalt, back against the tire, shoulders shaking. His hands covered his face. People in the parking lot turned away.

The girl was sitting on her car’s hood now, still reciting. Her face was wet. She clutched her chest like something inside hurt.

“I’m ready to go,” I said.

The woman studied me. “Did you take anything?”

“No.”

“Check again.”

I patted my pockets. Empty. Turned them inside out. Nothing.

“Check here.” She tapped my forehead. Then my chest. “And here.”

I grabbed my backpack from the bin, pushed through the front door into afternoon sunlight.

The old man was still against the tire, shoulders heaving. Someone stopped to help but he waved them away, shaking his head, unable to speak.

The girl had gone quiet now. She sat very still on her hood, staring at the sky, lips moving silently. Tears tracked down her face but she didn’t seem to notice.

I made it to my car before it hit.

I stood at the driver’s door and didn’t open it. Instead I walked around to the front, found the hood latch without thinking, and lifted it. I stood there over the engine with no idea what I was doing.

But my hands did.

They moved without asking — checking the oil, pressing the upper radiator hose, tilting an ear toward the block the way you’d lean in to hear a whisper. Valves, I thought. Been ticking since somewhere around the Pennsylvania line. Not urgent. Not yet.

I didn’t know anything about valves until a few minutes ago.

I closed the hood. My hands were clean. I stood in the parking lot in the afternoon light and I could hear every car in it — idling, cooling, ticking — and I understood each one like it was saying something in a language I’d always known.

I drove home carefully, both hands on the wheel.

My wife was making dinner when I came in.

“How was the library?”

“Strange,” I said. Then I looked at her car keys on the counter. “Your car needs the front brake pads replaced. Probably by the end of the month.”

She turned from the stove. “How do you know that?”

“I don’t know,” I said. “Not exactly.”

That night I dreamt of engines and orchards and a soldier’s terrible handwriting. When I woke, I lay still in the dark and listened to the house settle around me — the furnace cycling, the refrigerator’s hum, the small complaints of pipes in the walls. I didn’t understand any of it.

But I knew what the car was saying. And I thought about a man who sold his shop in 1968 and hoped someone else would learn to listen.

Posted Aug 15, 2026
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3 likes 3 comments

Elamin Gasim
August 25, 2026 18:59

This piece is almost self referential. I am currently in the throws of reading a book series and find myself overlaying it on my every day life. Putting the experience in terms of magic really is fitting. I would also like to say that I have been left pleasantly satisfied with the balance of this story. It started where it needed to start and went where it needed to go. Great job.

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Scott Soodek
August 26, 2026 16:33

Elamin,
Thanks for commenting and glad you enjoyed the story. I try to stay away from too much wandering when writing a story to keep the filler out.

Regards
Scott

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Elamin Gasim
August 27, 2026 12:47

I had selected your story at random along with a few others to comment on and it was just given to me to review again. Unfortunately I have nothing but praise. I love the introduction of characters and using them early in the story to describe the space then later using them to lay the groundwork to foreshadow the protagonist's fate. It was a very clever way to parse down how much describing you were doing while keeping the world alive.

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