Submitted to: Contest #336

Bronze Feathers and Ancient Blueprints

Written in response to: "Write a story entirely in dialogue (e.g., an argument or a conversation that spirals out of control)."

Contemporary Fantasy Urban Fantasy

"You're still up."

"I made tea. The pot's still warm if you want some."

"Thanks. Smells like... chamomile?"

"With honey. Great-Aunt Gertrude's blend. I make it when I'm working through something complicated."

"The German porcelain cups."

"You noticed."

"Hard not to. They're beautiful. So. You sent a message saying you'd figured something out?"

"I did. Though 'figured out' might be overstating it. More like... the pieces finally connected."

"Okay. I'm listening."

"Do you remember breakfast last week? When I mentioned the owl I built when I was twelve?"

"The one that matched Edmund's documentation. The construct."

"Yes. Well, I've been going through Gertrude's journals every evening. Comparing them to what Edmund recorded about Greenvale's original systems. And I found something."

"Show me."

"This page here. See the diagram?"

"That's... a bird? Mechanical, looks like."

"An owl construct. Specifically, a Tome Warden—a construct designed to manage sanctuary archives and coordinate magical communication. Edmund mentions them three times in his journals. Greenvale had one before the Purge."

"And this matches what you built as a kid?"

"Not exactly. What I built was crude. Instinctive. I didn't know what I was making. But the proportions, the basic structure, the way the joints articulate—it's the same underlying design. I was reaching for something my blood remembered."

"Thomas said something like that. About the Hite line specializing in construct awakening."

"He did. And that's what sent me back through Gertrude's journals with fresh eyes. She knew, Mike. She knew what I was, what I could become. She just... she died before she could explain it all."

"I'm sorry."

"Don't be. I've made my peace with it. Mostly. The point is, she left me everything I need. I just didn't know how to read it until now."

"Everything you need for what, exactly?"

"To build a Tome Warden. To awaken it properly. To give Greenvale back what it lost."

"Clara. That's... that's not a small thing."

"I know."

"You've been here less than a month. We're all still struggling with basic formations. And you're talking about creating a magical construct?"

"I know how it sounds. Believe me, the irony isn't lost on me. I can barely hold a ward connection for thirty seconds, but I'm proposing to bind permanent magical patterns that should last for generations."

"The thing is... I'm not saying no. I just need to understand what we're actually talking about here."

"That's fair. That's more than fair."

"So walk me through it. Start with what you'd need."

"Materials first. The frame requires ley-conductive bronze—not standard bronze, a specific alloy that can channel Hyn Gwy without degrading. Edmund's notes reference a formula, and Gertrude's journals have the actual proportions. Copper base, tin, and trace amounts of gold and silver in precise ratios."

"Can we get that? The metals?"

"The raw materials, yes. There's a specialty metals supplier in Asheville that carries everything except the gold, and the quantity I'd need is small enough to source elsewhere. The challenging part is the forging process itself. It has to be done during specific lunar conditions."

"Lunar conditions."

"The waxing moon. Hyn Gwy flows differently depending on the lunar cycle—stronger during waxing phases, more stable at full moon, more... volatile during waning. For construct creation, you need the building energy of a waxing moon. You're literally growing something."

"Okay. Bronze frame, waxing moon. What else?"

"Parchment rune filaments. The construct's wings are layered with treated parchment sewn to the bronze framework. Each piece has to be inscribed with specific runes that create the magical conduits. Gertrude documented eighteen different rune sequences, each serving a different function."

"Eighteen?"

"Well, twelve primary sequences and six variations depending on intended use. For a Tome Warden specifically, I'd need the archive protocols, the communication matrices, and the binding patterns for ley-line interpretation."

"You're losing me a little."

"Sorry. The short version: the runes tell the construct what to do. Archive protocols let it catalog and recall information. Communication matrices allow it to facilitate telepathic coordination across the sanctuary. Ley-line interpretation means it can read the magical currents and report anomalies."

"Like an early warning system."

"Exactly like that. One of Greenvale's biggest vulnerabilities right now is that we're blind. We have wardstones, but no coordinated way to monitor what they're telling us. A Tome Warden solves that problem."

"What about the brain? Sam asked about that at dinner—the crystal thing."

"The mnemonic heart crystal. That's the most complex component. It stores the construct's consciousness template and gives it the capacity for memory and learning. Without it, you just have an animated statue following preset commands. With it, you have something that can grow, adapt, develop genuine awareness."

"Where does the consciousness come from? Are you creating something new or..."

"That's one of the things I'm still working through. Based on Gertrude's notes, the consciousness emerges during the awakening ritual. The Guardian provides a template—essentially, you imprint the crystal with your understanding of what the construct should be. Your intention, your purpose, your values. The crystal takes that imprint and... develops it into something unique."

"So it would be connected to you."

"Bonded to me, yes. Like Iskra is bonded to you, though the mechanism is different. Construct bonds are created rather than discovered. But the result is similar—partnership, communication, shared purpose."

"Huh."

"What?"

"Nothing. Just... I never thought about it that way. Iskra and I found each other. You'd be building your partner from scratch."

"Does that seem strange to you?"

"Not strange. Different. Maybe harder, in some ways? You'd have to know exactly what you want before you start."

"Actually, I think that's why the Hite line specialized in this work. We tend toward the methodical. We like knowing the specifications before we begin. Gertrude always said I planned everything to death—she meant it as a compliment."

"I can see that."

"The irony is, the awakening ritual itself requires exactly the opposite. The final step isn't a procedure. It's an oath. You have to speak truth from your heart about why you're creating this being, what you promise to uphold, what purpose you're dedicating it to. Gertrude called it the Oath of Preservation."

"And that can't be scripted."

"No. It has to be genuine. The construct knows. The Hyn Gwy knows. You can prepare every component with perfect precision, but if you speak the oath without meaning it, nothing happens."

"Clara, can I ask something?"

"Of course."

"Why now? You've had Gertrude's journals since she died. You've known about constructs, about the family tradition. Why is this the moment?"

"Because now I understand what I was missing. Before Thomas initiated us, before I could actually feel the Hyn Gwy flowing through proper channels... the journals were just history. Interesting patterns without practical application. I could read the recipe, but I had no sense of how it would taste."

"The initiation changed that."

"Everything changed. When Thomas transferred that knowledge—when I finally understood what Guardians actually do instead of just reading about it—I went back to Gertrude's notes and they were different. The diagrams made sense. The sequences had meaning. I could feel what she was trying to teach me."

"That sounds like what happened to all of us. Ruby said she finally understood why her bridging exercises weren't working."

"Exactly. Except in my case, the understanding connected to something I've been carrying my whole life. I built that owl at twelve years old, Mike. I didn't know why. I just knew how the pieces fit. And now I know what I was reaching for."

"Gertrude recognized it."

"She did. She left me a letter. Just one line: 'You always knew. Trust yourself.'"

"And do you?"

"I'm trying to. That's actually why I wanted to talk to you tonight. Not just to explain what I've discovered, but to ask for help."

"What kind of help?"

"The awakening ritual requires more than just me. According to Edmund's documentation, major magical workings at Greenvale were always conducted with full Lloches support. The coordinated energy of multiple Guardians stabilizes the process, reduces the risk of—"

"Wait. What risk?"

"Several, actually. The most serious is incomplete binding. If the consciousness template doesn't fully integrate with the mnemonic crystal, you get... fragments. A construct that can't think coherently, can't communicate clearly, can't fulfill its intended purpose."

"What happens to it?"

"In historical cases, the Guardian had to unmake what they'd created. Destroy it before it could cause harm."

"That's..."

"Terrible. Yes. I know."

"What else can go wrong?"

"Energy cascade. The forging process requires sustained Hyn Gwy channeling over several hours. If the Guardian loses focus or the flow becomes turbulent, the accumulated energy has to go somewhere. Wardstones can absorb some of it, but in severe cases, the overflow damages whatever's nearby. Including the Guardian."

"How severe?"

"The worst case in Gertrude's notes involved a construct awakening in 1847. The Guardian lost three fingers and couldn't channel Hyn Gwy for two years. The construct never activated at all."

"Okay. That's serious."

"There's also sympathetic disruption. If the Guardian's bond with the construct goes wrong during the awakening moment, it can affect their other bonds. In my case, that would mean—well, I don't have other bonds yet. But if I did, there could be interference."

"These are not small risks, Clara."

"No. They're not. And I want to be completely honest with you: I don't know for certain that I can do this. I'm a novice Guardian. I've never attempted any major magical working. Every single person in this sanctuary has more practical experience than I do."

"Then why do you think you can succeed?"

"Three reasons. First, the Hite line has been preparing for this work for generations. Whatever instinct let me build that owl at twelve—whatever blood memory made me reach for patterns I'd never been taught—it's still there. Stronger now that I can actually feel what I'm connecting to."

"Okay. Second?"

"Thomas and Nathan. We have trained, experienced Guardians who can supervise the process, intervene if something goes wrong, guide me through the difficult moments. I'm not proposing to do this alone in my workshop at midnight. I'm asking to do it with every possible support in place."

"And third?"

"Third is... harder to explain. It's something Gertrude used to say about craft work. She said that every creation has a moment when it wants to exist. When the materials are ready, when the maker is ready, when the purpose is clear. You can feel it if you pay attention. The work calls to you."

"And you feel that? About this?"

"I've felt it since the initiation. Stronger every day. Like something waiting to wake up. Gertrude's letter keeps coming back to me: 'You always knew.' I think she meant that I would recognize this moment when it came. I think she was right."

"Clara..."

"I know it sounds mystical. It's not how I usually think. But I've learned enough in the past few weeks to know that intuition matters here. You've been trying to teach us that—that Guardian work isn't just following procedures, it's feeling the connections."

"That's... yeah. That's fair."

"So I'm asking. Will you support this? Will you bring it to Thomas and Nathan, help me make the case for doing it properly, with the whole Lloches involved?"

"Can I ask one more thing first?"

"Anything."

"What would it mean for us? For Greenvale? If this works?"

"A Tome Warden would change everything. Right now, we're operating blind—relying on individual perception to catch threats, hoping someone notices when something goes wrong with the wards. With a functioning construct in the network, we'd have constant monitoring. Real-time information about ley-line status, wardstone integrity, creature activity. Early warning when something's approaching."

"That sounds like what Sam's been trying to piece together manually."

"Exactly. Sam's brilliant at coordination, but he's one person trying to process information that was meant for a dedicated magical system. This would give him tools. Give all of us tools."

"Communication too, you said."

"The construct can facilitate telepathic coordination across the sanctuary. Not replace partner bonds—nothing can do that—but extend them. Make it possible for everyone to know what's happening during a crisis, to coordinate responses, to call for help when it's needed."

"Iskra would like that."

"I thought she might. There's also the archive function. Greenvale has accumulated generations of knowledge in those damaged libraries. Right now, it's just... books on shelves, notes in boxes. No one can find what they need when they need it. A Tome Warden would catalog everything, cross-reference it, make it accessible."

"You've really thought this through."

"I've been thinking about it since I was twelve years old. I just didn't know that's what I was doing."

"Okay."

"Okay?"

"I mean... I need to process this. It's a lot. But I think you should present it to Thomas and Nathan. Formally. With everything you just told me."

"You'll support it?"

"I'll support you making your case. The decision about whether we actually do it—that's going to depend on what they say. What risks they think we can manage, what they see in your preparation. But yeah. If Thomas and Nathan agree it's possible, I'll back you."

"Thank you."

"Don't thank me yet. There's going to be a lot of questions. Thomas is going to want to see everything—Gertrude's journals, Edmund's documentation, your material specifications. He's going to want to watch you work, assess your actual skill level, not just your theory."

"I'd expect nothing less."

"And if they say no, or not yet, you have to be willing to hear that."

"I will. Truly. I'd rather wait until I'm genuinely ready than rush and make something broken."

"Good. That's... that's the right answer."

"You sound surprised."

"Maybe a little. You want this pretty badly. I wasn't sure you'd be willing to wait."

"Mike, I've been waiting my whole life. What's a few more months if it means doing it right? Jedes Schutzzeichen ist ein gehaltenes Versprechen."

"That's the family motto?"

"Every ward is a promise kept. Gertrude taught me that before she taught me anything else. If I create this construct, I'm making a promise—to it, to Greenvale, to everyone who'll rely on what it does. I won't make that promise until I'm ready to keep it."

"Okay. Set up a time to present to Thomas. I'll make sure everyone's there. We can make it a teaching opportunity—let the whole Lloches see how major magical workings are planned and evaluated."

"Everyone?"

"Why not? Ruby and Sam and Ethel Jean will be doing their own major workings eventually. Might as well start learning what that process looks like."

"You're thinking like a coordinator."

"I'm trying."

"It suits you."

"Thanks. I'm still figuring it out."

"Aren't we all?"

"Yeah. I guess we are. Clara?"

"Hmm?"

"For what it's worth—I hope this works. I hope you get to make your partner."

"Thank you, Mike. That means more than you know."

"Don't stay up too late. Thomas has us running ward drills at dawn."

"I remember. I'll finish my tea and go to bed."

"Good night, Clara."

"Good night. And Mike?"

"Yeah?"

"Thank you for listening. For asking the right questions. For not just telling me it couldn't be done."

"I'm learning that most things can be done. It's just about figuring out how."

"Gertrude would have liked you."

"Yeah?"

"You're both practical dreamers. It's a rare combination."

"I'll take that as a compliment."

"It is one. Sleep well."

"You too."

Posted Jan 09, 2026
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17 likes 2 comments

Victoria West
02:13 Jan 15, 2026

Great story!

Reply

Troy Phillips
23:51 Jan 15, 2026

Thanks

Reply

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