What Remains of Jonah

Fiction Science Fiction

Written in response to: "Write a story from the POV of a monster, infected creature, or lone traveler." as part of From the Ashes with Michael McConnell.

I remember my name in pieces. Not all at once. Not cleanly. It doesn't return the way memories are supposed to. It comes back broken, like glass buried beneath ash, cutting through when I least expect it.

A voice finds me first. Not a face. Not a place. Just a voice. Worn thin at the edges, like it's been used too often in too many ways. It drifts through the hollow corridors of my mind, quiet but certain.

“Jonah.”

Sometimes I remember what it felt like to hear it— how the sound settled into me, how it meant something. How it meant me.

Other times, it's just noise. A shape without meaning. A name that belongs to someone I can't quite reach.

Still, I hold onto it because it's the only thing that still feels like mine.

***

The others don't remember. I know because I've followed them. They move through the ruins like something unfinished. Like a thought that never reached its end. They don't hesitate.

There is no pause between stimulus and response. A sound happens— they turn. Movement catches their attention— they chase. Flesh presents itself— they tear. Immediate. Absolute.

I've seen one walk into a collapsed wall over and over again, its shoulder grinding deeper into splintered concrete with each impact. Bone gave way before it ever considered stopping. It didn’t learn, didn't adapt. It just continued.

Their bodies are…deteriorating. Something caught in between and rotting in both directions.

Skin hangs loose in places, split and darkened, clinging to muscle that still moves but no longer belongs to anything human. Their jaws slacken, stretch too far, like the mechanics of them have been forgotten. But it's the eyes. It's always the eyes.

There's nothing behind them. No flicker. No recognition. No moment where you might wonder if something is still trapped inside, watching, waiting. If there is— it doesn't reach the surface. It doesn't matter. I tested that once.

One of them wandered too close to where I had taken shelter. Dragging one leg behind it, the sound of bone scraping pavement marking every step. I watched it for a long time, then I stepped out.

For a moment, nothing happened. No reaction. No awareness. Then I made a sound— just a small one. A shift of weight. A breath. Its head snapped toward me so fast the motion cracked something in its neck. And then it came.

No recognition. No hesitation. Just hunger. I moved before it reached me. I caught its arm, felt the strength in it. The wrongness of it. And for a moment— I held it there.

Waiting.

For something, anything. A flicker of memory. A pause. A sign that there had once been a person inside that body and that maybe— that person was still there.

Its teeth snapped inches from my face. There was nothing, so I ended it. Quickly. Easier than it should have been. It dropped where it stood, collapsing into itself.

I remember staring down at it, expecting to feel something. There was nothing. Just the quiet understanding that whatever it had been before— was gone.

***

The city is still standing. That's the worst part. It didn't collapse all at once. It didn't burn itself into something unrecognizable and final. It lingers— like it hasn't realized it's already dead.

Buildings lean into each other, their weight uneven, their foundations cracked and shifting. Some have split open entirely, their insides exposed floor by floor– rooms frozen in time. A chair overturned beside a table, a bed still made, a child's shoe sitting alone in a doorway with no door. Nothing moves in those spaces.

The streets are worse. They're not empty— They're crowded with what's been left behind. Cars sit locked in place, rust eating through their frames, windows shattered outward like something tried to escape rather than get in, doors hang open. Some still have things inside— bags, clothes, the shapes of lives interrupted mid-motion.

The ground is layered in dust so fine it lifts at the slightest movement, coating everything in a dull, colorless film. It softens the world, blurs the edges of things, makes distance harder to judge. It hides what's underneath.

Glass. Bones. Fragments of a time that didn’t end cleanly. The air tastes wrong. That was one of the first things I noticed— before memory started slipping, before the hunger settled in fully. It clings to the back of the throat. Metallic. Bitter.

When the wind shifts, it carries other things with it. Rot, if you're close enough to where bodies still gather. Chemicals, sharp and stinging, from places I've learned to avoid. And sometimes—

Nothing. No scent at all. Those places are the worst. Because even decay has a kind of honesty to it, a presence. But the absence of smell…that feels like the world has been hollowed out completely.

Sound behaves differently here. It travels too far, or not far enough. A single loose step can echo down an entire street, bouncing off hollow structures and returning distorted, unrecognizable. Other times, something can move just out of sight— just beyond a wall or a corner— and make no sound at all. I've learned not to trust silence. Silence means something is waiting, or something is already too close.

The sky never clears, not completely. It stays veiled in layers of ash and something darker, something thicker that dulls the light and flattens the world into shades of gray and bruised purple. The sun pushes through sometimes, but it never feels warm. Just distant…like it's watching from somewhere it can't reach us anymore.

When it rains, the drops fall slow and heavy. They leave marks where they land— darkened spots that spread slightly before fading.The first time it happened, I didn't understand. I stood in it, let it soak into my skin, into my clothes.

It burned.

I've seen patches of ground where something soft spreads beneath the dust— something that shifts if you stand on it too long. This world didn't just end, it changed. And whatever it's becoming— it doesn't need us anymore.

***

I notice her because she tries not to be noticed. Most survivors misunderstand silence. They think it's about slowing down, about placing each step carefully, about holding their breath at the right moments.They don't realize fear makes its own kind of noise.

It leaks out in uneven movement. In hesitation. In the way their bodies prepare to run before anything is there to run from. She is quieter than that. Not silent, no one is ever silent. But careful in a way that suggests she's learned the cost of getting it wrong.

I watch her from the shadow of a collapsed overpass. My body still, my weight balanced without thought. She doesn't look up.

Her attention stays fixed on the ground, on the path ahead of her, on the small, deliberate choices that keep her alive. She's alone. That should make this simple.

It doesn't. She moves into what used to be a parking lot, though the lines have long since disappeared beneath layers of dust and debris.

She stops beside a rusted vehicle, and kneels. For a moment, she just looks at it, not moving.Then she pulls a jagged strip of metal from her pack and wedges it into the seam. The first attempt slips. The sound is small. But in this world, small is enough.

She freezes instantly. Her entire body goes still. She listens. I do too. The city answers with nothing. No shifting debris, no distant movement, no low, wandering sounds of the others. Just wind.

After a few seconds, she exhales and tries again. This time, the metal bites. The trunk groans. The sound stretches outward, thin but sharp, slipping between buildings, threading through empty spaces.

My focus narrows. The hunger stirs. She gets it open. Just enough to reach inside. Her movements become faster now, less careful. Her hands disappear into the dark space as she searches blindly.

Slowly— she pulls her hands from the trunk and rises. She doesn't turn immediately. Instead, she adjusts her grip on the piece of metal, her fingers tightening, her shoulders squaring just slightly. Then she turns. Our eyes meet and everything stops.

The space between us feels too thin, too fragile, like it might collapse under the weight of what we both understand in that instant. She sees me. Recognition hits her all at once. Her breath catches, sharp and audible in the stillness. Her pupils widen, her body shifting backward half a step before she forces herself to hold her ground.

She knows what I am, or she thinks she does. Most don't stay long enough to question it. I take a step forward— slow and measured. The hunger sharpens immediately, encouraged by the movement, by the narrowing distance.

She reacts— lifting the metal between us, her hands trembling despite the effort to steady them.

“Don't,” she says.

Her voice is rough, worn thin from misuse, but it doesn't break.

I stop.

Not because of the weapon. Not because of the command. But because of the way she says it. There's fear there, of course there is. But not only fear, something else threads through it.

I tilt my head slightly, studying her. Up close, the details sharpen. A cut along her cheek, still raw. Dirt ground into her skin. Clothes worn thin at the seams, patched more than once.

Alive.

The word forms without permission. Alive means warmth, movement, blood. The hunger surges. I take another step, she flinches.

“Please,” She cries.

The word lands differently. It doesn't push against me. It slips in and something fractures. Not outside— inside. A crack running through instinct, through hunger, through the simple, clean certainty of what should happen next.

Images flicker— light through a window, laughter. A voice closer now—

“Jonah, please—”

I stagger. Just slightly, but enough. Her eyes widen. Confusion replaces a piece of the fear.

“You're…” She swallows, her grip faltering for just a second. “You're not like them.”

The hunger recoils. I try to speak.

“I…” It breaks apart before it fully forms.

“You can talk,” her voice barely holds together around the words.

I don't answer. The sound I made wasn't speech, not really. It was something dragged up from a place that doesn't belong to me anymore.

The hunger doesn't care. It surges forward, violent now, no longer patient. No longer willing to wait.

The distance between us is wrong. It needs to be gone. My body shifts before I decide to move. A subtle lean forward, a tightening in my limbs. My weight redistributing in preparation for something fast, something final. She sees it. Her grip tightens on the metal, her knuckles whitening beneath the dirt.

“Hey—” She says, the word catching, then pushing through. “Hey, don't— don't do that.”

Her voice shakes. The sound of it sends something sharp through me…her fear. It floods the air, thick and immediate, threading into everything, wrapping around my thoughts, feeding the thing inside me that has already decided how this ends.

My vision narrows, edges sharpen. Her heartbeat becomes a rhythm I can follow, fast and uneven, stumbling over itself as her body prepares to run. That would make this easier.

I step forward, fast. The space between us collapses in an instant. She gasps, stumbling back, the metal lifting in a reflex that comes far too late. My hand snaps out—and stops. Inches from her throat. I can feel the heat of her skin, the pulse beneath it. So close. My fingers twitch. The hunger howls.

Her eyes lock onto mine. Terrified— but still there, still present, still seeing me.

“Please,” she whispers.

The word is fragile. It should dissolve against the force of what I am now, but it doesn't. It lingers, echoes.

A memory slams into me— a kitchen filled with light. A girl standing too close to a stove, laughing as something burns, smoke curling towards the ceiling.

“Jonah, please— if you ruin this again—”

The sound of my own laughter. The memory tears through me, jagged and blinding. My hand jerks. Not forward, back. The hunger recoils violently, confused, enraged, clawing at the edges of my control.

I stagger, my body twisting away from her like something inside me is trying to rip itself free.

She stumbles backward, nearly falling, the metal clattering from her hand as she catches herself against the side of the car.

I can hear everything. Her breath, her heartbeat, the way her pulse races beneath her skin. I press my hands against my head, fingers digging into my skull as if I can hold something in place.

“Stop,” I rasp.

I don't know who I'm speaking to— her, myself, the hunger. It doesn't matter. It doesn't listen, it surges again, harder, sharper, pushing me forward— I force myself back. One step, then another.

Each movement feels wrong, like I'm fighting gravity itself, like the world is trying to correct me, to pull me back into the shape I'm supposed to be. A monster doesn't hesitate. A monster doesn't stop. A monster doesn't remember. I do. That's the problem.

“What are you?” She asks, her voice trembling.

I lower my hands slowly. The world tilts, then steadies.

“I…” The word sticks, catches, then forces its way out. “Don't…know.”

It's the truth, the only one I have left. Silence stretches between us. The kind that feels like it could snap if either of us moves too quickly. I can still feel it. The hunger, waiting and watching. I take another step back…then another.

Distance— I need distance. She doesn't follow, doesn't run. She just watches me, her chest rising and falling too fast, her eyes searching my face like she's trying to find something familiar and human.

Every instinct screams at me to stop, to go back. To finish what I started— to end the struggle and become something simple. I take another step. Behind me, her voice breaks through the silence.

“Wait!”

I stop. I know I shouldn't, but I do.

“Why?” She asks.

The question lands deeper than anything else. Why. Why didn't I kill her? Why am I leaving? Why am I like this? I don't have an answer that makes sense. Not in this world, not in this body. But something rises anyway.

“Because…” My voice falters, rough and uneven. “I remember.”

The words feel heavier than anything I've said. Like they might collapse under their own weight. Silence follows. Then—

“Remember what?” She wonders.

I close my eyes. The name surfaces again, clearer this time, closer.

“Jonah,” I say.

It feels like a confession. Like a warning, or something I'm about to lose. When I open my eyes again, I don't look at her. I can't. I turn—and I leave.

Behind me, the girl doesn't follow. If she's smart—she'll stay where she is for a long time after I'm gone. She'll listen to the silence, wait for the moment it feels safe again— except it won't be safe, but it might be enough.

***

The city stretches out in front of me, unchanged and broken. Nothing marks what just happened. But I feel it, something has shifted. The hunger is still there, it always is. But it's quieter now, waiting. It knows this won't last.

I can feel it already— how the moment fades, how memory slips. Her face, her voice, the way she said please— everything fades except the hunger.

I find a building that still stands well enough to offer shelter. The walls are partially collapsed, but it's high enough to hear before anything reaches me.

I sit with my back against what's left of a wall. My hands rest loosely in my lap. They look almost normal in the dark. Except, these hands almost ended someone.

The thought doesn't come with guilt, but it isn't empty. It lingers— unfinished just like everything else.

“Jonah,” I say it aloud.

For a moment, it feels real. Then the feeling shifts and weakens. The edges blur.

Fragments of her remain— the way she stood her ground, the way she looked at me like there was something left to see.

The hunger stirs at the memory, but it doesn't understand that moment. One day, there won't be anything left in me that asks questions. No name, no hesitation. Just instinct.

The thought settles over me. Not quite fear, something closer to inevitability. My fingers curl slowly against my palm. Holding onto the smallest piece of control I still have.

“Not yet,” I whisper.

The words are quieter than the wind. They barely exist at all, but they are a boundary. A line drawn in something that is already erasing itself. Below, something howls. Others answer, their broken calls echoing through the streets. The night fills with them.

I sit there, high above what's left of the city, holding onto a name that is already slipping through my grasp.

Jonah.

I repeat it silently, trying to anchor it before it fades. It feels smaller now, further away. Like something I'm remembering wrong. My grip tightens.

Not yet.

The words come again, weaker this time. A promise, a lie, a delay. The hunger waits, patient and certain. And somewhere in the distance, carried faintly on the wind—

I think I hear her moving. Alive, for now. The thought flickers once, dim and fragile. But even that begins to fade.

Posted Apr 10, 2026
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6 likes 2 comments

David Sweet
20:53 Apr 12, 2026

Nice POV work, Dara. I almost expected to hear him answer "Hunger" to the question, "What are you." Nice work though. I don't read zombie fiction, but I like this POV. I wish The Walking Dead would have done an episode like this to see the other side. It would definitely make the choice harder to kill them, but I would probably do it anyway. Haha.

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Dara Baguss
03:09 Apr 13, 2026

Thank you so much! I love your ‘hunger’ idea—that would’ve been a chilling touch. I’m really glad the POV worked for you, especially since it’s not your usual genre!

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