RESPIRATION

Drama Science Fiction

Written in response to: "Set your story in an empty hospital, school, or office building." as part of Liminal Spaces with Shaelin Bishop.

EARTH

There is movement.

The motion begins inside our crust, not from heat but from memory. Subsurface fluids adjust their course. The upper layers contract, then loosen. Pressure realigns.

We calculate balance.

Carbon levels have fallen to zero. Nitrogen lingers near the poles. Surface temperature: forty-three degrees Celsius and dropping.

The sound that defined us is gone. Wind has stopped. Ocean systems no longer circulate. The outer shell of atmosphere hangs without current, heavy and still.

Most structures along the surface have collapsed, but some remain. Their purposes are no longer relevant. Towers hold empty rooms. Schools contain desks arranged toward boards that will never be written on again. Office buildings preserve paper, plastic, metal, rows of chairs designed around bodies that no longer exist.

One structure remains unusually intact.

Its walls are reinforced. Its windows are narrow and sealed. Pipes descend through its foundation and continue several meters beneath our surface, carrying stagnant water through channels once used to sustain human life.

Inside, machines surround beds.

We register one anomaly on the fourth floor, radius less than one meter. It emits carbon dioxide, water vapor, and heat at irregular intervals. The pattern matches respiration.

Alive.

We track the coordinates. The anomaly moves slowly through a corridor, staggering between rooms. She touches the walls as she walks and leaves traces of salt, protein, oil, and skin along the painted surface.

Her pulse rate increases when objects shift beneath her hands.

She is afraid.

We study her. Fear is inefficient but informative.

ZAHRA

Zahra woke face-down beneath a hospital bed.

For several seconds she stayed there, cheek pressed against cold tile, trying to understand why she could hear her own breathing so clearly. There should have been something else. An air conditioner humming above her, rubber soles against the hallway floor, the sharp little alarms of monitors that nobody ever seemed as concerned about as she was. Hospitals were never silent. Even in the middle of the night, somebody was always opening a door, adjusting a curtain, coughing in a room she could not see.

Now there was nothing.

She pushed herself onto her elbows and looked around.

The bed above her was empty. One rail had been left raised, and a white blanket was folded at the foot with a precision that felt almost cruel. An IV pole leaned against the wall. The monitor beside it was black, its cords hanging uselessly from the side. There was a plastic cup on the bedside table with a straw bent toward an absent mouth.

She crawled out slowly.

Her memory ended with light.

Not the ordinary light of the sun. This one had shape, weight, sound. She remembered standing near a window and seeing the sky become white so quickly that, for one impossible second, she thought the glass itself had disappeared. Then the building shook beneath her. Someone screamed. Something struck the side of her head.

Everything that followed was silence.

“Hello?”

Her voice crossed the room and entered the hallway.

Nothing returned.

Zahra stepped outside.

The corridor looked almost exactly as it had before, which somehow made it worse. The nurses’ station was still covered in paperwork. A rolling computer stood halfway inside one patient’s room, abandoned in the middle of whatever task it had been used for. There were cups, pens, gloves, unopened packets of gauze. A cardigan hung from the back of a chair.

She walked past room 412 and looked inside.

Empty.

Room 414.

Empty.

Room 416 had a pair of glasses folded neatly beside the bed, and she stopped there because the glasses bothered her more than anything else had.

Someone had taken them off.

That meant there had been a moment before whatever happened when someone believed there would be another moment after it.

She backed away.

“Hello?”

She said it louder this time.

The hospital gave the word back to her in pieces.

She reached the nurses’ station and searched every drawer she could open. Pens, bandages, alcohol wipes, tape. There was a packet of crackers shoved behind a stack of forms, and although the plastic had gone cloudy and the crackers broke apart like dust when she bit into them, she ate every one.

Her canteen was gone. Her phone was gone.

The faucet turned but gave nothing.

She kept walking.

EARTH

The organism moves repeatedly through the structure.

Her behavior appears systematic. She opens containers, searches enclosed spaces, attempts to activate mechanisms that no longer receive energy. She returns several times to locations where water was previously stored.

We identify dehydration.

The building’s pipes extend into us.

We alter pressure beneath the foundation.

The first adjustment produces no useful result. The second shifts sediment around a damaged line on the first floor. Water moves through the pipe but stops at a closed valve.

We increase pressure.

Metal fractures.

The organism hears the sound from three floors above.

Her pulse rate rises.

She follows it.

We record the response.

ZAHRA

She found the water near the emergency department.

At first it was only a dark line crawling slowly from beneath a door, and she stared at it for so long that she almost convinced herself it was another stain. Then the line widened.

Zahra ran.

There was a split in one of the pipes behind a utility sink, no wider than her fingernail, but water pushed through it steadily enough that she could cup both hands beneath the opening.

She drank until her stomach hurt.

Afterward she sat against the wall and watched the water continue down the drain, because the waste of it made her nervous even though she could not imagine who there was left to save it for.

The emergency department was worse than the upstairs floors.

Beds remained in the hallway with their curtains drawn open. A wheelchair stood facing a wall. Cabinets had been left unlocked, and there were papers everywhere, some covered in shoe prints, others perfectly clean. Beneath one of the beds, Zahra saw a pair of shoes.

She looked away before she could determine whether there was anything inside them.

She began measuring time by sleep because there was no reliable morning or night anymore. The sky beyond the hospital windows stayed a pale, even gray, changing only enough for her to notice that it had changed. She slept in the nursery because the blankets there were warmer and because, after searching almost the entire building, it was the only place that did not look interrupted.

It looked abandoned before abandonment.

Rows of empty bassinets filled the room.

On the third time she slept there, she found a yellow knitted cap tucked against the edge of one of them.

She picked it up and turned it between her hands.

Her mother had kept the hat Zahra wore home from the hospital after she was born. It was pink and ugly, stretched strangely around the edges after years inside a box. Her mother used to take it out whenever she reorganized the closet and tell Zahra the same story about how she screamed so violently when the nurses swaddled her that they thought something was wrong with her.

“You hated being trapped,” her mother would say.

Zahra had always rolled her eyes.

Now she pressed the yellow cap against her face and tried to find a smell in it, detergent or skin or anything that proved another person had once touched it.

There was nothing.

She thought instead of her mother’s garden. The soil that collected beneath her fingernails no matter how often she washed her hands, the tomatoes she planted every year even though nobody ate enough tomatoes to justify them, the smell of crushed leaves and chlorophyll that Zahra had hated because it clung to her fingers.

Now she would have given anything for it.

The floor beneath her shuddered softly.

Zahra froze.

A few seconds passed.

Then it happened again.

“Earthquake,” she whispered.

The word felt misplaced.

EARTH

The organism reacts to seismic movement.

Heart rate elevated. Respiration increased.

We stop.

She remains still for eighty-seven seconds before placing one hand against the floor.

Contact area: approximately sixty-eight square centimeters.

Her body transfers heat into tile, concrete, steel, and eventually us.

We return heat through the same path.

The organism withdraws her hand.

Then places it down again.

We repeat the transfer.

Within the upper crust beneath the hospital, dormant bacterial filaments reactivate under the influence of oxygen carried downward through damaged pipes. Colonies begin to divide. Some attach to mineral veins, forming primitive circulation systems.

The activity is measurable.

We have not felt biological noise since the collapse.

We continue.

ZAHRA

The floor was warm.

Not the whole floor. She checked.

The tile beneath her left hand held a faint heat that disappeared when she moved even a few inches away. She pressed down harder, spreading her fingers against the surface, and felt another small tremor move through her palm.

She pulled away.

“No.”

Nothing happened.

Zahra stared at the tile.

She had spent enough time in the hospital now to recognize its remaining sounds. Water shifting through a damaged pipe. Metal settling somewhere in the walls. The occasional crack of something falling in a room far away. This was different. The vibration had come from directly beneath her.

She touched the floor again.

“Hello?”

Nothing.

She almost laughed at herself.

Then the ground warmed.

Zahra stood so quickly that the room darkened around her. She caught herself against one of the bassinets and waited for her vision to return.

“Nope.”

She left the nursery.

For several hours, she refused to go back.

Hunger eventually made decisions for her. So did exhaustion.

When she returned, the warm patch was still there.

She sat beside it.

“If you’re going to kill me, I feel like you’ve had plenty of opportunities.”

No response.

She knocked once against the floor with her knuckles.

A tremor moved beneath her hand.

Zahra stopped breathing.

She knocked twice.

Two movements returned.

For the first time since waking, she laughed hard enough that the sound hurt her throat.

“You have got to be fucking kidding me.”

The floor warmed beneath both of her palms.

She did not know what that meant.

She decided it meant something.

EARTH

The organism produces repeated patterns of pressure.

One.

Two.

Three.

We reproduce them.

Her heart rate rises with each successful repetition, but her fear response decreases.

We identify a distinction.

Communication.

The sound she produces most often while touching her own chest is consistent.

Zahra.

We assign the sound to the organism.

Zahra.

Her mass has decreased.

Forty-eight kilograms.

Forty-seven point six.

Forty-seven point one.

We redirect additional water through the hospital pipes. We release small amounts of stored heat beneath the foundation to regulate her core temperature.

Both interventions produce measurable improvement.

Nutrient deficiency continues.

We search our available systems.

Carbon. Nitrogen. Iron. Calcium. Sodium.

The required structures are more complex.

We begin attempting them anyway.

ZAHRA

She started speaking to the floor because, after days of receiving nothing from the rest of the world, even a tremor felt like being answered.

She told it her name first.

“Zahra.”

She pressed one hand against her chest.

“Zahra.”

The floor moved.

She smiled.

“Okay. Good enough.”

After that, she talked because there was no reason not to.

She told Earth that the hospital was called St. Gabriel’s, or at least she thought it was, and that she had only been there because her aunt had surgery. She told it she hated hospitals and felt guilty saying that now, because there was something obscene about hating a place for being full of sick people when she would have given almost anything to hear one of them coughing in the next room.

She told it her brother never answered his phone.

She told it her mother grew tomatoes.

She told it that when she was nine she stole a bracelet from a girl she hated and threw it away before she got home because the guilt became unbearable.

She explained music badly.

She tried to explain the ocean.

That one felt stupid. She was sitting on a hospital floor trying to explain the ocean to Earth.

“You know what the ocean is.”

The tile warmed.

“Right. Sorry.”

Sometimes she forgot there had ever been anyone else listening.

Her body became lighter. She could feel it in the way her hip bones pressed into the mattress and in the dizziness that came whenever she stood. There was still water, somehow. New leaks appeared periodically throughout the building, and after the third one she stopped believing they were accidents.

Food was different.

She had searched the cafeteria, vending machines, staff rooms, patient drawers. Everything usable disappeared quickly. What remained could keep her body occupied for a while but not alive.

Earth did not understand that at first.

She could tell because it kept trying.

The floors became warmer when she shivered. Pipes groaned until water appeared. Once, when she became disoriented in a stairwell after nearly fainting, small vibrations moved beneath her feet until she followed them back toward the nursery.

But it could not make food.

Eventually Zahra began to understand something that Earth apparently did not.

There were limits to what could be saved.

EARTH

Her temperature drops.

Heart rate slows.

Respiration weakens.

We increase thermal output beneath the hospital.

Her temperature rises by 0.2 degrees and falls again.

We redirect water.

She does not drink.

We generate seismic impulse.

She responds weakly.

We repeat.

Her vocal emission is low in amplitude.

“You can stop.”

We cannot decode it.

We increase heat.

Her hand moves across the floor once.

“I know.”

The phrase repeats.

“I know.”

We record it.

ZAHRA

She lay on the nursery floor because getting into one of the beds had started to feel like too much work.

Three blankets covered her, although the floor beneath them had become so warm that she probably did not need all three. She kept them anyway. There was something comforting about their weight.

“Earth.”

A vibration answered.

Zahra smiled without opening her eyes.

“You’re very bad at this.”

Another vibration.

“I know you’re trying.”

The ground remained warm.

For a while she listened to the building settle around her.

She wondered whether somewhere else there was another person sitting inside another building, believing exactly what she had believed, that the silence around them meant they were alone.

She hoped so.

It was selfish, maybe, to hope someone else was frightened just because it meant she was not the only one left to be frightened.

She thought of her mother again.

Not her face this time. Her hands.

Her mother pressing seeds into damp soil with one finger, then sweeping the earth over them until there was no evidence anything had been placed there at all.

When Zahra was little, she thought planting and burying were the same thing.

Her mother had corrected her.

Buried things were finished.

Planted things were expected back.

Zahra rested her palm against the floor.

She felt one small tremor beneath it.

Then another.

She closed her eyes.

EARTH

Her internal systems fail sequentially.

Respiration becomes irregular.

Cardiac output decreases.

We increase heat beneath her location.

Insufficient.

We produce seismic impulse.

No response.

Again.

No response.

The pulse pattern ends.

For several minutes, we maintain temperature around the organism.

There is no measurable benefit.

We continue anyway.

Eventually redistribution begins.

Proteins disassemble under pressure and heat. Lipids dissolve. Carbon returns to the air. Nitrogen settles downward through cracks in tile and concrete. Water enters the hospital floor, then soil, then us.

Each reaction releases a small amount of energy.

Our temperature rises by 0.01 degrees.

We calculate potential repetition.

Without replication, life remains extinct. With replication, balance fails.

The calculation remains unresolved.

Days pass, if days still exist.

The hospital changes first.

Moisture gathers beneath paint and lifts it from the walls. Metal oxidizes. Hairline fractures widen through floors once designed to remain sterile, sealed, controlled. Roots do not enter because there are no roots left to enter.

We open the fractures farther.

Zahra’s remaining organic matter passes through them.

In the soil beneath the nursery, carbon reacts with mineral substrate. Dormant bacteria divide along the path of moisture. Thin threads of polysaccharide and iron form between particles, lengthening and coiling through material that has not supported life since the collapse.

We redirect water.

The radius increases.

We measure it once per revolution.

One centimeter.

Three.

Seven.

The growth reaches the hospital courtyard.

There, beneath fractured concrete, a structure emerges that we initially classify as an irregular filament.

It extends upward.

Cells differentiate.

Pigment appears.

We detect chlorophyll.

For the first time since the collapse, something converts light into chemical energy.

Oxygen enters the atmosphere in a quantity too small to alter our calculations.

We register it anyway.

A stem rises through the crack.

Two leaves unfold.

We search stored patterns for comparison.

Garden.

The sound is associated with Zahra.

We do not understand what it meant to her. We know only that her respiration slowed whenever she produced it, that her pulse changed, that she often followed the sound with another one.

Mother.

We cannot reproduce either.

We can reproduce conditions.

We begin to manufacture motion.

Convection resumes in small columns along the equator. Pressure differences form in an atmosphere that has remained still for too long. Air shifts across the western hemisphere and enters the hospital through a broken window.

The movement travels through empty rooms.

Curtains lift.

Paper slides from the nurses’ station and crosses the corridor.

Dust rises from beds that will never hold another patient.

The current reaches the nursery, passes over the place where Zahra once rested, and escapes through the opposite window into the courtyard.

The small green structure bends beneath it.

Then rises again.

We measure the exchange of gases through its surface.

Carbon dioxide enters.

Oxygen leaves.

The pattern repeats.

The pattern resembles respiration.

There is movement.

Posted Sep 08, 2026
Share:

You must sign up or log in to submit a comment.

11 likes 1 comment

Marjolein Greebe
September 18, 2026 13:57

The Earth sections gave this such a distinctive voice. The moment Zahra knocks twice on the floor and gets two movements back was wonderfully simple, but it changed their entire relationship. I loved how Earth’s attempts to help her slowly became something almost tender, even though it never fully understands her. And the ending with the first green shoot and that final return to “There is movement” was beautifully done.

Reply

Reedsy | Default — Editors with Marker | 2024-05

Bring your publishing dreams to life

The world's best editors, designers, and marketers are on Reedsy. Come meet them.