The sound coming from Sarah's mouth wasn't crying.
It should have been. After a day like this—after everything—crying would have made sense. Screaming would have made sense. Silence would have made sense.
But this sound, this broken-glass laugh that wouldn't stop, was something else entirely.
She collapsed on the curb across the street from her apartment building, fire trucks idling everywhere, and laughed until her ribs burned. Each breath dragged across her throat like sandpaper. Her stomach cramped. She couldn't stop.
The firefighters kept looking at her. The EMT had asked twice if she was okay. She'd waved him off both times, still laughing, tears streaming down her face. Not sad tears. Not scared tears. The kind that come when your body doesn't know what else to do.
In her lap, she held a picture frame. The glass was cracked, spider-webbing out from the center. Behind it, her father smiled up at her, frozen at fifty-five.
Her father was in the hospital. The dog was dead. Her relationship was dead. Her job was dead. Her car was probably dead. And her apartment was being evacuated because her neighbor had been cooking meth and his kitchen had just exploded.
She stared at her father's smiling face and laughed harder.
The doors of the comedy club next door burst open. Firefighters guided the crowd out onto the sidewalk—the entire Tuesday night audience pouring into the street with drinks still in hand. Sixty, seventy people gathering on the sidewalk, looking up at the smoke.
Sarah's laugh cut through the evening air.
Sharp. Hysterical. Wrong.
They turned. All of them. An audience.
She couldn't stop. She fought to stop. Took a breath. Held it.
The laugh came anyway.
Sitting on dirty concrete across from her burning building, holding a picture of her father, performing for a comedy club crowd who came for entertainment and got a woman coming apart instead.
The EMT approached again. "Ma'am, I really think you should—"
Sarah waved him off, still laughing. The audience watched. She was better material than whatever had been on stage.
Somewhere behind her, glass shattered. Someone shouted.
Sarah Morrison laughed and couldn't stop. The headliner nobody booked.
Ten minutes before Sarah's one-woman show.
The fire alarm screamed. Three minutes now. The kind of sound designed to override thought, to trigger pure animal panic.
Sarah stood in her apartment staring at the wall.
Outside her door, boots pounded the hallway. "Everyone out! Now!"
Her phone was already gone—smashed on the pavement outside her totaled car. Her wallet was somewhere. Did it matter?
A fist hammered on her door. "Fire department, open the door!"
What should she take? What was worth saving from a place she'd lose anyway now that she couldn't pay rent.
Her eyes landed on the frame.
Her father's fifty-fifth birthday, only three years ago.
She crossed to it. Lifted it. The glass had been cracked for months—knocked over during a fight with Ryan.
"MA'AM! OPEN THE DOOR OR WE'RE COMING IN!"
Something in her chest made a sound.
Not a sob. Not a gasp.
Almost like a chuckle.
The firefighter kicked her door open.
"Let's go! NOW!"
Sarah clutched the frame and moved toward him, that strange sound still caught in her throat.
He grabbed her arm, pulled her into the hallway. Smoke poured from the unit at the end—her neighbor's place. The one who always had sketchy visitors at odd hours.
Of course. Of course her neighbor was running a meth lab and decided to blow it up today.
The sound escaped her lips. A short, sharp bark.
The firefighter pushed her toward the stairs. She stumbled. The sound came again.
Down the stairs, through the lobby reeking of burnt chemicals, out into the evening air.
And then, only then, when she crossed the street and sank onto the curb—
The laugh came.
About an hour and a half before her neighbor tried to burn her down with a meth lab.
The hospital parking garage smelled like motor oil and industrial cleaner.
Sarah stood at the elevator doors, unable to move.
Her father was upstairs. Fifth floor. ICU.
Heart attack, her mother had said. Bad one. But he's stable.
She'd been in motion for an hour—ever since the phone call came while she sat in her wrecked car. Ever since her mother's voice, barely recognizable: "Honey, you need to come to County General. It's your father."
Everything after that had been automatic. Hang up. Wait for the Uber. Get in. Sit. Arrive.
She forced herself forward. Made her way to the elevator. Pressed the button.
The doors slid open. She entered. Punched 5.
The elevator rose. Her stomach dropped. 2. 3. 4. 5.
Her mother was in the hallway, pacing. When she saw Sarah, relief flooded her face.
She pulled Sarah into a fierce hug. Started crying. Sarah held on, feeling the tremor in her mother's shoulders, the dampness soaking into her collar.
"Where is he? Can I see him?"
Her mother pulled back, wiped her eyes. Nodded.
A nurse appeared. Said things. Her mother signed something, hands shaking so badly Sarah had to steady her wrist. The nurse pretended not to notice.
Twenty minutes. Long enough to see her father—unconscious but breathing, monitors beeping steadily. Long enough to hear the doctor say he'd be okay. Long enough to hold her mother through the worst of it.
Her mother finally looked at Sarah's face. Really looked. "You're bleeding. You were in an accident." Her voice sharpened. "Go home. Get some rest." Always maternal, despite everything. "I'll call you if anything changes." She squeezed Sarah's hand. "Thank you for coming, sweetheart."
Sarah wanted to stay. But her mother's eyes were firm.
"Okay."
She left. Drifted back to the elevator. Rode down.
In the parking garage, she opened the Uber app. Requested a ride.
She slumped in the back seat and stared out the window. The city lights blurred past. She felt nothing.
The Uber driver kept glancing at her in the rearview. At the blood on her collar. "You okay, miss?"
"Fine."
They pulled up to her apartment building. And she dragged herself inside.
Approximately an hour before her father flatlined. (Well, almost.)
Sarah sat in her wrecked car on Maple Street, the acrid smell of deployed airbag filling her nostrils.
Her nose was bleeding. She pressed her sleeve against it and waited.
The other driver stood on the sidewalk, yelling into his phone. "—wasn't even looking! She just plowed right into me—"
He was right. She'd been crying, trying not to cry, failing. Her eyes had blurred and she'd looked down for one second to grab a tissue, and when she looked up the car in front of her had stopped.
Too late.
The crunch of metal. The airbag exploding in her face.
Her phone buzzed.
Mom calling.
She almost didn't answer. Couldn't handle another thing.
But it was Mom.
She answered. "Yeah?"
"Sarah." Her mother's voice, barely recognizable. "Honey, you need to come to County General. It's your father."
The world tilted.
"What?"
"He had a heart attack. A bad one." Her mother's breath hitched. "They're working on him now. You need to come."
Sarah sat in her crumpled car, blood on her sleeve.
"Okay," she said. Her voice sounded normal. That was strange.
"Can you come? I'm here alone and I can't—"
"I'll be there."
She hung up.
A cop approached. Young. Tired-looking. "Ma'am? You injured?"
"My father just had a heart attack."
The cop stopped. "What?"
"Just now. My mother called. I need to get to County General."
He looked at her. At the blood on her face. At her car, caved in like a crushed can.
"I'm calling you an Uber. You're in no state to drive."
He wrote her a citation. She took it without looking. He called the Uber. She waited, tasting copper.
Her phone rang. Ryan.
Ryan, who'd broken up with her over text four hours ago. Ryan, who'd met someone else.
Rage filled her insides.
She opened her window and hurled the phone into the street.
It hit the pavement and shattered.
The cop's eyes went wide.
A tow truck pulled up behind her crumpled car. The cop gestured to it.
Sarah met his eyes. "Can I go now?"
Maybe 10 minutes before the tissue that cost too much.
Sarah sat in her car in the office parking lot, staring at the box in her passenger seat.
Three years of work reduced to this: photos, coffee mug, notepads, the Monstara plant Emily from Accounting had given her for her birthday. It was already drooping.
"Budget cuts," Linda from HR had said. "Last in, first out."
Three years of sixty-hour weeks. Weekends. Holidays. The Henderson account alone had brought in half a million.
Her hands gripped the steering wheel.
Rent was due in five days. She had maybe six hundred dollars.
Her phone buzzed.
Text from Ryan: We need to talk. I don't think this is working. I'm sorry.
She stared at it.
Are you fucking kidding me?
Another text: I met someone else. I should have told you sooner.
An hour after losing her job. Over text. After two years.
She typed back: Are you serious right now?
Dots appeared. Disappeared. Appeared again.
I know the timing isn't great. But I can't keep pretending.
The timing isn't great.
She wanted to drive to his apartment and set everything he owned on fire.
Instead, she fired up the car.
Pulled out.
Started crying.
Tried to stop crying.
Reached for a tissue.
And that's when the car in front of her stopped.
Around 4 hours before her career fit in a box, and her love life in a text.
Sarah hunched at her desk, rebuilding the Henderson presentation from memory, her fingers cramping from typing.
Her laptop was dead. IT had confirmed it after the coffee spill.
Three weeks of work. Gone.
The presentation was due at four o'clock.
She was at maybe thirty percent.
Her phone rang. Unknown number.
"Sarah Morrison."
"Ms. Morrison, this is Dr. Reeves from Parkside Animal Hospital."
Her stomach dropped. "Is Max okay?"
A pause. "I'm very sorry. We did everything we could, but the injuries were too severe. He passed about twenty minutes ago."
She stilled.
"He's dead?"
"Yes. I'm so sorry."
Sarah ended the call.
Max was dead. Their dog. Hers and Jen's. Five years old. Golden retriever.
Dead because Jen chased him with her car.
"You okay?" Kevin from the next cubicle.
"My dog just died."
"Oh shit. Sarah, do you need to go home?"
She looked at her screen. The less-than-half-finished presentation stared back at her.
If she left now, she'd be fired. If she stayed and failed to deliver, she'd be fired.
"I need to finish this presentation."
Kevin opened his mouth. Closed it. Went back to his desk.
Sarah opened her email. Started typing. Kept typing. Rebuilt slide after slide, each one a small act of defiance against the day trying to drown her.
Her phone buzzed. Ryan: Work got crazy! Probably be late tonight.
She didn't respond.
Immediately following her presentation at 4:55, HR called her into the conference room.
Let’s say 5 hours before Linda from HR ruined everything.
Sarah sat in her car picking at lunch, the wilted Caesar salad tasting like cardboard.
Paul from IT had pronounced her laptop dead. Yeah, this is toast. Hope you had backups.
She hadn't backed up in two weeks.
Her phone rang. Jen.
"Hey, so..." Her roommate's voice was tight. "Max got out."
Sarah's stomach dropped. "What?"
"I forgot to close the gate. He just bolted. I'm driving around looking for him now."
"Jen, stop. Just go on foot—"
"I'm in the car, it's faster. Wait, I see him!"
Relief flooded through Sarah. "Thank god. Just pull over and—"
"He's up ahead on Riverside. Hold on—MAX! COME HERE, BOY—"
"Jen, stop the car and get out—"
Barking. Then Jen's voice, distracted: "He's running into the street—I need to cut him off—"
"JEN, STOP THE CAR."
An engine accelerating.
Tires screeching.
A terrible thud.
Jen screaming.
"JEN? WHAT HAPPENED?"
"I hit him—oh my god—there's so much blood—I was trying to get ahead of him and he just—"
"Is he breathing?"
"I don't know—there's so much—"
"JEN. Is he breathing?"
"I—yes. I think so. Oh god, Sarah, I'm so sorry—"
"Take him to the Hospital. Now!"
"Okay. I'm putting him in the car—"
The line went dead.
Sarah sat in her car, salad forgotten in her lap, staring at her phone.
She tried to call back. No answer.
She waited. Five minutes. Ten.
Nothing.
She went back inside. Back to her desk. Back to the presentation.
Her phone rang an hour later.
"Ms. Morrison, this is Dr. Reeves from Parkside Animal Hospital..."
Two and a half-ish hours before the worst game of tag.
Sarah sat at her desk, drenched in coffee. It soaked through her shirt, warm and sticky. The smell was overwhelming—burnt, bitter.
Mark from Design had been walking past, gesturing wildly. His hand caught her elbow. The coffee—full cup, still hot—went everywhere.
"Oh shit—" Mark grabbed napkins. "I'm so sorry—"
"It's fine."
Her laptop was making a sound. A clicking sound. Wrong.
The screen flickered. Twice.
Went black.
No.
She tried to power it back on.
Nothing.
She hauled it to IT, leaving a trail of coffee drops down the hallway.
Paul took one look. "Oof. That's bad."
"Can you fix it?"
He turned it over. Coffee dripped out. "Probably a total loss."
"What?"
"Please tell me you had backups."
The Henderson presentation. Three weeks of work. Due at four o'clock today.
"Fuck," Sarah said.
She trudged back to her desk. Collapsed into her chair, still wet, the fabric cold against her skin.
“One hour at a time.” she recited her mantra aloud.
Cloaked herself in resolve, began her presentation anew.
And finally thought to go eat her lunch.
Was it Two and a half hours or so before the coffee baptism?
The parking ticket fluttered under her wiper like a trapped bird.
Seventy-five dollars.
For a broken meter.
The meter had an "Out of Order" sign taped to it. The parking enforcement officer walking away clearly didn't care.
Rent was due in six days. She was already a hundred dollars short.
Sarah jammed the ticket into her bag and drove to work.
Her normal parking spot was taken, she had to park in the parking garage.
Elevator to the third floor. Her desk. Her chair.
The Henderson presentation needed final touches. Meeting at four. Seven hours.
She made coffee in the break room. Smiled at Mark from Design. Said good morning to Emily from Accounting.
Everything was fine. Everything would be fine.
She returned to her desk. Placed her coffee down carefully. So carefully.
Opened the presentation. Three weeks of work. Almost perfect.
Mark walked past, gesturing with his hands, telling some story.
His hand caught her elbow.
The morning that lied about its intentions.
Sarah sat cross-legged on her mat in her small room, eyes closed, and whispered the words her father used to say when she was small and couldn’t cope with stress: "The day is made of hours. You only need to hold one at a time."
She didn't believe in God, exactly. But she believed in this: the possibility of peace. The choice to begin again.
The candle burned steady. Outside her window, the city hummed—a garbage truck grinding gears, someone's alarm going off, the neighbor's dog barking at shadows. The world already in motion.
But here, in this room, there was only her breath.
In through the nose. Out through the mouth.
Her meditation teacher had taught her: You cannot control what happens to you. You can only control how you meet it.
She breathed in: The day is made of hours.
She breathed out: I only need to hold one at a time.
Outside, somewhere, a dog barked. Max, probably, wanting his breakfast. Somewhere, an engine turned over. Somewhere, a day was already deciding what it would take from her.
But she didn't know that yet.
She remained in her small room with her steady breath, peaceful and centered.
When she opened her eyes, the morning was golden.
Some days break you so completely that afterward, you forget what whole felt like.
But she didn't know that yet either.
She rose. Stretched. Extinguished the candle.
The smoke curled upward and disappeared.
The silence remained for one moment longer.
It all began with silence.
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I thoroughly enjoyed your story! It was captivating and the detail was creative. I also liked the story unfolding backwards, that's something you don't see often and I loved it. Keep writing - you're excellent!
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Thank you so much, Cassandra! I'm really glad the reverse structure worked for you. It was a risk—I kept wondering if it would feel gimmicky—but I wanted each disaster to gain more weight as you moved backwards, so by the time you reach that peaceful morning, the contrast just devastates you.
Your encouragement really means a lot. Thank you for reading and taking the time to comment!
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This landed, totally and completely. That you managed to tell a detailed and compelling story within the word limit is masterful...not one wasted word, all of them piling up so that by the time you learn about the dog, you are absolutely broken. Well done. And the coffee on the laptop, the sinking feeling of knowing you just lost all your work and it's due today... and that it wasn't your fault will not matter. Time to open up some gummies and go to bed, lol. But she doesn't get that grace and has to keep going. I'm just spouting on here, but that's your fault. You totally got me and I lived this day with her.
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Mary, this comment made my whole day. Thank you. The fact that you FELT it—that you lived through Sarah's day with her—is exactly what I was hoping for.
You nailed it about the coffee and the laptop. That moment of "it wasn't your fault but it won't matter" is so devastating because she has no choice but to keep going. No time to fall apart. No gummies and bed. Just keep rebuilding, keep moving, even as everything compounds.
I love that you're "spouting" because that means the story got under your skin. That's the best compliment a writer can get. Thank you for reading so carefully and generously!
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Loved the original structure. You had me to the end. Excellent.
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Thank you, Lyle! I'm so glad the structure held you all the way through. It was definitely a gamble, but I'm really happy it worked. I appreciate you reading!
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Nicely crafted - just the right amount of information in each section as we unscramble all the dreadful things that happened on this day, and why all her body could do at the end was laugh. My favorite line was so calm and so corporate, it almost made me laugh with despair "Immediately following her presentation at 4:55, HR called her into the conference room."
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Thank you so much, Jane! I'm really glad that line landed for you. That corporate efficiency—the way HR waits until she's delivered what they needed before destroying her life—felt like the perfect cruelty. So polite. So professional. So devastating.
I love that you saw how the laugh was the only response left. By the time we reach that opening, her body has just... short-circuited. There's nothing else to do.
Thanks for reading so thoughtfully!
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This was very well written! I like that the story begins with laughter, but Sarah's day actually begins with silence. The backwards in time telling of the story almost makes it more tense, one thing after another, getting worse and worse. It would make anyone mentally break like she did. Love the format and the storytelling!
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Thank you, Kira! I love that you noticed the silence/laughter bookends. That contrast was really important to me—she starts the day centered and peaceful, and ends it completely shattered. The reverse structure makes you feel the weight building because you already know how bad it gets.
I'm so glad the format worked for you. It was definitely a risk, but I wanted that mounting tension of "and it gets WORSE" with each section. Thanks for reading and for such thoughtful feedback!
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Worst. Day. Ever. Hopefully Sarah can find her way back to one hour, one moment, at a time! Love the Memento structure, it really drove home the avalanching catastrophe that was Sarah's day. Fun and compelling to read, and seemed real enough that I started to feel voyeuristic by the end. Bravo! Thanks for sharing.
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Thank you so much, T.K.! That Memento structure was exactly what I was going for. I wanted each disaster to gain more weight as you moved backwards, so by the time you reach that peaceful morning meditation, the irony just crushes you.
I love that you felt voyeuristic by the end. That's such a compliment, honestly. Sarah's day was so catastrophically bad that it almost feels wrong to watch, but that's what makes the contrast with her morning mantra so painful. She had no idea what was coming.
Thanks for reading and for the thoughtful feedback!
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N.S! I just want to give Sarah a hug. That's a lot to go through in a day. I loved the reverse playthrough of course of this catastrophic day, and how poor Sarah had no other choice but to laugh, with all that went on. Powerful. Gripping. So Transcending with vivid imageries and emotions. Thank you very much for sharing your writing.
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Thank you so much, Akihiro! Sarah really did need that hug. I think what broke my heart writing this was that none of the individual disasters were her fault, but they all compounded into this avalanche she couldn't escape. By the time we reach that laugh at the beginning, it's the only sound her body knows how to make anymore.
I'm really glad the reverse structure worked for you and that the emotions came through. Thank you for taking the time to read and share such kind words!
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This technique worked so well for this tragic day. How all the losses compounded. How could so many happen all on one day?
Thanks for liking 'Silence is Golden'.
And 'To Smell a Rat'.
Thanks for liking 'Sparks Fly'.
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Thank you, Mary! I'm so glad the technique landed. That was exactly what I wanted to explore—how sometimes life just piles on, and one terrible thing after another compounds until you can't even process it anymore. Sarah's laughter at the end wasn't joy or even hysteria really, just her system overloading.
And I really enjoyed both "Silence is Golden" and "To Smell a Rat"—thanks for sharing your work!
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Wow, you've done it again.
What first grabbed me:
"The glass was cracked, spider-webbing out from the center..." How many times have we all seen this somewhere, everywhere, and yet I "saw" it for the first time. I felt the spider web of glass, but it was sublime.
And then it goes on...
"...Behind it, her father smiled up at her, frozen at fifty-five..." What a perfect way to describe this.
How much more true can this--this picture--be put into words? Words create pictures, but you make a picture create words that create something in my heart.
And while it captured (my heart) when I first read it, its meaning gets weightier as the story draws to a close. Everything gets mingled together, and it just really hits home. Maybe it was supposed to, and maybe that's why it caught me from the moment I first read it.
The "series of unfortunate events" in reverse was powerful because you kept going further and further into the past. And that "method" (or whatever you would call that technique) works so well because they all start to fit together better and better the more you go backwards. It either works in a story or it's cringey. Yours is genius. Who isn't going to want to get to the end of the story when it keeps making more and more sense, when it keeps getting more problematic? More unbelievably devastating?
The laughter is so inappropriate, but it's inserted in a location where there should be nothing but laughter. And yet for Sarah, it makes perfect sense.
My only issue is that "it's" in the title should be its. Other than that, "it's" another slice of greatness in staccato sentences. 👏
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Jacqueline, thank you so much for this! You caught exactly what I was hoping for with that cracked picture frame. The idea that something so mundane becomes this vessel for everything Sarah's lost and is about to lose. I wanted that image to echo through the whole story, and I'm so glad it landed that way for you.
The reverse structure was terrifying to attempt, honestly. I kept second-guessing whether it would feel gimmicky or actually serve the story. But you're right—each piece only makes sense because you see what came after it first. Sarah's laughter at the beginning is incomprehensible until you've walked backwards through her entire day and realize she's just... empty. There's nothing left but that sound.
And yes, the irony of her performing her breakdown in front of a comedy club audience killed me to write. Sometimes life is just that cruel and that perfect at the same time.
(Also, thank you for catching the title typo. That's what I get for submitting at midnight!)
Thank you for reading so carefully and generously. Your comments genuinely make me want to keep writing!
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That makes me happy! 😄And you're so welcome!
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