The Summer of the Blue Dress

Contemporary Drama Fiction

Written in response to: "Write a story about a nostalgic memory — but your protagonist or narrator realizes they’ve remembered it wrong." as part of A Matter of Time with K. M. Fajardo.

I’ve told this story a hundred times. At dinner parties, to therapists, to anyone who would listen during those dark months after the divorce. It always starts the same way: the summer Hannah wore that blue sundress, the one with the tiny white flowers. The summer I caught her cheating.

Except that’s not what happened at all.

I realized it last week, twenty years later, when I found the dress in a box of Hannah’s things I’d been storing for our daughter. Not blue. Yellow. A faded yellow cotton dress with red poppies.

Such a small thing, you might think. But that single detail unraveled everything.

I was thirty-two that summer, Hannah thirty. We’d been married eight years, and the shine had worn off in that way everyone said was normal. We weren’t unhappy, exactly. Just… flat. Like soda left open overnight. We went through motions: coffee together in the morning, questions about our days, television after dinner.

Hannah had started taking evening walks. She’d come home flushed and energized, her dark hair escaping its ponytail in wisps around her face. I remember—or I thought I remembered—watching her through the kitchen window as she walked up our driveway in that blue dress, and thinking.

She looks guilty.

The dress is what made me suspicious, I told everyone. She’d bought it specifically for those walks. Wore it three, four times a week. Who dresses up for a walk around the neighborhood? Unless they’re meeting someone.

But the dress wasn’t new. I know that now because I found the photo, tucked inside the box with the dress itself. Hannah wearing it at her sister’s baby shower, two years before that summer. Two years before I’d convinced myself she’d bought it to look pretty for another man.

I started following her.

God, even now, even knowing the truth, I’m ashamed of this part. I’d wait five minutes after she left, then get in my car and trail her at a distance. The summer air smelled like cut grass and honeysuckle, and I’d crack my window just enough to feel like less of a stalker.

She had a route: down Maple Street, left on Oak, through the park, around the pond, back home. Forty-five minutes, almost to the minute.

For two weeks, she just walked.

Alone.

My paranoia felt foolish.

Then I saw him.

Michael Reeves.

We’d gone to high school with him. He’d been that guy, the one everyone loved, athletic and easy to talk to. He’d moved back to town that spring after a divorce of his own. I’d run into him at the hardware store once, and we’d done that awkward dance men do, pretending to be friendlier than we were.

I saw them talking by the pond. Hannah laughed at something he said, touched his arm. The touch was what did it. The way her hand lingered on his forearm for just a second too long.

My stomach dropped.

They talked for maybe ten minutes while I sat in my car like a private investigator, my heart hammering against my ribs. When they parted ways, Michael jogged off toward the west side of the park. Hannah continued her usual route home.

I didn’t confront her that night. Or the next. I watched, I waited, I collected evidence like I was building a case. I saw them together three more times over the next week. Always at the pond. Always around seven-thirty. They never touched again—not that I saw—but that first touch was enough. I’d decided it meant something.

The night I confronted her, we’d had spaghetti for dinner. I remember because she’d made too much and the leftovers sat between us on the table, cooling in the pot, while I told her I knew about Michael.

“What about Michael?” she asked. She looked genuinely confused, which I took for excellent acting.

“I’ve seen you together. At the pond. Multiple times.”

Something crossed her face then. Not guilt—though that’s what I told myself I saw. Looking back now, it was hurt. Surprised that I’d been following her, spying on her, that I’d jumped to this conclusion.

“We run into each other sometimes,” she said slowly. “He walks his route around the same time I do mine. We chat. That’s all.”

“You touched him.”

“I touched his arm during a conversation? Jesus, David, he was telling me about his daughter’s soccer game.”

“You bought a new dress.”

She stared at me. “What?”

“The blue one. You bought it right before you started these walks.”

“I don’t know what you’re talking about. I’ve had that dress for years.”

“Don’t lie to me, Hannah.”

The argument escalated from there. I’d rehearsed it in my head so many times that the actual conversation felt like a performance I’d already given. She denied everything—of course. I thought. Cheaters always deny it. I’d been so certain, so completely convinced by the narrative I’d constructed, that I couldn’t hear what she was actually saying.

She left that night. Stayed with her sister. When she came back three days later, it was to pack her things.

“I can’t be with someone who doesn’t trust me,” she said. Her eyes were red from crying, and she looked smaller somehow, diminished. “I didn’t cheat on you, David. But you’ve already decided I did, and nothing I say will change your mind.”

“Just admit it,” I begged. Because by then I needed it to be true. If it wasn’t true, then I’d destroyed my marriage over nothing. “Just tell me the truth.”

“I have told you the truth. You’re just not listening to me.”

The divorce took eight months to finalize. I told our friends, our families, everyone who would listen: Hannah had an affair with Michael Reeves. Some believed me, took my side. Others drifted away, uncomfortable with the he-said-she-said of it all. Hannah never defended herself publicly, which I took as further proof of guilt. Why wouldn’t she fight the accusations if they weren’t true?

I ran into Michael about a year after the divorce was final. I’d had a few drinks at O’Malley’s, just enough to make me brave and stupid.

“Stay away from my ex-wife,” I told him.

He looked at me with something like pity. “Hannah? I haven’t seen her since she moved to Portland. We were never anything but friendly acquaintances, man. I’m sorry about your divorce, but whatever you think happened between us—it didn’t.”

I didn’t believe him. I couldn’t afford to believe him.

But last week, when I found that yellow dress with the red poppies, when I saw that photo from the baby shower, something cracked in the fortress of certainty I’d built.

I called Hannah’s sister. We hadn’t spoken in years.

“Sarah, the dress Hannah wore that summer when—during those evening walks. What color was it?”

Silence on the other end. Then: “Why are you asking me this?”

“Just… please. What color?”

“Yellow. With red flowers. I remember because I told her it made her look like sunshine. She wore it when she needed to feel like herself.”

After we hung up, I sat with the dress in my lap and tried to understand how I’d remembered it as blue. How that single false detail had contaminated everything else. Because if the dress wasn’t new, if she’d had it for years, then why had I been so sure she’d bought it to impress someone?

I pulled out my old journals from that summer—yes, I’d kept journals, documenting her betrayal. I read through them with new eyes and saw what I’d missed before.

In my own handwriting, I found her words: “I’m lonely, David.”

I’d underlined it. Written in the margin: Preparing me for the breakup.

But she hadn’t been preparing me for anything. She’d been begging me to stay. Because I’d already left.

I don’t know if Michael was telling the truth about not seeing her after she moved. I don’t know if there was ever anything between them—maybe there was, after she left me. Maybe she found comfort with someone who actually saw her. But that summer, that specific summer I’d built my case around, she was just a lonely woman trying to find herself on evening walks, occasionally chatting with a casual acquaintance by the pond.

And I was a husband so disconnected from his wife that I’d invented an affair rather than face the real problem. I’d stopped paying attention years before she started taking walks.

The blue dress.

That’s what I see now when I close my eyes at night. That perfect, vivid blue that never existed. My mind created it, dressed her in it, used it as the foundation for a story that felt true because I needed it to be true.

It’s easier to be the victim than to admit you let something precious slip away through sheer neglect.

I have our daughter this weekend. She’s sixteen now, Hannah’s dark eyes and my stubborn chin. She found me holding the yellow dress.

“Mom told me once she wore that when she needed to remember who she was,” she said softly. “From before.”

“I remembered it wrong,” I told her. “I remembered it as blue.”

She sat down beside me, and in her silence was her mother’s kindness, the grace I never deserved.

“You could tell her,” she finally said. “That you know now. That you were wrong.”

I could. I should. Twenty years later, Hannah has a life in Portland—remarried, happy from what our daughter tells me. What good would my apology do now except my own guilt?

But maybe that’s not the point. Maybe the point is simply this: I’m sorry, Hannah. I’m sorry I dressed you in blue when you were wearing yellow. I’m sorry I wrote the story wrong. I’m sorry I couldn’t see you, even when you were right in front of me.

The dress sits in the box now, folded carefully. Yellow with red poppies.

Not blue.

Never blue.

Just one of the thousand things I got wrong.​​​​​​​​​​​​​​​​

Posted Nov 13, 2025
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