WHAT YOU CAN LEARN FROM AN ONION
07/09/26
Wade Douglass
Mara Donnelly was ten years old when she arrived on the porch of the old house on Conti Street, known to locals as Casa Conti. The small girl had dirt under her nails and hunger behind her eyes. She was wearing a ragged winter jacket three sizes too large, frayed shoes two sizes too small, and a plan that did not include what she would do after she filched the pie.
She was halfway through the kitchen door, reaching for the pie, when she spotted Serafina Conti, matriarch of Casa Conti and six decades Mara’s senior.
Serafina stood at the butcher block with her back to the door, breaking down an onion with methodical authority. She did not turn around. Mara stood motionless in the kitchen doorway.
Serafina: “You cannot just stand there. Come in, or go away. The kitchen does not have a third option.”
Mara moved into the kitchen. Serafina gestured for Mara to sit at the kitchen table. Serafina brought the pie to the table along with two forks.
"Let's make a meal of this pie," She offered, as she pulled a carton of vanilla ice cream out of the freezer. The two ate nearly the entire pie a la mode in silence.
After that, Mara never left Casa Conti, and never said why she stayed. Serafina never asked why no one came looking for the child.
Two months later, Serafina enrolled Mara in elementary school. Any community interest in the child, and what she was doing under the wing of Serafina Conti, soon faded into a new, slightly modified and generally boring routine of their small-town life.
Year One
“You’re late.”
Mara: “The bus —”
“Runs on a schedule. Just like you should. Hang your coat. Third hook.” Serafina Conti turned when Mara had settled onto the tall stool by the pantry door.
Serafina: “That's my stool.”
Mara: “Sorry.”
“You can sit on it. I said it's mine. I didn't say you couldn't use it.”
Mara climbed back onto the stool. She regarded the girl for a moment, then turned back to the onion she was breaking down. “Do you know why I cut an onion the way I do?”
“No.”
“Most people don’t. They hack at it, cry, and blame the onion for the fumes and tears. A single, precise cut. You leave the root end intact. That holds the layers together while you work. The moment you cut the root, everything falls apart.”
Serafina glanced down at Mara, who was staring at the onion, eyes wide and mouth slightly open, wearing an enthralled, almost existential expression.
Years Two through Eight
As the years passed, Mara began to move through the kitchen, more relaxed, and with a sense of belonging. By age eighteen, Mara did most of the cooking, while Serafina would sit more often on the stool, sipping a glass of red wine and peppering Mara with questions as Mara prepared the meals.
“Eww! What is that you are cooking?” Serafina grimaced in distaste.
Mara: “Mirepoix for the stock. I'm sweating the aromatics low and slow. It ends up bitter if you rush it.”
Serafina did not respond right away with her usual sarcastic retort. Mara smiled. The retort finally came.
“Who told you that nonsense?”
“You did. A hundred times.”
“And yet, you still had to be told a hundred times.”
“And yet.” Mara mimicked.
Both women smiled.
Year Nine
Mara left for college on a Tuesday in early September. She stood on the porch with her backpack over one shoulder, reciting her schedule for the third time.
“Tuesdays and Thursdays I'll be back by four. Mondays and Wednesdays I have lab until six.”
Serafina scowled, “I know your schedule. You've told
me a hundred times.”
“I just want to make sure you —“
Serafina interrupted: “I've managed this house for
almost seventy years. An occasional day without you will
not end in catastrophe.”
“I can still do the shopping on Saturdays.” Mara
offered.
“Obviously,” Serafina responded.
“I wouldn't go if I didn't think —“
“Mara, go to your classes.”
Mara left. Serafina watched her as she proceeded down the front walk. Serafina’s hand was trembling and rested on the doorframe a moment longer than necessary before she went back inside. She surreptitiously dabbed her handkerchief at the moisture building in her eyes.
The following April Seventh
Mara returned from classes that day to a dark and silent home. Mara found Serafina on the kitchen floor struggling to move.
“You’re late!“ Serafina scolded. “Help me up so we can prepare Cena. And don’t forget to hang up your jacket - third hook.”
Mara called 911.
The elusive malady that had plagued Serafina for the past year had chosen this month and this day to be formally introduced to the Conti household.
The doctor sat on a caster stool to Serafina’s left as he delivered the news. Mara sat in a chair on Serafina’s right. The doctor reached down and gently held Serafina’s hand in his: “I am so sorry. The CT scan and the MRI confirm that you most likely have stage four pancreatic cancer. We need to proceed with a biopsy to confirm the diagnosis and initiate treatment.“
The doctor spoke in a well-practiced tone of sympathy, while a chorus of medical monitoring devices politely beeped in the background.
“Why?” Serafina said tersely.
“Why?” The doctor was confused..
“I assumed already that you were sorry for wasting a portion of the limited amount of time I have left on this earth for a required pity-dance.” Serafina paused, and then continued. “No, why the biopsy? Can you cure me if you know the name of the cancer?”
“No. Your cancer is terminal regardless of its source. But we can optimize treatment if we know the primary tumor.”
Mara asked: “How long…..”
The doctor turned to Mara, more brusque and business-like in his demeanor after the wounding of his pride. “Less than a year with chemotherapy. 3-5 months with supportive care only.”
“So both options are less than a year.” Serafina's speech was slower and more measured. She looked directly into the doctor’s eyes. “Well, aren’t you useful.”
“Hush, Nonna! That’s rude.” Mara felt the color rising in her neck and face.
“I am an old woman. I have cancer. I'm entitled,” Serafina's response was sharp, but then she softened.
“I want to go home.”
Mara withdrew from her classes the next day and began the transition from college student to caregiver at Casa Conti.
April Fourteenth
Mara had reorganized the kitchen for practicality over aesthetics. A folding tray table stood near the doorway, and Serafina’s medications were arranged on it in a system Mara devised. A walker leaned against the wall near the stairs.
Serafina, for her part, endured being cared for with barely concealed impatience.
Serafina: (from the stairs) “I can manage the stairs myself.”
Mara replied from the foyer: “I know you can.”
“Then stop hovering at the bottom.”
“I’m not hovering. I’m standing here.”
“It’s the same thing.”
Mara muttered quietly to herself. “It’s NOT the same thing.”
A week later, Mara returned from shopping and found Serafina singing “Bella Ciao” in the kitchen. She was swaying on her stool with a nearly empty bottle of Opus One next to her on the counter.
Serafina smiled at Mara and gestured to her: “Come! Let’s dance!”
“You’re drunk!” Mara exclaimed.
“Finally, a correct answer on the first try! And I did not believe miracles happened anymore.” Serafina’s signature cackle broke into sobs. Mara ran to Serafina and held her. Both matriarch and student wept.
“The recipe box is yours. You will not believe me when I tell you that the recipes are worth more than the house and all my other possessions combined - if you have the patience and skill to use them properly. You must promise me that you will take care of Casa Conti after I am gone. There is no one else I trust for this.” Serafina was sober now and no longer weeping. She held Mara tightly.
Mara began to speak, and Serafina touched her lips gently. “Don’t speak. I know this house has not always been a warm home for you. But it is an honest one. The things in Casa Conti are what they are, including me. You have cared for this house with me for many years. This house loves you.”
July Fourth
Mara was polishing the Lion Head Knocker on the front door when she heard the cab pull up. She turned to see a middle-aged woman emerge from the back seat of the cab with her suitcase in hand. She briefly surveyed the home and yard without making eye contact with Mara, then walked briskly to the porch and up the steps.
“May I help you?” asked Mara, who was now standing face-to-face with the woman. The woman said nothing.
The front door opened, and Serafina stared at the woman without expression.
“How did you find out?” Serafina asked
“Does it matter?” the woman replied.
“It doesn’t. Your room is the second door on the left. Top of the stairs.”
“I remember. Does it have a television?”
“Yes.”
The woman set her suitcase down next to Mara and said: “Bring this to my room.” She then gave Mara an appraising look, scoffed, stepped past her into the foyer, ascended the stairs, and entered her room. The door slammed shut, followed immediately by the blare of the TV.
Mara turned to Serafina and asked: “Who—?”
“My daughter, Valentina,” Serafina answered without emotion or expression. “Set three places for dinner tonight.“ She used her walker to navigate to the stair lift and ascend to her bedroom.
Mara, bewildered, remained motionless on the front porch, with Valentina's suitcase at her feet.
After July Fourth, Marco Ferraro, Serafina’s personal attorney and long-time friend, came by frequently for private discussions with Serafina that included signing of various documents. Marco was 65 years old, with a special affection for Serafina, and after all these years, for Mara as well. Mara imagined him to be the grandfather of her dreams, though she did not tell him so. She was certain he knew anyway.
August Twenty-Ninth
The signed Paul Klee lithograph that had hung above the fireplace since before Mara was born disappeared. Mara had noticed its absence and mentioned it to Serafina. She thought no more about it as she immersed herself in preparations for the Labor Day weekend.
On August 30th, Brendan Callahan, County Sheriff, arrived. Brendan was 51 years old and spent every weekday morning at Casa Conti for coffee and pastries prepared by Serafina and later by Mara. She had imagined Brendan as her father figure for many years. Mara did not realize it at the time, but she was not only learning to cook, but she was also building a family for herself - one family member at a time, it seemed.
Brendan was unusually serious this day. He had a warrant, based on an anonymous tip, to search Mara’s room.
The search revealed a small plastic bag containing plaster remnants matching the wall paint in the foyer where the lithograph had hung.
Serafina appeared at the balcony railing, noticeably more frail than the week before. “Leave her be. She did not take the art. And even if she did — it was to be my gift to her when I die.”
After the Sheriff left, Mara went to Serafina’s room. “Why—“
Most likely Valentina - this whole affair has her style all over it.” Then Serafina paused with a blank look on her face. Several minutes passed.
Mara asked: “Nonna, are you OK?”
Another minute passed before Serafina responded. “How are you coming along with the fennel?”
Mara blinked. “Not so well. The soffritto is easy enough, but the fennel — it’s too hard.”
Suddenly Serafina’s demeanor became steely and focused. “It is NOT too hard. You lack patience. Difficult, unruly aromatics require more patience. That is all.”
The blank stare returned to the matriarch’s face, and Mara assisted her back to bed. They did not speak of the art or the fennel again.
September Fourth
The shuttle arrived to take Valentina to the airport for her complimentary time-share week at the Mirage, which she claimed to have won while playing online poker. Mara thought Valentina had come to help care for Serafina, but Valentina had been no help at all. Whenever she was not at the kitchen table eating, she was in her room with the TV on.
Serafina was failing, and Mara was grieving. She was emotionally and physically exhausted. Serafina was having twice-daily confidential meetings with Marco Ferraro, which the Sheriff also attended. Mara was not included and was told nothing.
Over the past six months, Mara had gone from college student to caregiver to “person of interest” in a crime to an evermore distant onlooker. Soon, she feared, she would completely lose the only family she had ever known.
September Tenth
Serafina died.
She did not ring her bell for her morning coffee at the usual time of 9:20 AM. At 10 AM, Mara entered Serafina’s room. Mara sat for an hour holding Serafina’s lifeless hand before she called Valentina.
“When is the funeral?” asked Valentina. Mara could hear the bells chiming and small orchestras of electronic jingles in the background.
“One or two days - that’s what she wanted,” Mara replied.
I won’t be back in time for the funeral then. But I will be back for the reading of the will. Gotta go!” The call ended abruptly.
Mara took a little time to regain her composure, and then called Marco Ferraro. He answered on the first ring.
“She’s—“ Mara started before her voice broke.
“She’s passed?” He finished Mara’s news.
“Yes.”
“Don’t worry, I will activate all the arrangements.” A more gentle tone entered his voice. “How are you holding up?”
“OK.” She lied.
She hung up the phone and sobbed.
September Seventeenth
The funeral was held two days after she died. Her remains were cremated according to her instructions. Marco set the reading of the will for September seventeenth. Mara was surprised to see the Sheriff, Brendan Callahan, in attendance as well.
Valentina entered the conference room late and announced to Marco: “Skip the formalities and keep the reading short. I have a lot to do today.”
Marco scowled and set his jaw. “Short, I can do.” He muttered.
He then opened the will and began reading:
“To Mara Donnelly, my beloved Piccola. I leave my recipe box and all property contained therein. “
Mara sat motionless. She nodded but did not speak. Marco resumed reading: “The house, the property, the art and all personal contents except the recipe box are to go to my daughter, Valentina Conti.”
Valentina made a sound that was half shout, half laugh, and clapped her hands in glee. Then she turned to Mara. Tough luck, little orphan girl. Didn’t you know that blood is always thicker than water? “By the way, I want you out of my house by five. You’re trespassing.”
Sheriff Callahan, now standing behind Valentina, emphatically returned her to her seat at the table. “We’re not done yet with this proceeding.”
“Ms. Conti,” Marco added, “Casa Conti comes with a rather hefty lien that will need to be satisfied before you can be issued a clear title to the property .”
“A lien? What kind of lien? How much?” Valentina squirmed under the Sheriff’s grip.
“Serafina took out a series of home equity loans to pay for final expenses - the first one dated July fifth. The total of these second-position liens is one point seven million dollars.”
“What? How much will I get if I sell the house to cover the liens?” Desperation was creeping into Valentina’s voice.
You will still owe two hundred fifty thousand dollars.” “Answered Marco.
“How could my mother take out loans totaling more than the value of the home? That makes no sense!”
“Fluctuations in fair market value,” Marco stated with as straight a face as he could muster.
“There is a solution to your dilemma.” Marco offered. “Allow the property to pass to Mara.”
“Wait!” stammered Mara. “I don’t have the money either.”
“Are you sure, Mara?” Marco and the Sheriff were both grinning.
“Check your recipe box for cards with numbers.” Mara did as instructed and found four cards, each with two sets of numbers. I know what these are!” She exclaimed. These numbers are bank routing numbers. Are these other numbers account numbers?”
“Yes. And those accounts are all in your name.
“How much—
“Two million dollars,” Marco answered quickly.
Mara tried to comprehend the magnitude of what she was hearing.
She attempted another question, but her speech stalled. She slumped back into her chair.
“Why the song and dance?” Valentina was flustered.
Mara remained silent.
“Contesting a will is a costly proposition that Serafina wanted to avoid for Mara’s sake.
“I need my lawyer!” Valentina shouted.
“You need two,” countered the Sheriff, “and one better be a criminal defense attorney. We have solid evidence that you are responsible for the art theft at Casa Conti.”
“Sign or don’t sign the title transfer. Either way, you are going to jail for a long time.” The Sheriff had finished trying to persuade.
Mara had been quiet, with her eyes closed and rubbing her temples.
“No,” Mara said with finality.
“No, what?” Marco asked.
“I will not press charges against Valentina.”
Brendan Callahan was startled. “We do not need your permission,” he said.
“But you do want my support.“ She responded.
“Why are you doing this?” Valentina murmured.
“I will not be the one who cuts the root of my family.”
Valentina was silent for a long time, staring at Mara. Then, slowly, she reached across the table and picked up the pen….
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The characters of Serafina and Mara were beautifully developed. Their relationship was lovely. Sometimes family is chosen.
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