As the train departed Isfahan station, Amir reached into his suitcase and felt it. Pulling it out, he carefully examined the colorful shard of ceramic between his fingers, remembering its history.
That morning, his apartment shuddered; dust and plaster raining down from the ceiling. He decided to leave before it was too late. As he hastily packed his suitcase, the yellow fragment glimmered on the floor and he plucked it up, a memento of the home he had lived in for seventeen years.
The American bombings were unlike anything he had ever witnessed. Horrendous in their thunder and fury.
Yet, on the train he rode what irritated him most was the sight of nervous young men whispering to each other and clutching their bags as if the world might end.
Ignoring them, he double checked his other precious belongings in his suitcase. The silver hash pipe he bought in his youth was there. A commodity he could barter in Turkey if Rials weren’t accepted.
When he was young, he and his friends wouldn’t have been afraid. They would have climbed Soffeh Mountain, smoked hash and watched the explosions, laughing at the meaninglessness of human existence.
Humans have been fighting over the empty desert plateaus of Persia since the time of the Sasanid Empire. Best to stay out of it and chill, is what he would have said in his youth.
The Raja train steadily clanked north, improbably still running. It rattled across the high Iranian plateau, past dark villages and moonlit desert flats. He sat wedged between a silent family and a young student and began to weary. He wasn’t young anymore. He grasped his suitcase on his lap like an anchor.
He pulled out an old train ticket stub. His first ticket out of Isfahan. He stormed out at age 17 after another fight with his father, shouting that he never wanted to see his old man again, and ran away to the big city.
In Tehran he waited tables fifty hours a week, while scraping through community college. The work was worth it to escape the endless rules, the lectures from his father about “honor.”
Even in his fifties, Amir still didn’t not know what honor meant.
But he knew duty.
He pulled out a faded photograph.
Amineh gazed back at him, young, hopeful, under the arches of Golestan Palace. Their names had felt fated: Amir and Amineh. Even his father, surely disapproving of a liberal woman from Tehran, held his tongue when he heard her fortuitous name. After he got a job, they married, and Amir and Amineh dreamt of children, books, and a quiet home.
Four years later, still childless, ovarian cancer arrived. Amineh grew weaker despite every doctor Amir took her to in Tehran. Sanctions blocked the best medicines, people said; without millions of rials or government connections, escape for treatment abroad was impossible.
“Inshallah,” the doctors said, “with rest and good food, she will recover.”
After she was no more, her relatives in Tehran comforted him, but they were not his family. His family was in Isfahan. Swallowing his pride, he returned home for a teaching post at UI. He and his father did not see eye to eye, but his mother urged patience. Eventually, after countless dinners and treating his father respectfully, he began treating him like a son again.
Amir buried himself in work. Having received a scholarship in Tehran before he married Amineh, he had become an academic researcher on memory loss. and social systems for treatment of dementia. He worked and worked. At University departmental dinners, he smiled quietly, knowing his publication count outstripped the other professors.
Academic success bred inner confidence. From his post, he could influence people. They should listen to a professor who had sacrificed, who had led progress at his university. Whose papers were published abroad.
He began voicing his political opinions in Isfahan, hosting Reformist talks, urging students to volunteer for political campaigns.
One day, he noticed a conservatively dressed student staring at him oddly during a lecture. The next morning, Doost, the Dean of Education, called him into his office and told him it would be best for everyone if Amir applied for early retirement. All good things come to an end.
Reluctantly, he resigned from UI, stating ‘family issues’ of the form he signed with his name on the bottom. In Iran, threats hang in the air, unspoken. Things could be far worse than collecting two-thirds of his pension and not needing to teach class at 9 am in the morning.
Not daring to take it out of his suitcase, he looked at his IIPF membership card. It had given him so much hope in the 2000s.
Getting involved in politics was a mistake. A folly of the male ego. He saw it now in so many middle-aged men. Professional success, and then delusions of grandeur, before being hammered down by the system.
Politics never change.
After leaving the university, Amir spent more time attending his poetry circle. At the Awakening Society, he vented about Dean Doost until Hamid—whom he had thought a close friend—suggested he skip the next meeting. After that betrayal, he attended the poetry gathering once or twice more, then stopped. Better to stay home.
He had learned how the world really worked. All the political and patriotic slogans were empty rhetoric. Soldiers’ medals were just tin trinkets pinned to their jackets. Job titles were just words on paper. The academic reports he had been so proud of as a Full Professor weren’t read by anyone. The system is a monster.
The conductor announced two hours to Tabriz. A small cheer rose from the passengers. Many, like him, would be continuing on to Van in Turkey. Amir had an uncle in Turkey. He hadn’t spoken to him in over a decade and was unable to reach him with the internet down. But family was family.
Shuffling up and down the aisle of the train was a young man, no more than twenty, clutching a plastic bag, eyes wide with fear. He had no ticket beyond Tabriz and begged passengers to help him.
Amir checked the last item in his suitcase. A tarnished brass key.
A few months after returning to Isfahan, his father gave him the key. It was to an apartment he inherited from his grandfather. He could have it. Like father like son, he had said. He lived there for 17 years. The yellow piece of tile was from there. The weight of the key felt heavy in his fingers, heavy with the weight of family history.
Amir looked at the boy. Something inside him gave way, the loosening of the last thread of selfishness. He stood, spoke to the boy, and pressed his onward ticket to Van into the young man’s palm.
The boy protested, tears welling up, but Amir shook his head.
The train pulled to a stop at Tabriz station, and Amir took the young man by the hand to board the onward train with his ticket, and told him, when he arrived in Turkey, to find his uncle and say Amir sent him.
He waved goodbye quickly, melodrama being for the foolish, and stepped back down onto the platform with only his suitcase and no plan beyond walking to the open-air cafe across the street and ordering a cup of tea.
The worker bees don't control the hive, Rumi wrote.
Letting go of the struggle to be in control made Amir feel unburdened. For the first time in his life, he felt free.
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Congratulations! Great focus on small objects, reflected in dipping, fully and specifically, into significant moments through this illustrated life.
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Thanks so much for commenting! Happy to hear the focus on small objects worked, breaking things up into cataloging various objects, otherwise I felt it might have been a bit too much too fast cataloging a whole life in a short story.
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Congrats
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Thanks John!
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You're a really strong writer and your phrasing is so elegant, "melodrama being for the foolish" stopped me in my tracks!
The one thing I'd push on is the last line, "for the first time in his life he felt free" tells us what to feel rather than letting us discover it with Amir! What does freedom feel like in his body in that moment? I think you could trust the reader more there!!
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Thanks so much for reading my story! Happy you caught the line about 'melodrama' (a bit ironic since this was an extremely melodramatic story tbh!). I did feel at that point I needed to show something about his character, him being a bit stoic in his older years and I worked on it quite a lot on making that line feel right. I agree with your suggestion for the ending that showing is better than telling, and if I rewrote this, I would def change it into something more metaphorical.
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Letting go is hard to do, especially when one knows the consequences.
I like the setting in the train, moving toward a set fate.
"Humans have been fighting over the empty desert plateaus of Persia since the time of the Sasanid Empire. Best to stay out of it and chill, is what he would have said in his youth."
thanks
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Thanks for commenting! Part of 'chill' idea was inspired by how my gen z children simply just don't read "the news" and just don't care about it. Their philosophy probably works out a lot better for their own lives and getting stuff done and being happy in a world we don't have control over. okay.. i'll be zen now for about thirty seconds before I read the iran updates again...
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Congrats on short list!!!
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Thanks! I wasn't really expecting it on this one, my writing experiment to hit all 5 prompts with a Moveable Feast like narration of an entire lifetime on an Iranian train journey tbh. So happy to be selected, its been about 2 years since the last time!
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Scott, this was such powerful storytelling. With the current state of things, we only get a filtered-down, one-sided blip of war. In between the catastrophes that leaders on either side cause, are regular people just trying to thrive in life. Amir had layers of weight oppressing him: Unrelenting standards of his upbringing, Conservative ways of the society he lives in, to uncertainty of foreign invaders that threaten everything else. Then, there is the grief of Amineh. In each instance, Amir revolted, deflected, ignored, and overrode. Perhaps he has finally gotten tired of those 'fight or flight' reactions and decided to accept whatever will be for him. So human and so relatable. Thank you for sharing!
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Thanks so much for reading and commenting! You captured something perfectly with how the MC's life has had a lot of 'fight or flight' His life's journey was more deeply from trying to control everything, to acceptance and helping others at the end. Having lived and seen life in different parts of the world, I think the path of maturity is very much the same everywhere.
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The story was immersive. The sounds of the train (in my mind) presented a notable pacing backdrop, highlighting a consistent rhythm of the slow, deliberate actions. I thought this list —"All the political and patriotic slogans were empty rhetoric. Soldiers’ medals were just tin trinkets pinned to their jackets. Job titles were just words on paper" — was a compelling breakdown of the phrase "He had learned how the world really worked." Congratulations!
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Thanks for your great comment! Happy you saw another line I worked on quite a bit to capture the narrator's state of mind.
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So timely. A microcosmic moment of what many might be going through right now. You have expressed Amir's thought processes and whole life so concisely in a so few words and crystalline images.
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Thanks, I let the imagination run on what someone's life might be like in Iran. I'm sure most people are up to totally ordinary sort of things similar to people in every other country.
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I loved the elements of character that you developed throughout your piece, layered between events in his past and his present situation. Loved the small objects that punctuate the tale. Great work.
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Thanks so much for commenting!
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This was an interesting story with great character. Amir what a character. At senenteen so you to leave his family after his arguments with his father. Doing well, gaining a professorship at Uni. Learning that there is more to life than material things.
You were unlucky not to have won this contest.Well done Scott
Best of luck in your writing!
Lee
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Thanks so much! Yeah Amir really turned his life around. Its llike the most rebelious people might have the most energy later in life. I've known a lot of people who suddenly get serious after they are 24 or so and do incredible things with their life.
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Very timely and nice to view from a perspective we do not often get to see. Thank you for sharing this, and congratulations on making the short list.
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Thanks so much for you comment. I really wanted to try to humanize what it might be like for someone living over there in the current situation.
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I liked this story, very topical, and it captures ideas an individual who does not toe the line drawn by the regime could have, as well as his need to cling to objects with meaning to him but essentially things that won't help him in his future.
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Thanks so much for reading, and for your insightful comment! I was hoping to communicate something just like that.
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Great story, Scott. You managed to pack so much in so little space. Almost a whole lifetime, but it didnt feel rushed or glossed over. Thanks for a great perspective. Freedom is never free. And the everyday person is subjugated by the governmental elites no matter where one resides. Beautiful story.
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Thanks for reading and commenting, David! Yeah, in every system, just when we think we've moved up and have some control, society will put us back in our place. We are allowed to tweet loudly about big picture politics in America and the UK, but one can be a top manager at a corporation, and if you don't show up for work one day, you can be booted out the door and left penniless just like that. Everyone is living with constraints. Happy to hear my story of imagining a whole lifetime of a MC in Iran worked;)
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Im glad you shortlisted (arguably could’ve won, more concise than the winning story) and I got to read your work, this was really great. So much rang so true I had to do a double take on your author name, ha. Congrats.
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Thanks so much! Happy that my research of what the life of someone in Iran might be like helped to make it more realistic. I actually didn't know "poetry circles" were a thing there. My parents, who had a long and happy marriage, have matching names, and I stumbled upon "Amir and Amineh" when I was looking at what common names in Iran are. We tend to focus on the differences, but I think so much of life is similar in every country.
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