Memory, Drystan had learned, was the cruelest of cartographers.
Each time he traced her face across the maps of years, she emerged transformed—not by time's honest erosion, but by the terrible alchemy of loss that transmuted recollection into hunger, fact into desperate mythology. Her eyes might hold the amber of late harvest wine one day, the storm-grey of northern seas the next. The delicate geography of her hands shifted between tellings: here, marked with the honest scars of an illuminator who had known quill and pigment as intimate companions; there, smooth as temple marble, unmarked by any earthly labour save the terrible work of being beloved.
She appeared to him clothed in memory's contradictions—now in silk that whispered of libraries and lamplight, now in wool that spoke of mountain villages, now wearing nothing save that luminous presence which had been hers alone to bestow and his alone to receive. Never the same constellation of features twice, yet always unmistakably her. Never truly present in the shadowy depths of his ruin, yet never absent from the hollowed sanctuary where his heart had once made its devotions.
She was the phantom that haunted the architecture love had made of him.
From his throne carved from the petrified tears of the world itself—white stone shot through with veins of his own crystallised anguish—Drystan drove his blade deep into the living crystal. The sword sang its grief into the heart of the mountain, a lament that the Sunken Isle of Unfarw caught and amplified until the very pillars of creation trembled with the resonance of his ancient, unhealing wound.
Beside his throne lay an illuminated page he could no longer endure to witness, for her painted likeness held too much of what the world had been when wonder was possible. That vellum bore the unbearable weight of beauty unredeemed, offered too sharp a glimpse through the keyhole of what was lost. In a rage born of protective love, he had torn away her image, leaving only the portrait of a young scholar-prince who had believed in the fundamental goodness of knowledge—a beautiful fool whose death was perhaps the greatest folly of his benighted reign.
Though death, he suspected, was too clean a word for what he had become.
Of his former principality, little remained untwisted by the Gravetide or unstained by the slow seepage of grief into stone and soil. In his dreams—those treacherous countries where hope still dared to breathe—he walked again through corridors of honey-gold marble, past windows that caught the light like captured stars, and everywhere his gaze fell, there she was. Every carved frieze became her profile, every painted dome bore her countenance—not as others might see those ancient decorations, but as his heart had learned to reshape the world around the gravitational pull of her presence. Yet when he reached to touch those visions, they dissolved like morning mist beneath an unkind sun, and he found himself once more surrounded by the bitter pools that had become both his kingdom and his prison.
He wrenched the sword free and rose, bringing its weight down against crystal and shadow whilst his voice carved its anguish into the hollow places beneath the world. Then stillness claimed him—not peace, never peace, but that terrible quiet that follows when even grief grows weary of its own song. He regarded that ancient page as though seeing it for the first time, studying the face of what he had been before sorrow learned to love him back.
"Drystan," he spoke to that painted youth with something approaching tenderness. "So beautiful in your unknowing. What became of you when the world revealed its true nature? Where did you go when innocence became impossible?" The page fluttered to the ground, its golden illumination cracking as parchment crumpled beneath the accumulated weight of years unmourned.
"Where are you?" he asked the listening crystal. "Why will you not return to me?"
But he knew the answer. Had always known. Some knowledge, once gained, could never be unknown.
To the living, the Gravetide is apocalypse made manifest—a cascade of crystalline tears that freezes the warmth from all things until nothing remains but the perfect, terrible beauty of eternal sorrow.
To Drystan, it is autobiography.
It is his grief given form and purpose, the endless anguish that pours from the wound where his heart once beat its small, hopeful rhythm. It is love transformed by loss into something beyond recognition yet essentially unchanged—still seeking, still yearning, still reaching across the impossible distance between what was and what might yet be. A testament to joy that once existed, and a monument to its destruction. Devotion perverted into devastation.
The Gravetide scours the earth as his anguish demands, its mist reaching into every crevice of the world to drain the warmth from living things, to teach them the lesson he has learned: that love is the root of all suffering, and suffering the truest expression of love. Where it falls, that achingly beautiful frost blooms—the colour of endings, of hope transformed into art, of dreams that dared to believe in permanence.
Yet even this destruction serves a greater purpose, for the Gravetide seeks as he seeks, searches with the desperate hunger of one who has lost the better half of his soul. It reaches blindly through the darkness for something precious beyond measure, something that makes the world worth unmaking.
The wraiths that travel within its embrace may feast upon the living, but the Gravetide itself knows only one hunger, recognises only one voice calling through the chaos of the world's freezing.
Everything he does is for her. Everything he has ever done. Everything he will ever do.
And now it has found something.
Far from the Sunken Realm, beyond the amber harbours of Port Haven and the mist-shrouded coasts of lands whose names he no longer remembers, something calls to him from a modest city nestled beside a river that has forgotten its own song. The object sings to his ruined heart with a voice he recognises, demands his attention with a familiarity that cuts deeper than any blade.
Though people flee before his approach like birds before the frost, though they cry out in languages he has never learned to speak, though winter settles over their homes in the midst of summer, Drystan hears only one voice calling through the symphony of endings.
Her voice. Impossible. Undeniable. Beloved.
The Hallowed Prince emerges from the crystalline cascade as sorrow given flesh and purpose, his blade carving through the first soul that dares stand between him and his object of desire. The man's breath becomes diamond dust as his life feeds the vast machinery of grief, but Drystan moves past without acknowledgement. Around him, the ice-bound dead perform their ancient choreography of endings, dragging spirits into his ever-expanding court of winter.
Steel rings against frozen steel, arrows shatter like icicles in the bitter air, and warriors fall like snow before a wind that knows no mercy. The sounds wash over him like distant music, beautiful and irrelevant.
None of it signifies. None of it bears weight against the gravitational pull of what waits for him.
He raises one pale hand toward the city's wall—that pathetic barrier men erect against the inevitability of loss—and the Gravetide surges forward like a wave of suffering too long denied. Stone becomes brittle as ancient ice, mortar dissolves into frost, and he steps through the breach as casually as walking through falling snow. Three more souls join his procession before he has fully crossed the threshold, their lives and loves and small mortal hopes becoming part of the vast tapestry of his purpose.
The city's ruler stands between him and his destination, a proud man defending some treasure whose true nature he could never comprehend. In his stance, Drystan recognises the futile nobility of one who would die for duty. Perhaps this one might serve better as a conscious vassal than another mindless wraith.
"Stillness," Drystan commands, and the world obeys. Ice and spirit, blade and claw, the very air itself becomes motionless at his word, as though creation itself holds its breath.
"Behind you lies something beyond your comprehension. Give it to me willingly, and I will grant you the honour of serving me with your mind intact."
The man struggles with words that lodge like shards of ice in his throat, duty and terror warring for dominance behind his eyes. At last, with the desperate courage of one who knows himself already dead, he manages: "If I surrender this treasure, will you spare my city?"
Disappointment touches Drystan's features like frost forming on glass. How small the concerns of the living seem. How quaint their belief that bargains might be struck with forces beyond their understanding.
Perhaps he considers mercy. Perhaps he weighs the value of one small kingdom against his infinite need. Perhaps he remembers what it was to care about such things as the suffering of strangers.
The man will never know, for suddenly Drystan stands above him, his great blade sliding through flesh and bone with the inevitability of winter's coming, the certainty of snow, the finality of love unrequited. Frost spreads across the dying king's skin like silver through water as his body slides down the sword's length, and Drystan feels nothing—not satisfaction, not regret, not even the mild interest one might take in watching ice form on a window.
Behind the fallen guardian, destiny waits.
A diamond pendant, small and perfect as a captured teardrop, holds within its faceted heart a single preserved flower—the last bloom from their wedding garland, somehow kept perfect through all the years of ruin. It pulses with such sorrow, such crystallised grief that even his ruined heart recognises its kinship—not mere sadness, but the specific anguish of love stretched beyond breaking, of devotion that has learned to feast on its own impossibility.
He lifts it with infinite care, as though it were made of crystallised starlight itself, imagining the smile that will surely grace her face when they are reunited at last. When the world is made whole again. When love conquers even winter.
"What have they done to you, my heart's compass?" he whispers, as the dead king rises behind him wreathed in that familiar silver fire, another note added to the endless song.
"Do not fear," he tells the glowing pendant, cradling it against the hollow where his heart once kept its vigil. "I will find every fragment of you scattered across creation. I will gather every petal, every memory, every whisper of what you were. It is only a matter of time, and time is all I have."
And with that promise—that vow, that prayer—Drystan dissolves into mist, leaving the wraiths to complete their feast whilst he carries his treasure home to the place where love and winter have learned to dance together in the dark.
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A beautiful fantasy with deep emotions depicted as physical entities such as crystals, love depicted as frost…. I love the quote “love is the root of all suffering.” Very thoughtful…
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Thank you so much
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Beautiful use of language 👌 ❤️
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Thank you KCW!
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