33 Best Writer's Block Writing Exercises

Getting started is one of the most difficult tasks that faces every writer. Julie Parsons is an international bestselling author. For this exercise, she's giving you the opening lines from some of her books. Take the following lines and use them to write the beginning of your own chapter:

1. You could say it began with a phone call."
2. Michael had watched them both for weeks."
3. She remembered the way it was the first time she saw the prison."
4. Midsummer, no time to be in New Orleans."
5. With the dawn came the light."

Our subconscious minds combine items in unexpected, sometimes whimsical ways. Set a timer for twenty minutes and use at least three of these words in your draft. Write without stopping: a red scarf, windshield wiper, chrome, doily, blowtorch, spatula, CD-ROM, postage stamp, frittering, static cling, radio silence, kismet, calamity, heartburn, bandage.

Think of writer's block as a symptom, not a condition that can't be remedied. When we're stuck and can't get to our creative work, there's usually a reason - and therefore a way to move forward.If you're experiencing a block and can't seem to work on your novel, try the following:

1. Close your eyes, take a few deep breaths. Connect.
2. How do you feel?
3. Nervous because you're coming up on a tough scene?
4. Starting to wonder why you embarked on this project?
5. Bored with sticking to your thorough outline and not wanting to admit it?

Feel what you're feeling without attaching or rationalizing or arguing. Now, refocus on your breath. Imagine gentle snow or waves. When you're calm inside, grab a notebook and pen (computers can amplify pressure instead of opening room for free scribbling) and write without stopping for three minutes, starting with the prompt, "I'm not blocked becauseÄ" After that, go for another three minutes, using, "The path back to my writing looks likeÄ" Let yourself go. Let your hand tell you whatever you need to hear.

Write a passage without the letter "E" or "A." This is known as a lipogram and has been used by authors in many languages to write their novels. You will use unusual sentence constructions, and it may slow you down for a while, but it will certainly force your brain to work in different ways.

Pick a fiction book from your shelf. Go to page eight and find the eighth sentence on the page. Start with that sentence and write an eight-line poem that connects in some way to your work-in-progress. For instance, write from the POV of a character, or set the poem in a story setting. Don't worry about poetry forms. Just write eight lines of any length that flow and explore some aspect of character, setting, or theme.

When you meet new people, how do you react? Tell a story to illustrate this.

Write about a well-known scene from a popular story - but write it from a new perspective. Write about Romeo and Juliet's death from the perspective of the vial they drink from. Write about the scene where Bilbo finds the ring in¾The Hobbit from the perspective of the ring. Write about the ghost of Christmas Past taking Scrooge on a walk down memory lane from the perspective of the ghost. You get the idea.

As a visual reference, select a box that has dimensions under 12X12 inches. Tape the box closed. Set the box in front of you. Write a story or poem based on what is inside the box.

Open a dictionary, close your eyes, pick a random word, and write about it. Go on, see how much you can write about one word in thirty seconds. It doesn't matter if you think it's great or silly or you think it's a beautiful word that everyone should use in every conversation. Write it!

Cheesy pick-up lines are the worst...but sometimes (when they work), they're the best conversation starters out there. Pick one of the pick-up lines from below and write down a conversation that you can imagine following afterward.

• "Your smile is like Expelliarmus. Simple but disarming."
• "Did it hurt? When you fell from heaven?"
• "Are you a parking ticket? You've got fine written all over you."
• "Are you from Tennessee? Because you're the only ten I see."
• "If I could rearrange the alphabet, I'd put U and I together."