I’m drawn to writing horror stories. When I write, boundaries blur, and as the narrative deepens, my language can grow feral. I’m compelled to expose the human inner world in all its naked detail—its suppressed fears, obsessions, and contradictions.
For me, description is more than a technique; it’s the foundation of atmosphere. I aim to pull the reader into the story, making the unsettling visible through an aesthetic lens. In my writing, horror doesn’t arise solely from events, but from the moment a person is forced to confront themselves.
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