Sarah Lyn Rogers

Sarah Lyn Rogers – Editor

Developmental editor with 10+ years of experience at publishers + lit mags. Here for your stories, essays, novels, memoirs, and hybrid work!

Overview

Are you struggling with a complete or in-progress manuscript? Need a set of fresh eyes on your work?

As a writer myself, I know firsthand how vulnerable and delicate it is to entrust unfinished work to another person, and I will handle yours with deep consideration and care. I can meet your writing on its terms, determine what it means to say from what it currently says, and help make its form and function legible to agents and acquiring editors.

I've worked in editorial at an indie publishing house since 2019 and have a decade of experience editing short fiction and essays for literary magazines. Short works I've edited have been anthologized, featured as picks of the week on websites and podcasts, and won the PEN/Robert J. Dau Short Story Prize for Emerging Writers. Books I've acquired and edited have been glowingly covered in the New York Times, NPR, TODAY, Los Angeles Review of Books, Lambda Literary, Esquire, and the Wall Street Journal, and have won the Lambda Literary Award for Gay Memoir and the American Book Award.

At The Rumpus, where I edited fiction for four years, I was known for championing debut voices. In my years at Soft Skull Press, I have acquired and edited an eclectic list spanning literary fiction, memoir, and poetry. My authors tell me they have felt seen, understood, and cared for throughout the entire publishing process.

If you need help structuring your memoir, line-editing and reordering your story collection, or deciding how to end your novel, let's talk!

Testimonials:

"Sarah is one of the most attentive, insightful, and gifted editors I have had the privilege of working with in my career. With any writing project, she has the rare ability to see both the big picture and the smallest details. At Soft Skull, she shepherded my second poetry collection What to Miss When from concept to complete manuscript to launch. I trust Sarah's judgment and taste completely and can't wait for my next opportunity to work with her!" —Leigh Stein, author of the poetry collection What to Miss When and the novel Self Care

"To work with Sarah is to have the extraordinary experience of working with someone who sees your work and illuminates it for you, showing you strands, details, themes, and connections you didn’t notice yourself. She deeply understood my manuscript and what I was trying to do—often better than I did. Her gentle, insightful comments and suggestions led me not only to a better understanding of my manuscript but to discover how I could make it work better on the page. Over the years, I’d drafted so many endings for my memoir that I lost count, and none felt right. Sarah helped me find my way to an ending of which I’m really proud. She also helped me to move through passages I desperately needed to write but had been afraid to start, with her wise, empathetic guidance." —Emma Bolden, author of The Tiger and the Cage

Services
Non-Fiction
Art Biographies & Memoirs LGBTQ Non-Fiction Writing & Publishing
Fiction
LGBTQ Fiction Literary Fiction Short Story Urban Fantasy
Languages
English (US)

Work experience

Self-employed

Oct, 2022 — Present
I work with private clients on developmental edits for fiction, nonfiction, and poetry projects, editing full and partial book-length manuscripts, as well as individual stories, essays, etc.

Penguin Random House

Jun, 2019 — Present
I periodically copyedit, proofread, and cold read books for Penguin Random House. Some recent titles include: BEFORE NIGHT FALLS by Reinaldo Arenas (tr. Dolores M. Koch), THE CUBANS by Anthony Depalma, TOKYO UENO STATION by Yu Miri (tr. Morgan Giles), and I LOVE RUSSIA by Elena Kostyuchenko (tr. Bela Shayevich and Ilona Yazhbin Chavasse).

Soft Skull Press

Mar, 2022 — Nov, 2023 (over 1 year)
For select projects, I worked directly with authors on developmental and line edits.

Soft Skull Press

Mar, 2021 — Feb, 2022 (12 months)
I acquired and edited THE TIGER AND THE CAGE by Emma Bolden, TOUCHING THE ART by Mattilda Bernstein Sycamore, and I DONE CLICKED MY HEELS THREE TIMES by Taylor Byas. Additionally, I served as in-house editor for Hiromi Kawakami's PEOPLE FROM MY NEIGHBORHOOD, Chloe Caldwell's THE RED ZONE, and Elvia Wilk's DEATH BY LANDSCAPE after EIC Yuka Igarashi's departure. During another editor's leave, I provided editorial support for Niina Pollari's PATH OF TOTALITY and Elisa Gabbert's NORMAL DISTANCE.

Catapult Books

Mar, 2021 — Sep, 2023 (over 2 years)
In a collaboration between PEN America and Catapult Books, Catapult annually publishes an anthology featuring the twelve winners of the PEN/Robert J. Dau Short Story Prize for Emerging Writers. As co-editor, I copyedit and arrange stories, write back-cover copy, and collaboratively write each anthology's intro.

Soft Skull Press

Jul, 2019 — Mar, 2021 (over 1 year)
I assisted EIC Yuka Igarashi, read manuscript submissions, and provided logistical support through all phases of production. Additionally, I acquired and edited WHAT TO MISS WHEN by Leigh Stein, HIGH-RISK HOMOSEXUAL by Edgar Gomez, and MONARCH: A NOVEL by Candice Wuehle.

Catapult (magazine)

Jul, 2018 — Feb, 2023 (over 4 years)
I solicited and edited short fiction, essays, and interviews for the Catapult magazine website, including work by Maggie Tokuda-Hall, Aruni Kashyap, Stephen Duong, Joe Wadlington, Sarah Blake, and Namrata Poddar.

Publishers Weekly

Mar, 2016 — Feb, 2017 (11 months)
I reviewed New Age/Metaphysical titles.

The Rumpus

Sep, 2015 — Nov, 2017 (about 2 years)
I assigned submitted stories to first-round readers, selected stories for publication on the website, coordinated publication schedule with other website staff, and worked with writers on copyedits.

The Rumpus

Sep, 2013 — Aug, 2015 (almost 2 years)
I read story submissions in Submittable, discussed promising stories with the Fiction Editor, and copyedited some stories to be published on The Weekly Rumpus app and website.

Portfolio

Developmental Editing Copy Editing
Touching the Art

Sycamore, Mattilda Bernstein

Developmental Editing Copy Editing
Copy Editing
Sweetener: A Novel

Higgins, Marissa

Catapult

Copy Editing
Hot Girls with Balls: A Novel

Nguyen, Benedict

Catapult

Copy Editing
Murder in Pitigliano (A Tuscan Mystery)

Trinchieri, Camilla

Soho Crime

Copy Editing
A/S/L

Thornton, Jeanne

Soho Press

Copy Editing
The Lilac People

Todd, Milo

Counterpoint LLC

Copy Editing
I'll Come to You: A Novel

Kauffman, Rebecca

Counterpoint

Proofreading
Proofreading
Proofreading
Developmental Editing Copy Editing
Copy Editing
Developmental Editing Copy Editing
Normal Distance

Gabbert, Elisa

Copy Editing
Copy Editing
Proofreading
Proofreading
Proofreading
Developmental Editing Copy Editing

Sarah Lyn has 25 reviews

Professionalism

Quality

Value

Responsiveness

Robert F.

Robert F.

Nov, 2025

Sarah is amazingly perceptive and thorough. We've collaborated over two years now to transform an unrealized little novella into a rich, robust novel. I could not have hoped to accomplish this without her.
Jonathan K.

Jonathan K.

Sep, 2025

Sarah delivered exceptional editing work with remarkable attention to detail. Her ability to maintain and enhance my voice while improving clarity and flow was impressive - the final product felt polished yet authentically mine. Sarah also demonstrated excellent project management skills, keeping...
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kevin S.

kevin S.

Aug, 2025

This is my second collaboration on a short story with Sarah Lyn. Much like the first, her insights and commentary were stunningly on point. She catches those sneaky little logic gaps I sometimes miss while my head is locked to the screen. By doing so, I am able to turn a solid narrative into one ...
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Chad P.

Chad P.

Jul, 2025

Sarah was fantastic to work with. She’s incredibly knowledgeable, insightful, and professional. I learned a lot through the process—she uncovered plot details and structural issues I hadn’t even realized were there. Her feedback was thoughtful, clear, and always encouraging. I would absolutely us...
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kevin S.

kevin S.

Jul, 2025

Sarah Lyn provided timely, thoughtful, and helpful feedback to my short story. She was able to uncover those important aspects and insights we sometimes lose sight of by being too close to our story. Her suggestions and proposed additions will fortify the story, the motivations of key characters,...
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