Sarah Lyn Rogers

Sarah Lyn Rogers – Editor

Developmental editor with 10+ years of experience at publishers + lit mags. Here for your stories, essays, novels, memoirs, and hybrid work!

Overview

Are you struggling with a complete or in-progress manuscript? Need a set of fresh eyes on your work?


As a writer myself, I know firsthand how vulnerable and delicate it is to entrust unfinished work to another person, and I will handle yours with deep consideration and care. I can meet your writing on its terms, determine what it means to say from what it currently says, and help make its form and function legible to agents and acquiring editors.


I've worked in editorial at an indie publishing house since 2019 and have a decade of experience editing short fiction and essays for literary magazines. Short works I've edited have been anthologized, featured as picks of the week on websites and podcasts, and won the PEN/Robert J. Dau Short Story Prize for Emerging Writers. Books I've acquired and edited have been glowingly covered in the New York Times, NPR, TODAY, Los Angeles Review of Books, Lambda Literary, Esquire, and the Wall Street Journal, and have won the Lambda Literary Award for Gay Memoir and the American Book Award.


At The Rumpus, where I edited fiction for four years, I was known for championing debut voices. In my years at Soft Skull Press, I have acquired and edited an eclectic list spanning literary fiction, memoir, and poetry. My authors tell me they have felt seen, understood, and cared for throughout the entire publishing process.


If you need help structuring your memoir, line-editing and reordering your poetry collection, or deciding how to end your novel, let's talk!



Testimonials:


"Sarah is one of the most attentive, insightful, and gifted editors I have had the privilege of working with in my career. With any writing project, she has the rare ability to see both the big picture and the smallest details. At Soft Skull, she shepherded my second poetry collection What to Miss When from concept to complete manuscript to launch. I trust Sarah's judgment and taste completely and can't wait for my next opportunity to work with her!" —Leigh Stein, author of the poetry collection What to Miss When and the novel Self Care


"To work with Sarah is to have the extraordinary experience of working with someone who sees your work and illuminates it for you, showing you strands, details, themes, and connections you didn’t notice yourself. She deeply understood my manuscript and what I was trying to do—often better than I did. Her gentle, insightful comments and suggestions led me not only to a better understanding of my manuscript but to discover how I could make it work better on the page. Over the years, I’d drafted so many endings for my memoir that I lost count, and none felt right. Sarah helped me find my way to an ending of which I’m really proud. She also helped me to move through passages I desperately needed to write but had been afraid to start, with her wise, empathetic guidance." —Emma Bolden, author of The Tiger and the Cage

Services
Non-Fiction
Art Biographies & Memoirs LGBTQ Non-Fiction Writing & Publishing
Fiction
LGBTQ Fiction Literary Fiction Short Story Urban Fantasy
Languages
English (US)

Work experience

Self-employed

Oct, 2022 — Present

I work with private clients on developmental edits for fiction, nonfiction, and poetry projects, editing full and partial book-length manuscripts, as well as individual stories, essays, etc.

Penguin Random House

Jun, 2019 — Present

I periodically copyedit, proofread, and cold read books for Penguin Random House. Some recent titles include: BEFORE NIGHT FALLS by Reinaldo Arenas (tr. Dolores M. Koch), THE CUBANS by Anthony Depalma, TOKYO UENO STATION by Yu Miri (tr. Morgan Giles), and I LOVE RUSSIA by Elena Kostyuchenko (tr. Bela Shayevich and Ilona Yazhbin Chavasse).

Soft Skull Press

Mar, 2022 — Nov, 2023 (over 1 year)

For select projects, I worked directly with authors on developmental and line edits.

Soft Skull Press

Mar, 2021 — Feb, 2022 (12 months)

I acquired and edited THE TIGER AND THE CAGE by Emma Bolden, TOUCHING THE ART by Mattilda Bernstein Sycamore, and I DONE CLICKED MY HEELS THREE TIMES by Taylor Byas. Additionally, I served as in-house editor for Hiromi Kawakami's PEOPLE FROM MY NEIGHBORHOOD, Chloe Caldwell's THE RED ZONE, and Elvia Wilk's DEATH BY LANDSCAPE after EIC Yuka Igarashi's departure. During another editor's leave, I provided editorial support for Niina Pollari's PATH OF TOTALITY and Elisa Gabbert's NORMAL DISTANCE.

Catapult Books

Mar, 2021 — Sep, 2023 (over 2 years)

In a collaboration between PEN America and Catapult Books, Catapult annually publishes an anthology featuring the twelve winners of the PEN/Robert J. Dau Short Story Prize for Emerging Writers. As co-editor, I copyedit and arrange stories, write back-cover copy, and collaboratively write each anthology's intro.

Soft Skull Press

Jul, 2019 — Mar, 2021 (over 1 year)

I assisted EIC Yuka Igarashi, read manuscript submissions, and provided logistical support through all phases of production. Additionally, I acquired and edited WHAT TO MISS WHEN by Leigh Stein, HIGH-RISK HOMOSEXUAL by Edgar Gomez, and MONARCH: A NOVEL by Candice Wuehle.

Catapult (magazine)

Jul, 2018 — Feb, 2023 (over 4 years)

I solicited and edited short fiction, essays, and interviews for the Catapult magazine website, including work by Maggie Tokuda-Hall, Aruni Kashyap, Stephen Duong, Joe Wadlington, Sarah Blake, and Namrata Poddar.

Publishers Weekly

Mar, 2016 — Feb, 2017 (11 months)

I reviewed New Age/Metaphysical titles.

The Rumpus

Sep, 2015 — Nov, 2017 (about 2 years)

I assigned submitted stories to first-round readers, selected stories for publication on the website, coordinated publication schedule with other website staff, and worked with writers on copyedits.

The Rumpus

Sep, 2013 — Aug, 2015 (almost 2 years)

I read story submissions in Submittable, discussed promising stories with the Fiction Editor, and copyedited some stories to be published on The Weekly Rumpus app and website.

Portfolio

Developmental Editing Copy Editing
Touching the Art

Sycamore, Mattilda Bernstein

Developmental Editing Copy Editing
Copy Editing
Sweetener: A Novel

Higgins, Marissa

Catapult

Copy Editing
Hot Girls with Balls: A Novel

Nguyen, Benedict

Catapult

Copy Editing
Murder in Pitigliano (A Tuscan Mystery)

Trinchieri, Camilla

Soho Crime

Copy Editing
A/S/L

Thornton, Jeanne

Soho Press

Copy Editing
The Lilac People

Todd, Milo

Counterpoint LLC

Copy Editing
I'll Come to You: A Novel

Kauffman, Rebecca

Counterpoint

Proofreading
Proofreading
Proofreading
Developmental Editing Copy Editing
Copy Editing
Developmental Editing Copy Editing
Normal Distance

Gabbert, Elisa

Copy Editing
Copy Editing
Proofreading
Proofreading
Proofreading
Developmental Editing Copy Editing

Sarah Lyn has 14 reviews

Professionalism

Quality

Value

Responsiveness

Michelle C B.

Michelle C B.

Feb, 2025

Sarah did an amazing job. I greatly valued her ability to communicate, be timely, and meet expectations. This being my first time at using reedsy she made things smooth and met my expectations. I greatly valued her being able to meet my needs and putting the personal touch on my project where I struggle to bring the flow of my thoughts together. I highly recommend her.
Esther Ruth E.

Esther Ruth E.

Jan, 2025

Loved the collaboration with Sarah. Though I had issues with payment, Sarah was understanding and appreciate the comments/directions she provided. Price was amazingly within budget.
Robert F.

Robert F.

Dec, 2024

I've worked with Sarah for nearly a year now, and can't say enough good things about her. See my previous reviews. As I keep saying, she's a treasure.
Dylan L.

Dylan L.

Dec, 2024

Sarah provided a comprehensive developmental edit/review and insightful and invaluable feedback to help me improve upon the quality of my short story writing. She balanced her assessment with praise toward what worked well and clear examples and gentle guidance/recommendations on how I might address potential areas of concern. With her expertise, I feel confident that I have a vetted and clear ...
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Robert F.

Robert F.

Dec, 2024

I’ve worked with Sarah at multiple points for nearly a year, developing an overstuffed, overlong, confused short story into an intriguing but unsatisfying novella, and finally into the full-bodied, layered novel it was meant to be. Our collaboration for me has been like an MFA-level writing course: her close readings, expert feedback and amazingly insightful suggestions have proven utterly inva...
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