CW: This story contains themes and/or references to transphobia and suicide
It wasn't supposed to be this way. I know everyone says that when something bad happens to them—the kind of bad that changes you, destroys you, rips up everything you've built, throws it into a trash can and burns it. It wasn't supposed to be this way. But it is.
"You can't be fucking serious," Dad said calmly.
It was the calm that always got me.
The calm right before the storm.
Right before shit hit the proverbial fan.
Right before his fists would ball up, probably aching to punch that look right off my face.
The look of a kid who just told his dad that maybe the doctors were wrong when they assigned him female at birth.
Maybe he wasn't Sarah, like his parents had named him.
Maybe he was a James or a Shawn or a Riley.
Who knows? But he definitely wasn't a Sarah.
"I—" I had started to say, but stopped. Because how do you answer an implied question that had no real answer? You can't be fucking serious dot dot dot.
I was serious—am serious. That was all I could think at the time. Why in the hell would I risk everything if I wasn't so completely sure that the innie between my legs and mounds of useless flesh hanging from my chest didn't feel wrong my entire life?
Why would I tell my very conservative father on Father's Day of all days that I was his son and not his daughter?
"So what? You're a dyke now or something?" He scoffed. Actually scoffed. My heart ached. It is aching.
I could feel myself dying inside. I was dying inside. I am dying inside.
Dad and I never had what you'd call a good relationship. When I was little and he treated me like a son, everything was great. We were close then. He loved me then. I wanted to be just like him.
But when Thomas was born, it was like Dad realized his son had a vagina and couldn't be called his son anymore. I don't think he stopped loving me, but he never saw me the same way. And now here I was telling him that he never saw me at all.
"Dad, I—" I started to say again. "I'm not a dyke. I don't even like girls." I ran my fingers through my freshly buzzed hair. I had cried watching the hair fall to the floor, because I knew this conversation was coming, and I was scared.
"You don't like girls," he repeated, taking a long drag from his cigarette before sipping on the beer that I knew would only make him angrier. And he was angry. I knew that like I knew anything in life.
"No," I said. "I've always had boyfriends, haven't I? I like guys." I shifted in my seat at the kitchen table. The smoke from my own cigarette blossomed around me and I thought about quitting, just to have an excuse to put out this impending fire and escape with my dignity and sanity intact. It wasn’t going well. Of course it wasn’t. I knew that before I even went over there.
“So you’re telling me that my daughter,” he emphasized, “is a fucking faggot and a freak?”
I cringed at the slur. I wanted to disappear. Every moment of the conversation. I just wanted it to end. I want it all to be over.
“Dad—” My voice was a whisper. I didn’t recognize myself. My throat and eyes burned. From the smoke, I told myself. Only from the smoke.
Because if there was one thing Dad taught me, it was that boys never cry. Maybe he would never see me as the man I was trying to be, but I couldn’t cry and prove him right. Little girls cried. Never boys. Right?
“Get the fuck out, Sarah,” he said. “You’re either my daughter,” he snarled, putting out his cigarette by dropping it in the beer can, “or you’re fucking nothing.”
I wanted to say more to him.
Scream.
Tell him he was wrong.
Say, “You’re an asshole,” and never think of him again.
I deserved more, and I knew that.
He had taught me to never let a guy speak to me the way he was then. He had taught me to love and respect myself. But I guess that didn’t apply when actually being myself meant being someone he hated.
Someone he was disgusted by.
So I left.
And now I’m alone in my dorm room.
Writing this.
I’m sorry.
————
“Fuck,” I say.
Boys don’t cry.
That’s what my old always told me, growing up in Mississippi. We lived on a farm. I worked every day of my life. I never cried, even when my dad broke my fucking arm for talking back to him.
And I know his old man said the same thing and did the same things to him.
And that’s what I taught my kids. Boys don’t cry. But I swore I’d never hurt them like he hurt me, so I didn’t.
I thought I didn't.
“Fuck!”
These fucking tears, flooding my eyes.
Why did I ask her to leave?
Why didn't I beg her to stay?
Why didn’t I tell her I loved her before she...
I should have told her she’d always be my little girl and we could work anything out, even if it was...that.
I light another cigarette, my vision blurring, eyes burning, and I read that crumpled piece of paper for the tenth time.
Thomas read it before I did.
He was the one who found her.
When Sarah didn’t answer her phone for two days, he drove over to her dorm—that damn liberal college that probably—
I guess her roommate had been out visiting family, so she didn't know anything about it.
Thomas and Sarah—they were always close. I didn’t know she thought I loved her less after he was born.
I love my kids the same! They’re my kids. And I’m proud of them. I always have been. So fucking proud!
After the funeral, he showed me the letter.
Yelled at me.
Punched me in the fucking eye!
I guess I deserved it, right?
“She killed herself because of you, you fucking prick!”
That’s what he said.
I would have never talked to my old man like that. He would have fucking killed me the second those words left my lips.
“God damn it.”
My eye is killing me.
I grab ice to numb the pain, but nothing helps.
It hurts like hell.
Her bedroom is exactly the way it was the day she left to go to college.
Blue plaid bedspread with space themed wall paper. She wanted to be an astronaut when she was ten. She loved space. Her mom papered the room.
Boy band posters.
Magazine cut outs of athletes and movie stars.
I always thought she just really liked blue. Not that girls can't love anything except pink. She always hated pink.
But she loved the guys. Always had guy friends and boyfriends.
I showed a few my shotgun when they got too many ideas or hurt her.
But that was normal teen girl shit. And I was a normal dad protecting his baby girl.
I look around the room now, though. And I don't see that a teen girl ever lived in it.
All I can see now is how similar her room is to Thomas’.
He’s still in high school. His room is right down the hall but he’s not in it.
Moved in with his mother.
Told me that if he had to look at me another day, he’d probably kill me.
I don’t blame him. I know this is my fault.
If I could do it over, I'd—
“It wasn’t supposed to be this way,” I say to the empty room.
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Hi, I’m from your matched Critique Circle. Not sure if the comment section is the place for this content but I didn’t see any other options. Okay, let’s do this!
I like how the tension between the kid and the dad is written. It has me on the edge of my seat. The first person point of view style is great, it really lets the reader in on the protagonist’s inner world. The emotion of the protagonist is heavy and clear, I feel for it. And the connection to the hair through identity is very moving. Your italics are on point! And the back and forth outer dialogue mixed with inner dialogue is well done. The formatting is a wise choice for a young adult character perspective. The “boys don’t cry” angle is smart, great job. The shotgun line makes me smile. The “wasn’t supposed to be this way” bookend is priceless, so good.
At times I am confused when the tense fluctuates from past to present and back again. Maybe give the reader a physicality to cling to or a double scene to better understand that this is a character recounting a past moment. I think there’s a word missing after ‘that’s what my old.’ I’m confused if this is a YA or Adult genre story. And confused where the protagonist’s child comes into play. Is the first part in the teen perspective and the second in the dad’s? If so, you might need a space between them in the formatting with a number sign in the middle to indicate a different scene and also not indent the first paragraph. Placing a name to the top of the scene may help, too. Maybe also tie in how they look or act different from the start of the second scene. Also the tense is different and threw me off a bit. Perhaps have the main person’s story in first person present tense and the secondary person’s story in third person past. Readers tend to latch onto the first person they read about.
Feel free to listen to or ignore anything that I say in order to keep your writing style uniquely yours. :)
These themes of mental heath need to be explored and need to get people thinking. I am glad that you are so brave and talented to bring this issue into the light. Your work reminded me of the article ‘The Suddenly Empty Chair’ by Marguerite Choi. The way you tackled a tough topic beautifully. The article popped into my head because it was written about my old college roommate’s high school friend. When the news broke it was devastating to her and many others. We shed many tears for him. It spoke volumes that his professor wrote about him to honor his life and spread awareness that we need to really see and listen to people. To take notice. You never know what someone is going through. People are often icebergs. Opening a dialogue is key. And you’re doing that. Bravo.
Thank you for making me think and feel and for your depth of prose. Inspirational.
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Thank you so much for the feedback. Many of the things in the story are rooted in truth from my life. I sent it to my brother and he said it was odd to read about our lives but also not our lives.
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