Overview
Now, as a freelancer, I get to work with authors and publishers on a freelance basis on a range of projects, taking on full projects from structural edit to line edit to copy edit. I'm driven, passionate and will work hard with you on your book to make it the very best it can be, working around your schedule. I have a huge amount of love and passion for children's and YA fiction, though my interests extend to other areas also. I also have a love for anything that is LGBTQIA+. I look forward to chatting and working with you.
Services
Fiction
Languages
Work experience
Self-employed
In my time as a freelance editor, I have worked with Vanessa Jones on her YA novel Dance Like No One's Watching, and Birdie Milano on her LGBTQ fiction Boy Meets Ghoul, the sequel to Boy Meets Hamster.
Pan Macmillan
Having my own titles that I am leading the edit on, taking them from first structural edit right through to print
Taking more responsibility of some of the titles I have previously been shadowing
Organizing freelance copyeditors and proofreaders for our front-list titles
Pan Macmillan
Supporting the team on a variety of admin tasks including looking after our submissions log, general upkeep of our contact database and scheduling weekly editorial and pre-acquisition meetings.
Responsible for various backlist titles being reissued, briefing covers and liaising with our design and sales teams to make sure the look is right for the target market.
Shadowing editors on their front-list titles from the first structural edit right through to proof read stage.
Organizing copy, covers and creating video content for sales presentations (3 times a year).
Penguin Random House UK
First port of call in our department, the friendly face that people can come to for either answers or direction to the right editor.
Responsible for the diaries of senior team members, arranging meetings with both internal and external contacts at our London offices and Book Fairs.
Minuting weekly editorial, pre-acquisition and creative meetings.
Within a couple of weeks at the company, I had pitched an idea as part of the Bertelsmann Creativity Initiative. My idea was one of twelve chosen (only three of which were from PRH) and I then had the opportunity to present the idea to the CEOs of Bertelsmann, BMG, Fremantle, Penguin Random House and more.