Rebecca Bohanan

Rebecca Bohanan – Editor

MAD Magazine editor and UCLA Writers' Program developmental editing instructor with 9 years of professional editing experience.

Overview

"I've worked with Rebecca on multiple projects across my writing career and keep coming back to her because of her editorial judgment, her insight and her knack for making passages pop. Before I sold my novel H.E.A.R., Rebecca did an editorial pass on it, helping me fine tune my characters and sharpen the plot. I have no doubt her assistance was instrumental in my selling the book. More recently, she helped me turn my first novel, Shaking Her Assets, into a webtoon. A master of the form, Rebecca guided me through the adaptation process, turning my book into an app-based graphic novel. Whenever I have a project I care about, I want Rebecca's eyes on it. She a true pro, a kind person and I can't recommend her highly enough!"--Robin Epstein

"If you're looking for a supportive editor with a keen eye for detail, look no further than Rebecca. She helped me find new life in a piece I had given up on and, after a few rounds of suggestions, I got my first 'yes' from the editor of a reputable magazine."--Gregory Zilboorg

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If you've got a funny novel, witty comic, or something in-between, I'd love to edit it for you! I was an editor at MAD Magazine, and I specialize in developmental editing — I even teach the Developmental Editing course at the UCLA Extension Writers' Program. I've produced and edited comics for my 9 to 5 gig, and have edited YA fiction freelance. I enjoy working on short stories and personal essays as well, and had my own New York Times' Modern Love essay published ("A Man and Meals Worth Losing Sleep Over"). I'd love to edit yours before submission! Additionally, I've worked for Zagat and TripAdvisor, and can copy edit food and travel guides.

My goal is to help writers create enduring characters, raise their stakes, and plot their ... well, plot. I'm also great at untangling story timeline issues, auditioning different story structures, and keeping a steady storytelling pace.
Services
Fiction
Comics & Graphic Novels Contemporary Fiction Humor & Comedy Short Story Young Adult
Non-Fiction
Cooking, Food, Wine, & Spirits Travel
Languages
English (US)
Awards
  • 2nd Round Finalist, Austin Film Festival
  • Quarterfinalist, Slamdance
Certifications
  • MFA, New York University, Dramatic Writing
  • BA, Chapman University, Screenwriting

Work experience

UCLA Extension Writers' Program

Jul, 2021 — Present

I teach Developmental Editing at the UCLA Extension Writers' Program.

Pocket Comics

Dec, 2020 — Present

I edit and produce webcomics for an up-and-coming app.

MAD Magazine at DC Comics

Dec, 2018 — Dec, 2020 (about 2 years)

I started at MAD Magazine as the Assistant Editor, then was promoted to Associate Editor. I was the last editor on staff at this historic institution, and was responsible for all editorial work for the magazine.

TripAdvisor's WhatToPack.com

Dec, 2018 — Mar, 2020 (about 1 year)

I wrote online editorial content for a TripAdvisor website, and can edit travel content to meet TripAdvisor's standards.

Bettina Schrewe Literary Scouting

Dec, 2013 — May, 2014 (5 months)

Zagat

Mar, 2012 — Apr, 2015 (about 3 years)

I proofread and fact-check the Zagat guidebooks for print publication. Zagat had been acquired by Google at the time, and my responsibilities also included editing the Zagat content on Google Maps.

Rebecca has 4 reviews

Professionalism

Quality

Value

Responsiveness

Charles T.

Charles T.

Mar, 2022

Your advice is stellar and and every editing recommendation was spot on. The story now bubbles and shines in the light of your impeccable advice. Much appreciation.
Jonathan C.

Jonathan C.

Dec, 2021

Rebecca is very prompt and straightforward, she was able to help assess two stories I had been working on and provided her feedback in under a week.
Mary Ann W.

Mary Ann W.

Dec, 2021

Working with Rebecca was both fun and illuminating. Her editorial experience and expertise really stands out!
Timeka C.

Timeka C.

Nov, 2021

Dumping a disembodied chapter on an editor without the benefit of the rest of the book, or a chapter-by-chapter synopsis, is not a fair thing to do. An editor needs to know what's happening throughout the book to better pick and choose what blocks of information should stay in the disconnected chapter or be stuffed into other, more fitting, sections of the book. Even the most concise and necess...
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