Overview
A recovered academic (ABD in English literature), I taught writing at New York University for several years. At Doubleday, I worked on a mystery imprint (R.I.P. dear “Crime Club”) which published 36 books a year. At Pearson, I was a developmental editor on textbooks for college-level ELL readers. Now that I’m a freelance editor, my work runs the gamut. I recently helped a new author get her first book — a historical romance — published. I also excel at making complex material — law for instance — clear and concise for lay people. I’m also great at coming up with titles and writing copy for promotional purposes or queries.
While I take my work very seriously, I don’t take myself too seriously. When my child was 4, she said to me: “On your tombstone it should say: “Let it be known that she amused her daughter.’” Having recently moved to Chicago, I jumped into writing sketch comedy and am a newly minted graduate of the Second City Writing Program.
I really enjoy the partnership between writer and editor. Whether you are writing a mystery novel, a scholarly text, or your memoir I will work with you to make your voice clear and strong; and your book a work of staggering genius. As an editor my credo is: “The greatest good you can do for another is not just to share your riches but to reveal to him his own.” - Benjamin Disraeli
Services
Non-Fiction
Fiction
Languages
Awards
- Women in Film Finishing Fund Award
- Robert Halsband Fellowship 1996-1997
Certifications
- Master of Arts in English, New York University
- Bachelor of Arts, with a Major in English, Sarah Lawrence College
- Graduate of the Second City Writing Program, Chicago
Work experience
Self-employed
Writing and editing content across a broad range of subjects: mystery, science fiction, historical romance, literature, books, film, pop culture, theatre, marketing, education, news, free speech issues, law, TV history
Projects include: editing novels (recently, “Fallen Star” and “Dragon’s Shadow” by Allison Morse, published by Wild Rose Press); writing articles; writing book proposals and promotional copy; writing SEO-friendly commercial website copy for LG; copywriting for Texaco
Pearson Education
I edited books and digital media for English Language Learners, working with acquisitions editors, authors, designers, and production to develop books from manuscript to published text. Major projects included: Fundamentals of English Grammar Interactive by Betty Azar; Writing Academic English by Ann Hogue and Alice Oshima; and First Steps in Academic Writing by Ann Hogue.
American Booksellers Association
I pitched, researched, reported and wrote articles and blurbs for the web and print on books, bookselling, the publishing industry, legal issues, First Amendment, library issues, and ABA’s activities. I came up with story ideas, interviewed people, covered industry events, and wrote, edited, and proofread articles under a tight deadline.
New York University
I taught composition at the Expository Writing Program.
Jay Garon-Brooke Associates
I read and assessed manuscripts for a prominent NYC literary agent. Freelance.
Doubleday
I evaluated and edited (and in a dire case rewrote) books for a venerable mystery imprint, the Crime Club. I supervised production and copy-editing, managed author/agent correspondence, and wrote promotional and flap copy for 36 hardcover books a year. I also managed the enormous slush pile.
Portfolio
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Molly has 5 reviews
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