Kim Smith – Editor

I mainly work with Australian and British English authors but have done a number of US English projects. I focus on line/copy editing but often find an annotated manuscript appraisal (with Zoom discussions) can be beneficial if your MS is not quite ready for that final edit. If not engaging a proofreader, I offer a free final proof-check of your formatted book. Note: this is a check for problems like spacing errors and hyphenation issues only.

I am semi-retired and only work on one book project at a time to keep my headspace in your narrative.

I work across a number of genres as well as narrative non-fiction. My favourite is humorous sci-fi/fantasy. I also have experience with middle-grade children's fiction.

I work collaboratively with my authors and keep them regularly updated on progress. My authors enjoy working with me and find me very approachable. Maintaining author voice is key and I am not a prescriptivist editor.

.

Kim is an amazing editor. The key thing about Kim, is that she'll do a phenomenal job while acknowledging, respecting and enhancing author voice. All her feedback is given with honesty AND compassion. You'll get real info, no beating around the bush, but also real solutions and kindness.

Elisse Hay- Foul is Fair

Kim has an excellent sense of composition, both for narration and dialoge. She's a stickler for grammar accuracy, her edits invariably improving clarity and flow. Kim caught inconsistencies in my story line that, while subtle, blemished the overall story. Her revision recommendations were well considered and clearly expressed.

Jim Giedraitis (writing as Kenneth James) – Dog Star Night

Kim did an awesome work. English is not my first language, but Kim brought my manuscript to a professional level. She also helped me see plot holes and details requiring further research. Anttimatti Pennanen – The Black Table series - Black Table, Unity, Catalyst.