Dan Larsen – Editor

I have been a freelance editor for 25 years, focusing exclusively on fiction. Over that time I have edited well over a thousand titles, most of them for top New York publishers, including three of the Big Five, and many of them (at a guess, a few hundred anyway) ending up on bestseller lists.

My past publishing clients have included Pocket Books (Simon & Schuster), St. Martin's Press, Houghton Mifflin, Time Warner, Disney, Walker, and Kensington. From 2005 until 2018 I worked with Penguin and Harlequin. I did copyediting for Penguin and line editing for Harlequin.

For the past several years I have limited my editing to working directly with authors, to help them look their best in print. I've been a Reedsy editor since 2017, and I've been with another professional editing group since 2016. On both platforms, I do developmental editing, editorial assessments, line editing, and copyediting. And with my experience, I have an insider's view on what agents and publishers want. More importantly, on what works and what doesn't work in fiction.

And if you want to self-publish, you need an editor even more than if you plan to go with traditional publishing; it's all on you to get it right. You won't have the expertise and experience of a publisher's staff of professionals to polish your work till it's marketable.

“Copy editors can easily make or break a good book, can turn a good book into a great book, an interesting book into a gripping book. I’ve had some dreadful copy editors and some good ones. Dan is the best!” –Faith Hunter, the New York Times bestselling Jane Yellowrock series

“Dan was the copyeditor for my Tango Key books when I was at Kensington. He’s terrific! And he remains my favorite copyeditor!” –TJ MacGregor, the bestselling Tango Key series

“A good copyeditor is an essential component to any novel, and with his keen eye, diligence and attention to detail Dan's has proved invaluable time and again.” –Tom Wood, the international bestselling Victor Assassin series

“Dan has a very good grasp of grammar and punctuation, and is proficient in observing appropriate style guidelines. He is also knowledgeable about many topics that come up in various novels. I’ve worked with Dan for more than a decade and always found him to be a reliable and conscientious professional.” –Daniel Walsh, assistant director, Production Editorial, Berkley (Penguin Random House)