Rozi D.

Rozi D. – Editor

Too many words? Not enough? A subplot that wandered off like a Roomba? I refine structure & polish prose—esp. fantasy/romantasy. | PRH alum

Overview

Booking: June & July

I’m a developmental editor, line editor, and copyeditor with 15 years in publishing and self-publishing, including work with Time Inc. and Penguin Random House.

I’m a romance editor and fantasy editor specializing in romance, fantasy, and romantasy, with a focus on plot structure, plot engagement, plot logic, pacing, character development, voice, worldbuilding, and sentence clarity.

My edits are direct, actionable and market/genre aware, built to move your manuscript forward, not keep you in endless back-and-forth. I’m a great fit for authors who want professional standards, clear direction, and efficient collaboration.

Budget note: I work at professional publishing rates. Projects typically fall in the low-to-mid four figures, depending on manuscript length and service level. Rates are fixed and reflect the depth of work provided. Please don’t request a quote unless you’re prepared for a professional editing investment.

I’M THE RIGHT EDITOR FOR YOU IF YOU:

• Want a developmental or copyeditor who understands storytelling + craft and can deliver a clean, fluent read at the sentence level

• Write fantasy, romantasy, or mystery and want genre-savvy feedback (including worldbuilding, mythology, and internal logic)

• Are a serious first-time author who wants clear, professional guidance and is ready for real revision

• Are self-publishing and want a professional-level edit

• Aspire to create characters who feel real, complex, and human, not a cliché

• Are multilingual and want your manuscript to read fluent and natural in American English / US English

SERVICES:

• Editorial Assessment / Manuscript Assessment / Manuscript Critique

• Developmental Editing

• Line Editing

• Copyediting / Copyediting for fiction (CMOS)

• U.S. Market Adaptation / American English (US English) Localization

• Editing for international / multilingual/ ESL authors

ABOUT ME

I have a BA in Journalism from NYU, an MSc in Linguistics from the University of Edinburgh, and an MA in International Crime & Justice. That mix shapes how I approach editing—from sentence craft to structure, pacing, and internal logic (even fantasy has to make sense).

I’ve edited work for best-selling and indie authors, entrepreneurs, and organizations including the DoS, DoD, UN, and the EU. My work has appeared across brands and outlets such as Barnes & Noble, Travel + Leisure, Amazon, Sephora, American Express, and Juliet Funt.

I serve on the board of the Editorial Freelancers Association and help strengthen the industry through editor development and mentorship.

I take the work seriously, keep communication straightforward, and focus on delivering results.

TO REQUEST A QUOTE:

I respond only to requests that include:

• Budget range

• Desired timeline

• Manuscript word count + genre and target audience

• Sample (first chapter or a representative scene)

• Edit level (assessment/dev/line/copy)

Please request an edit level (assessment/dev/line/copy) with a basic understanding of the difference. Beta reads aren’t professional editing, and I don’t move to line or copyediting when a manuscript requires developmental work.

Services
Fiction
Contemporary Romance Cozy Mysteries Epic Fantasy Paranormal Romance Romantic Fantasy Urban Fantasy
Languages
English (UK) English (US)
Certifications
  • B.A. Journalism and Linguistics, NYU
  • M.A. International Crime and Justice
  • Developmental Editing I, UCLA Extension
  • EFA Board Member and NYC Chapter Lead
  • MSc in Linguistics, University of Edinburgh

Work experience

The Developmental

Feb, 2016 — Present
Independent editor specializing in fantasy, romance, romantasy, and women’s fiction. Provide developmental and line editing for first-time and emerging authors, focusing on story structure, character arc, and narrative payoff. Known for diagnosing empty dialogue, collapsing exposition, and clarifying character psychology. Experienced in refining high-stakes plots and speculative elements—ensuring magic systems, world rules, and setting logic support tension, clarity, and emotional continuity. Shape scenes that balance interiority and momentum, aligning character decisions with genre expectations and reader satisfaction. Frequently collaborate with first-time authors, international writers, and those for whom English is a second language—enhancing fluency and emotional impact while preserving authorial voice and intent. Trusted for candid, nuanced feedback delivered with care and respect for the creative process. Especially attuned to stories by and about women, first-generation immigrants, and eldest daughters—narratives shaped by duty, resilience, layered interiority, and cultural complexity.

EFA

Oct, 2024 — Present
Elected Board Member for the Editorial Freelancers Association, where I contribute to professional standards, training development, and the evolving needs of fiction editors and writers. As Chair of the NYC chapter, I lead local programming and community-building efforts focused on professional development in writing, editing, and publishing. My work keeps me closely connected to shifts in storytelling, genre expectations, and the publishing landscape. I mentor emerging editors, support initiatives that strengthen editorial quality across traditional and self-publishing spaces, and write Beyond Borders, a column spotlighting international editors and the perspectives shaping our global editorial community. This role keeps my editorial work aligned with current approaches in developmental and line editing—ensuring the authors I support, especially first-time writers, women, and those writing in English as a second language, receive thoughtful, contemporary, and effective guidance from an experienced developmental editor and fiction editor.

Time Inc.

Feb, 2013 — Dec, 2015 (almost 3 years)
Edited critically acclaimed and bestselling manuscripts in contemporary fiction and romance, specializing in complex, female-driven narratives and voice-led storytelling. Oversaw full-cycle developmental and copy editing for print and digital projects, shaping narrative structure, pacing, and line-level execution for authors with national readership. Worked closely with first-time and emerging writers, offering direct, steady guidance and strengthening intention, clarity, and momentum across their manuscripts. Developed a specialization in emotionally driven romance—stories that balance interiority, tension, dialogue, and character dynamics to deliver a satisfying reader payoff. This role sharpened the editorial judgment and narrative precision I now bring to the authors I work with, especially those writing romance and romantasy who want stories that feel emotionally engaging, well-paced, and driven by believable character choices.

Penguin Random House

May, 2008 — Feb, 2013 (over 4 years)
Edited fantasy titles across adult and crossover lists as the genre evolved toward more emotionally nuanced, voice-led, and character-driven storytelling. Worked directly with authors through developmental and line editing, helping shape manuscripts with clear worldbuilding logic, emotional continuity, and solid narrative progression. Focused on strengthening continuity, pacing, scene sequencing, and the line-level clarity essential to complex fantasy and the early forms of what would become romantasy. Provided copyediting and stylistic refinement to support voice, consistency, and readability. Partnered with authors to refine early pages, clarify story direction, and ensure that character motivation and emotional stakes carried through the full arc of the book. My experience at Penguin established the structural foundation, narrative awareness, and editorial precision I bring to the authors I work with today—especially those writing fantasy, romance, romantasy, and women’s fiction who want a guided, collaborative editing experience and a publish-ready manuscript.

Portfolio

The Sword of Kaigen: A Theonite War Story

Wang, M. L.

Amazon Digital Services

Developmental Editing
Editorial Assessment
Made with Reedsy
Will There Be Wine?: A Novel

Cubbison, Whitney

Developmental Editing Copy Editing
Developmental Editing Copy Editing Editorial Assessment
The Book of Azrael (Gods & Monsters 1)

Nicole, Amber V.

Rose & Star Publishing

Developmental Editing Editorial Assessment
Wild Scottish Knight (The Enchanted Highlands)

O'Malley, Tricia

Lovewrite Publishing

Developmental Editing
The Curse of Saints

Dramis, Kate

Sourcebooks Casablanca

Copy Editing Editorial Assessment
The Curse of Sins (The Curse of Saints, 2)

Dramis, Kate

Sourcebooks Casablanca

Developmental Editing Copy Editing
Editorial Assessment
Claws & Crochet (Wolves of Pine Falls Book 1)

Connolly, Lauren

Hidden Bookcase Publishing LLC

Developmental Editing Copy Editing
Portal to Nova Roma

Mathews, J.R.

Editorial Assessment
Made with Reedsy
The Meaning of Okay

Raymond, Cortney

BookBaby

Developmental Editing
Developmental Editing Editorial Assessment
Made with Reedsy
The Mystery of Race (The Ace Compeers Book 2)

Bhandari, Rita

Developmental Editing Copy Editing
Made with Reedsy
Winter Meets Summer

Noyes, Christine

Editorial Assessment
Developmental Editing
Copy Editing
Developmental Editing
Editorial Assessment

Rozi has 18 reviews

Professionalism

Quality

Value

Responsiveness

Rebecca T.

Rebecca T.

Feb, 2026

Pinned
Rozi completed an absolutely wonderful edit of Chapter One of my manuscript. She delivered an exceptional marked-up copy with a highly detailed dev-report. Her insights were profound and really helped to sharpen my voice and tighten my pacing/tension. Her edits were thoughtful, encouraging and hi...
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Hailey V.

Hailey V.

Oct, 2025

Pinned
Working with Rozi was an absolute pleasure! Not only was she professional, detail-oriented, and thorough, but she also helped me improve my manuscript's English as it’s not my first language. Somehow, she managed to enhance clarity and correctness while completely preserving my own style and the ...
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Rozi D.
Hailey, I really enjoyed working on The Shattered Darkness. Your romantic fantasy novel had such a strong foundation, and this copyedit was all about refining clarity, flow, and rhythm while keepin...
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Sandra W.

Sandra W.

Aug, 2025

Pinned
It's the second time I've worked with Rozi - she did an amazing copy-edit and polished the manuscript to standards. I'm really happy with the result and look forward collaboration with her a third time.
Wa M.

Wa M.

Sep, 2025

Rozi, thanks for the editorial report on my fantasy novel draft. It's been difficult to find friends or family to honestly review my work, so finding you through Reedsy was helpful for my confidence to move to the next stage. I was surprised to find that the flatness I sensed in my writing wasn...
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Sandra W.

Sandra W.

Dec, 2024

The collaboration with Rozi has met my expectation, I am very happy with the end result. She helped improve the manuscript with professional insights and constructive feedback. I really appreciate her work and can only recommend her.

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Most recent contributions

How do you determine a base rate, and what factors lead you to adjust it for specific projects?

I determine it through a combination of industry standards, my expertise, the complexity of the manuscript, and the level of editorial intervention needed. A project that requires heavy restructuring or deep stylistic refinement will be priced differently than one that primarily needs consistency...
Read more

What benefits have you found most valuable from being a member of the Editorial Freelancers Association?

I’ve been a member of the Editorial Freelancers Association for three years and recently stepped into a leadership role as New York City Chapter Coordinator. This role has allowed me to connect with editors at all career stages, giving me valuable insights into the evolving needs and opportunitie...
Read more

Can you share an example of a challenging project that helped you grow as an editor?

Great editing often requires balancing the technical with the emotional, especially when an author is overwhelmed by the rewriting process that often follows structural editing. I encountered this dynamic on a manuscript that needed significant reorganization and deeper character development. The...
Read more

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