I began working as a freelance copy editor and proofreader in 2004. My first clients included the academic journal Literature and Medicine and the literary magazine Tin House. In 2005, I became an assistant editor at Tin House Books and quickly moved on to acquisitions and developmental editing. Over my career I have edited novels and short story collections and copy edited novels, short stories, articles, essays, and poetry. During my time at Tin House Books, novels I edited won the Giller Prize, the Goldberg Prize for Debut Fiction, and the Oregon Book Award for Fiction. As copy editor of Tin House magazine, I worked on the writing of authors as varied as Alice Munro, Etgar Keret, Ursula K. Le Guin, Anthony Doerr, Tayari Jones, Karen Russell, and Jim Shepard.
In my freelance work, I offer developmental editing for those who want feedback regarding the big-picture elements of their manuscript, line and copy editing for those who feel the overall work is ready but needs another set of eyes to refine the details, and proofreading for those who feel their book needs a final polish before going to the printer.
I believe that my job is to help an author make the work the best it can be and that the end result should feel true to the author’s vision and voice. I consider myself a guide through the editing process, and I think the greatest satisfaction as an editor is to point out a problem in a manuscript, suggest a few ways to address it, and help the writer navigate it, then let the writer determine the best solution. If you are interested in editorial feedback at any stage of the process, I am happy to discuss how we can work together on your manuscript.
“I’m more than happy to tell pretty much anyone that my experience being edited by Meg at Tin House Books was the best of my publishing experiences. I’ve been edited by five different editors at four different houses, and I imagine I’m a pretty annoying author to edit given that by the time a manuscript gets to my editor, it’s been gone over and gone over by not only me but also by my first and last reader, my husband, Jim Shepard, who’s the best close reader in the universe. So, to be my editor, you really have to make your case, and I've never felt more challenged and taken care of than by Meg. She’s whip-smart and generous, and manages to reveal to an author the author’s best version of herself as a writer. She has helped me travel the road I was on faster and better than I could manage on my own. She’s like my own turbo-charged sports car, and I couldn’t be more grateful for the places she’s taken me.”
--Karen Shepard, author of The Celestials and Kiss Me Someone
“Meg is an incisive, subtle, and meticulous editor--someone who makes manuscripts into books.”
--Sean Michaels, author of the Giller Prize-winningUs Conductors
“Meg is incredible. As a copy editor and editor, she sweats every last tiny detail—nothing escapes her—and at the same time manages to fully grasp plot, character, tone, and consistency. Countless authors have come back to me humbled, thanking Meg for making their work as good as it can be.”
--Rob Spillman, editor of Tin House magazine