Since 2014, and after stints in both New York and London, I’ve had the pleasure of partnering with writers who seek to elevate their work to the level required by traditional publishing as a full-time freelancer. I now live in Atlanta, Georgia and work with writers seeking publication in the US and the UK. Writers I have worked with have gone on to be represented by major agencies in both the US and UK, as well as publish via the Big 5 with multi-book, six-figure deals.
As a writer I know how tough it is to craft the perfect sentence full of wit, feeling, and meaning. I love working with clients to help them achieve just the right pitch and tone in their own projects. I also know what it feels like to send your work out into the world to be read and critiqued by others. I pride myself on my active listening and thorough communication. In our work together I endeavor, above all, to hear what you aim to achieve through your writing and translate it into actionable editorial steps informed by my understanding of the marketplace.
I've worked with phenomenally talented editors and writers (and I'm not the only one who thinks so - they've won incredible awards and recognitions ranging from NYT Notable Books to Pulitzer Prizes), so I've learned from the best of the best when it comes to crafting the perfect story. I'm most interested in literary fiction and upmarket women's fiction. I love bold (and often 'unlikeable') female protagonists, character-driven plots, and families-with-secrets novels.
I decided to begin freelancing full-time because I wanted to focus more on doing what I'm best at and love the most - telling good stories and helping writers, one-to-one, develop and strengthen their own unique voices. I'd love to do the same with you and look forward to hearing about your project!
- B.A. in Communication Studies, University of Georgia
- M.A. in Creative and Life Writing, Goldsmiths, University of London
Editor working primarily with novelists seeking traditional publication who wish to further develop and strengthen their work for maximum possible success in the marketplace. Services include editorial assessment, full developmental edit, query package review, and coaching. Writers I have worked with have gone on to receive offers of representation from major agencies in the both the US and UK, as well as publish via the Big 5.
Assistant to several award-winning editors at Scribner (an imprint of Simon and Schuster), working primarily on literary fiction, narrative non-fiction, and upmarket fiction titles such as MOBILE LIBRARY by Betty Trask Prize winner David Whitehouse, ALL WE HAD by acclaimed sculptor Annie Weatherwax, THE HILLTOP by Bernstein Prize winner Assaf Gavron, BODY COUNTS by Lambda Literary Award finalist Sean Strub, and the NYT Notable Book DEMON CAMP by Jennifer Percy. Titles worked on in an ancillary capacity include NYT Bestseller and recipient of the Books for a Better Life Award CARRY ON, WARRIOR by Glennon Doyle, NYT Bestseller and Pulitzer Prize recipient ALL THE LIGHT WE CANNOT SEE by Anthony Doerr, NYT Bestseller NORA WEBSTER by Colm Toibin, and NYT Bestseller THE FIRST BAD MAN by Miranda July.
Sole support editorial staff to Editorial Director at Weinstein Books (a joint venture between The Weinstein Company and Perseus Books Group), working primarily on platform-driven fiction and non-fiction titles such as THE BLONDE by NYT Bestselling Author Anna Godbersen, KATE: THE FUTURE QUEEN by the Mail on Sunday's Royal Correspondent Katie Nicholl, and OBSESSED by NYT Bestselling Author and msnbc Morning Joe co-host Mika Brzezinski.
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