Overview
And now some bullet points, to sum up my freelance work:
• Developmental editing, line editing, copyediting, proofreading, consultations• Middle-grade and YA fiction and nonfiction; picture books; graphic novels (children's and adult)• New York Times Bestseller: Acquired then continued editing freelance the Zita the Spacegirl graphic novel series; among other accolades, Book 1 received the Cybil Award and Book 2 hit the Bestseller list
And some sentences:
As a full-time editor and then freelancer, I have edited, copyedited, and/or proofread more than 100 graphic novels and children's books (YA, middle-grade, young readers, and picture books). After putting off a book idea for over a decade, I'm currently freelancing in order to complete it. In addition to children's books and comics, I work with website and marketing copy, book descriptions, and author bios.
My clients include indie authors, literary agents, and publishing houses such as Macmillan, Abrams, and Hachette's Yen Press and Little, Brown.
Services
Fiction
Non-Fiction
Certifications
- The Business of Book Publishing: An Introduction for the Non-Financial Manager (NYU)
Work experience
First Second Books (Macmillan)
• Freelance copy editor of graphic novels (children's and adult, fiction and nonfiction).
Little, Brown Books for Young Readers
• Freelance proofreader of middle-grade and young adult novels.
• Projects range from My Little Pony novelizations to Barry Lyga's I HUNT KILLERS young adult mystery/thriller series.
Abrams
• Freelance proofreader of middle-grade and young adult novels for Abrams Amulet and Abrams Books for Young Readers.
• Freelance copy editor of YA novels for Abrams Amulet.
• Freelance proofreader of Abrams children's catalogs.
Alloy Entertainment
• Freelance proofreader of young adult novels, including books in the bestselling Pretty Little Liars and The Lying Game series.
Abrams
High-quality art and illustrated books
• Devised new book projects and met with potential authors; commissioned proposals.
• Acted as project manager on multiple titles and presented at pre-sales.
• Brainstormed ways to move outside traditional markets; successfully approached a popular retail chain about partnering on a book.
• Collaborated with Licensing and Brand Management: recognized trends and discerned which film, TV, and video game properties to pursue for books and calendars.
• Originated book proposals sent to NBC and Hasbro; obtained approval from the CEO and publication board to make a significant offer on the NBC TV tie-in; the Hasbro project was still in the works upon leaving Abrams to freelance, in Dec. 2012.
Maria B. Campbell Associates
• Acted as sole children’s book scout for 11 foreign publishers, advising on the best American and international children’s titles to acquire for their specific markets.
• Identified children’s book trends and generated weekly “Highlights” reports for clients.
• Scouted for Warner Bros. Pictures, recommending titles suitable for film adaptation.
• Established a wide network of industry contacts, adding to connections already forged as an in-house editor.
Portfolio Solutions, LLC (agency)
• Book doctored first-time author's young adult manuscript.
• Evaluated for agent the manuscript's quality and marketability.
• Provided one-on-one consult with author regarding audience, plot, and pacing.
First Second Books (Macmillan)
• Freelance editor of middle-grade graphic novels.
• Freelance proofreader of middle-grade, YA, and adult graphic novels (fiction and nonfiction).
• Freelance line editor of English translations, making dialogue and back matter sound more natural while maintaining author's tone.
Roaring Brook Press (Macmillan Children's Publishing)
Picture books, novelty, young readers, middle-grade and young adult novels, children’s graphic novels
• Edited books from acquisition to publication: Negotiated contracts; composed editorial letters; worked closely with authors on revisions; communicated with agents/foreign agents/proprietors; determined formats and packaging based on audience and costs; commissioned illustrators and selected designers; supported marketing campaigns; advised creators on directions to take their work next.
• Collaborated with—and still keep in touch with many—acclaimed authors, illustrators, and comics creators.
• Staffed booth, promoted books, and made professional contacts at BEA, ALA Midwinter, and New York Comic-Con; co-hosted author dinners; accompanied authors to panels, signings, and school visits.
• Actively participated in budget, list, and strategic planning.
• Responsible for production schedules of approximately 30 books a year.
Roaring Brook Press and First Second Books
Children’s and YA fiction and nonfiction; graphic novels, including adult
• Acquired two young adult novels and a middle-grade graphic novel series—all of them receiving starred reviews (including every installation thus far in the graphic novel series).
• Assisted Mark Siegel, Editorial Director of a graphic novel imprint that had no other editorial staff.
• Assisted Neal Porter, Editorial Director, Neal Porter Books, an imprint of Roaring Brook Press.
• Edited numerous titles from both lists, for a broad range of age groups and markets.
• Kept in touch with the more than 50 artists and writers with books in development.