Traditionally published author, developmental editor, and story development consultant in the publishing, TV, and film industries.
Overview
If a story is going to fail, it will first do so at the premise level. I specialize in helping authors and screenwriters fix stories in trouble. When you get lost in the story woods, I can show you how to find your way back to your story's real premise idea, and teach you how to not get lost in the future. I will teach you a story development methodology ("Anatomy of a Premise Line") that you can use for your entire writing career that will cut your story development time in half, and help you figure out if any story idea will have legs as a book or screenplay—BEFORE—you start writing. I have worked with literally thousands of novelists, screenwriters (TV/features), and creative nonfiction authors, and my clients have won major literary prizes like the “William Faulkner Gold Medal,” placed as finalists in major screenwriting competitions like The Sundance Screenwriters Lab, and include New York Times and USA Today bestselling authors.How I Work:I DON'T READ MANUSCRIPTS :) I say that with love. I say that because I'm not interested in your writing. I'm interested in your storytelling. How strong are you with structure, characterization, subplotting, narrative design, etc.? How are your story skills vs your writing skills? Storytelling and writing are not the same thing. In fact, they are unrelated and unconnected. You don't need to be anywhere near a pencil and a piece of paper to tell a story. Stories can be danced, painted, spoken (you get the idea). Writing is just one way to tell a story.Most people are good at the writing function but weak with the story function. That's what I help you with. If you have a 400-page manuscript, that's fine, but there is no point reading it if the story is out of kilter. We find that out very quickly in our first consult. Then I work with you to fix your story and position you to successfully rewrite whatever manuscript you might have. If you don't have a manuscript—terrific. In this case, less is more. I almost prefer you have no or little writing done.Basic Reedsy Services:Logline Development: One hour consult where we break down your story into a pitchable logline for query letters. We record the session so you can refer to it in the future. $375 USDStory Premise Evaluation: 90-minute recorded consult where we break down your basic story idea to uncover story structure weaknesses/strengths and brainstorm story solutions. Next-steps advice is also given for further development steps. $675 USDPremise Line Development: A full week of consulting to develop a workable premise line for your story. Premise lines are an essential development tool for your own writing, but also for pitching agents and editors. It is used in conjunction with the logline in pitching. You get: unlimited video chat session on Zoom (recorded), daily work assignments with notes (email), lots of one-on-one coaching. $1200 USDLong-Term Coaching: This is a variable package that can go for two weeks to several months, depending on your needs. We'll have to negotiate and see what you need. Contact me for pricing, but the ranges go from $1800—$3500 USD depending on your budget and needs. We'll talk.(All services are negotiable , esp. due to financial hardships due to pandemic.)My approach is designed to help you get a solid story and build a narrative foundation that will support the actual writing of manuscript pages. Develop first, write second. That is my mantra (one of many). If this sounds interesting and useful to you, then we should talk. Drop me a message and we'll begin the conversation and you can tell me your story.————--———————If you hire me, I highly recommend you read my book "Anatomy of a Premise Line: How to Master Premise and Story Development for Writing Success" (Focal Press) Check my Amazon page — it will make things a lot smoother :)
Services
Fiction
Action & Adventure
Fantasy
Horror
LGBTQ Fiction
Mystery & Crime
Plays & Screenplays
Young Adult
Non-Fiction
Biographies & Memoirs
Languages
English (US)
Work experience
Various National & International Magazines
Aug, 2011 —
Present
Ongoing contributor to leading writing industry trade magazines, including: Writer's Digest Magazine, The Writer Magazine, Writing Magazine (UK), and Script Magazine.
Producers Guild of America
May, 2011 —
Present
The Producers Guild has one of the leading screenwriting and producing fellowship programs in the entertainment industry. I teach all of the story development workshops for their "Power of Diversity Producers Fellowship" participants. Only working entertainment industry professionals can join the program. I teach feature film, television, and documentary story development.
Screenwriters University
Jan, 2020 —
Present
I teach basic story development and story structure to screenwriters.
Writers.com
Jan, 2018 —
Present
I teach basic story development and story structure to novelists and creative nonfiction authors.
Stanford University
Jul, 2012 —
Present
Regular instructor through Stanford University's School of Continuing Education. I teach premise development and story structure classes and guest lecture on story development for other Stanford writing program instructors.
Createspace & Author Solutions
Jan, 2009 —
Jun, 2013
(over 4 years)
Worked with two of the largest subsidy publishing companies as an editorial consultant and developmental editor. Worked with fiction, nonfiction, and creative nonfiction authors to improve their book's structure, story, narrative design, and assure book elements conformed to publishing industry best practices. Consulted with thousands of authors across all major genres.
Storygeeks
Jan, 2006 —
Present
Founded Storygeeks, a professional services company offering story consulting, editing, and story development services to the entertainment (film/TV), publishing, and subsidy publishing industries.
If a story is going to fail, it will do so first at the premise level. Anatomy of a Premise Line: How to Master Premise and Story Development for Writing Success is the only book of its kind to identify a seven-step development process that can be repeated and... read more
This book offers a unique approach to storytelling, connecting the Enneagram system with classic story principles of character development, plot, and story structure to provide a seven-step methodology to achieve rapid story development. Using the nine-core pe... read more
In 1956, Ava Lark rents a house with her twelve-year-old son, Lewis, in a desirable Boston suburb. Ava is beautiful, divorced, Jewish, and a working mom. She finds her neighbors less than welcoming. Lewis yearns for his absent father, befriending the only othe... read more
Two women running away from their marriages collide on a foggy highway, killing one of them. The survivor, Isabelle, is left to pick up the pieces, not only of her own life, but of the lives of the devastated husband and fragile son that the other woman, April... read more
Caroline Leavitt is at her mesmerizing best in this haunting, nuanced portrait of love, sisters, and the impossible legacy of family. It’s 1969, and sixteen-year-old Lucy is about to run away with a much older man to live off the grid in rural Pennsylvania, a ... read more
The reality of being an author today means that you can't do it all alone. The writing, designing, editing, publishing, and marketing of a book is no longer a one-man or one-woman show. Authors, if they want to put their best professional face forward, must no... read more
The world of how-to creative writing is filled with quick fixes, flavor-of-the-month techniques, and fortune cookie wisdom. This e-book has compiled the top ten creative writing myths that may writers accept as gospel, and then describes each of the myths to s... read more
Narrative pace can make or break the reading experience, but few people describe what real pace is or how you can achieve it. Most just discuss writing, style, and sentence structure, but pacing in any story is so much more than that. This e-book gives a clear... read more
One room. Six People. No way out. And every 13 minutes one of them dies—horribly—unless they can figure out what their nameless, faceless, and creepily mysterious captor wants from them. One woman holds the key to their survival or deaths. But, only if she fac... read more
London—Today—Guys named “Jack” are being killed across the city by a female serial killer with an almost supernatural ability to stay hidden. When Jack Tate, an emotionally bleak detective sergeant, is called in to investigate the brutal killings, he teams wit... read more
Jeff has 4 reviews
Professionalism
Quality
Value
Responsiveness
Namtran P.
Dec, 2020
Jeff's insightful feedback and suggestions helped me to rapidly develop my sprawling ideas into a cohesive and compelling story that is bursting with characters and scenes wanting to be written:-) Thanks Jeff for your quick responses and professionalism! NT
Marilyn M. W.
Aug, 2020
It was a pleasure to work with Mr. Lyons. He did pretty well in , encouraging me without reading my book. I appreciated his suggestions.
Sharon T.
Jul, 2020
Jeff is a seasoned professional with a down to earth personal manner. In spite the fact that he doesn't generally work with picture book authors, the techniques he taught me to clearly identify and stay focused on my true goals of a book will take my writing process not just to the next step, but...
I came across Jeff on one of the Reedsy live-stream events, and I could see that his particular approach might be just what I needed to get me "unstuck" in my novel project. True enough! He responded promptly, was appropriately priced, and set up collaboration straightaway. His conversation was ...