I would be honored to help you on your path to publication!
Perhaps you want the most polished version of your manuscript before self-publishing. Or you’re ready to traditionally publish but require an expert eye before confidently submitting your work to agents. Maybe you’re frustrated by form rejections and want an honest opinion as to why your project isn't getting the “yes”. Or you’ve tackled a brand-new genre and need to know whether it’s working. And of course, if you’re having a tough time distilling your novel into a succinct query letter or synopsis, I can assist with that, too.
Wherever you are in the process, my goal is to help you meet yours.
I specialize in manuscript assessments and developmental edits as well as query letter and synopsis critique. My authors are a diverse and eclectic bunch, and I tend to focus on middle grade, young adult and adult fiction, as well as select nonfiction—primarily memoir and biography.
In fiction, I have experience in the following genres:
· Women's Fiction
"In the six years I’ve had the pleasure of working with Elizabeth, her keen editorial eye, professionalism, and commitment to my work have never failed to impress me. From copy editing to tackling the larger aspects of plot and character development, Elizabeth has consistently brought significant value to my projects. I highly recommend her to any writer looking to take his/her manuscript to the next level." -Roxanne Veletzos, bestselling author of THE GIRL THEY LEFT BEHIND (Atria Books)
"With several years of experience at a premier literary agency, Elizabeth Copps is an absolute professional when it comes to editing. Her feedback is always insightful, honest, and positive, and her knowledge of current trends in publishing is invaluable. She is a pleasure to work with and I love having her in my corner! Highly recommend!" -USA Today bestselling author, Nan Rossiter
"Elizabeth Copps knows what makes good fiction. Her insights are transformative, her patience immeasurable. Her editorial talents have been invaluable to my writing career." -Andy Davidson, author of IN THE VALLEY OF THE SUN (Skyhorse) and THE BOATMAN'S DAUGHTER (MCD x FSG Originals)
"Elizabeth is a gifted editor. She has earned my trust over several projects and my trust doesn’t come easy. The last thing you want on the road to publication is a flat footed editor. I always work with beta readers and also my writers group which are good for first level rewriting, but I wouldn’t send my work out to professionals without a trusted reader on Elizabeth’s level. She’s much more than a line editor. She sees the whole work and pushes you to get where you want to go. She also has an eye for all those problems you tried to slip under the rug. Nothing gets by her." -Corabel Shofner, author of ALMOST PARADISE (Farrar, Strauss & Giroux Children's)
"Elizabeth Copps has been editing my work since 2013, and I cannot recommend her keen eye enough! Her feedback has been consistently thoughtful, respectful, and constructive. Most recently, she has played a major role in getting my debut novel into excellent shape for publishing houses. I honestly can't (and wouldn't want to!) envision a manuscript edit without her input." -Elizabeth Green, author of CONFESSIONS OF A CURIOUS BOOKSELLER (Lake Union)
I started my publishing journey in 2010 as an intern with Maria Carvainis Agency and spent the summer reading and analyzing hundreds of query letters and manuscripts alongside the acquiring agents.
This turned out to be my “lightbulb” moment, and in 2011, I was thrilled to join the agency full-time as an assistant. Two years later, I moved into an associate role where I continue to build my own list of extraordinary authors and manage their publishing careers.
As a literary agent, I'm required to have a finger on the pulse of the publishing industry. To maintain a firm understanding of the current market—what is salable and why. I carry that knowledge and experience to Copps Editorial, and I absolutely love working with authors to bring their manuscripts to the next level. One of my favorite parts of the job is the back and forth on an early draft of a project. Nothing makes me happier than solving a niggling plot issue or problematic character arc and seeing an author light up when they realize just how powerful their writing can be.
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Editor, proofreader and writing tutor with over 20 years' expert experience in commercial fiction and non-fiction.
Editor with ten years' experience in literary and commercial fiction, memoir and non-fiction, working for authors, agents and publishers.