Richard Babcock

Richard Babcock – Editor

A nonfiction editor who works successfully and happily with writers at all levels of experience and covering a broad range of subjects.

Overview

I grew up in the Midwest, and after earning a law degree, I turned to journalism, serving as a top editor at New York magazine and then editor in chief at Chicago magazine. In both jobs, I edited some of the best writers in the business and some first-timers. The work was a pleasure—I never once looked back and wondered why I wasn't practicing law (although the training often came in handy). On the side, I wrote novels, all published by top publishers. I have taught writing and editing, principally at Northwestern University. For the last few years, I have been a ghostwriter and/or editor on books and articles. The subjects have ranged across the board, from personal history to business to crime to politics and beyond.

I find editing a delightfully collaborative operation. As an occasional writer myself, I know how important a good editor can be, and I recognize the value of a warm and candid writer/editor relationship. Typically, a manuscript will bounce back and forth between me and the writer—in effect, we edit each other (of course, the writer always owns the final say). This is hard work for both of us, but invigorating and, more times than not, fun. The point is to make the story as good as it can possibly be, and I’m often astonished at the insights and skills that a writer—even a novice writer—can bring to a narrative.

Here's how I worked with the writer on several projects:

Still Burning—This memoir by a well-known Chicago politician who was often at the center of events essentially tells the history of the city over the last half century. I interviewed him extensively and did additional research to create a narrative of his life in his voice.

Reservations for Nine—A doctor came to me with a manuscript that tells the heartbreaking story of his adult son who suffered from early onset colon cancer. The book covers the science of the disease and the impact on doctor’s close family. I did extensive re-organizing and line editing of material written by the doctor.

Fewer, Bigger, Bolder—Two Northwestern University business professors developed a powerful approach to management. We built this book out of extensive interviews I did with them and some of their own writing.

My wife is also a writer, as is our son (we didn't provide him the DNA to be a scientist). My wife and I live in a house surrounded by books. Good storytelling, thoughtful analysis, a fair and accurate depiction of the facts—these are the precepts that guide us in our work and in our lives.

Services
Non-Fiction
Biographies & Memoirs Business & Management True Crime
Languages
English (US)
Awards
  • Finalist-Fiction-Society of Midland Authors for my novel Are You Happy Now?
Certifications
  • BA—Dartmouth College
  • JD—University of Michigan Law School

Work experience

Self-employed

Feb, 2015 — Present
I provide editing services on books and articles and write occasional book reviews for The Wall Street Journal.

Northwestern University

Jun, 2011 — Sep, 2021 (about 10 years)
I taught editing and writing at several colleges, principally Northwestern University. My students and I would examine outstanding narrative stories, looking for lessons in excellent nonfiction writing. The students would also write stories themselves, and, working with them, I would do a major edit, using the tools I'd acquired over the years as a top magazine editor.

Chicago magazine

Apr, 1991 — Apr, 2011 (about 20 years)
I edited this award-winning monthly magazine that ran long-form narrative stories and profiles, as well as covering entertainment and dining options in the Chicago area. Our feature story subjects ranged from politics to crime to sports to business to personalities and beyond. I assigned stories, made the final edit, and on many of our longer narrative stories I did the original edit, which often involved spotting holes, reorganizing text, and substantial line editing. All my editing was done in close collaboration with the writer.

New York magazine

Jun, 1980 — Mar, 1991 (almost 11 years)
At one of America's best magazines, I edited a wide variety of writers across a range of subjects. I would initially make an assessment of the text, looking for missing but necessary information and considering organizational questions. Usually, I would send a thorough memo back to the writer. Often, I would do a substantial line edit when the manuscript came back.

Portfolio

Developmental Editing
Developmental Editing
Developmental Editing
Deep Dish

Malnati, Marc

Agate Midway

Developmental Editing
Reservations for Nine: A Doctor's Family Confronts Cancer

Beauregard, George

Manhattan Book Group

Developmental Editing
Developmental Editing

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