Overview
I have a theory that editing a book is a bit like cleaning your house: no one should notice if you do it right, but everyone will notice if you don’t ...
And sometimes you just need to hire a professional to get the job done.
I have worked in publishing since 2003, spending over seventeen years as an in-house editor and proofreader, though I have often worn other hats: production editor, permissions expert, typesetter and even, when a Mac or printer occasionally let us down, tech support. The publishing world can be demanding, changeable and all-consuming, but I love everything about it.
In particular, I love working directly with an author and helping them fine-tune their work – whether that means drilling down to find the real heart of a story; working out the kinks in a plot; or emphasising the key information in history texts or memoirs. It is a unique and immensely satisfying relationship, one built on trust and mutual respect – authors need to know that their book is in safe hands, and I pride myself on being knowledgeable and professional, but also open, friendly and fun to work with.
For over thirteen years, I was an editor with the prestigious Irish publisher, Blackstaff Press. There I specialised in commercial editing; working as key editor, proofreader or project manager on titles by first-time and high-profile writers alike (including award-winning authors, MLAs, former city mayors and prominent sports personalities).
I am also an experienced educational editor, working for several years with Blackstaff’s sister company, Colourpoint Education. There, I edited and proofread resources for KS3, GCSE and A level. I liaised with teachers, principal officers, chief examiners etc. to ensure copy was consistent in style, facts were accurate and that the text covered the curriculum specifications.
Over the years I have worked on a wide range of titles, but the ones of which I am most proud are:
LITERARY FICTION
- ‘The Pen Friend’, Ciaran Carson
- ‘The Third Party’, Glenn Patterson
- ‘The Dancer’s Dancing’, Éilís Ní Dhuibhne (2010 reprint)
HISTORY
- The ‘Written in Stone’ series, Tom Hartley
- ‘May, Lou and Cass: Jane Austen’s Nieces in Ireland’, Sophia Hillan
- ‘The Belfast Blitz’, Stephen Douds
- 'Titanic: Icon of an Age', Michael McCaughan
FANTASY
- The ‘Folk’d’ trilogy, Laurence Donaghy
- ‘The Polaris Whisper’, Ken Gregory
CRIME/THRILLER
- ‘A River of Bodies’, Kevin Doyle
ANTHOLOGIES
- ‘The Ulster Anthology’, Patricia Craig
- ‘Weird Belfast’, Reggie Chamberlain-King
- ‘Earth Voices Whispering: An Anthology of Irish War Poetry 1914-45’, Gerald Dawe
MEMOIR
- ‘A Time to Speak’, Helen Lewis (2010 reprint)
- ‘The Place I Call Home’, Anna Lo
EDUCATION
- 'AS Russia 1914-41', Jim McBride
- 'AS Northern Ireland Government and Politics', Lesley Veronica
- 'Electoral Contests in Northern Ireland', Alan Parkinson
Services
Non-Fiction
Fiction
Languages
Certifications
- Basic Proofreading, Publishing Training Centre, London
- Copy-editing Skills, Publishing Training Centre, London
- Grammar at Work, Publishing Training Centre, London
- Advanced Copy-editing, Publishing Training Centre, London
- Proofreading, Stage II, Publishing Ireland
- Grammar for Editors, Publishing Ireland
Work experience
Self-employed
Blackstaff Press, Colourpoint Education and April Sky
Brehon Press