Lindsay Newton – Editor

As a publishing consultant and editor, I support potential authors through the process of seeking literary agent representation. Through development editing, query letter reviews, nonfiction book proposal reviews and consultations on navigating the publishing process, my clients can increase their likelihood of gaining literary representation and, therefore, becoming published authors. I continue to offer free resources to writers whenever possible, including a free Nonfiction Book Proposal Template that teaches writers how to create a successful pitch.

My clients have garnered representation from preeminent literary agencies including Aevitas Creative Management, Levine Greenburg Rostan, Dystel Goderich & Bourret, Stephanie Tade Agency, and more.

As an instructor at Seattle's beloved nonprofit community writing center, Hugo House, I taught Query Letter Bootcamp courses to help writers "think like an agent" as they write winning query letters that highlight their strategic hook, flesh out their author platform, identify their target audience, and more. My former students have seen fantastic results - many receiving offers of representation and full manuscript requests immediately following the course.

As part of the 37 INK and Atria Editorial teams, I worked on high-profile, New York Times bestselling projects and maintained relationships with acclaimed authors such as Alice Walker, Kevin Hart, Isabel Allende, Thomas Mullen, Taraji P. Henson, Colleen Hoover and more. I built network of international and domestic agents, participated in auctions, and negotiated contractual terms in order to acquire projects on behalf of the company. I performed thorough development edits in a variety of genres such as literary and upmarket fiction (including mystery/suspense and historical), practical nonfiction, memoir, and humor.

As the interim assistant to Merrilee Heifetz, I performed extensive editorial work on the manuscripts of both debut authors and existing clients. I evaluated manuscript submissions and utilized my knowledge of the current market to make recommendations for strategic client acquisition.

As the first member of a brand new Sourcebooks imprint, I was given many opportunities to grow quickly as an editor and make an impact across multiple departments. I evaluated manuscript proposals across imprints for publication consideration and collaborated with authors in developing trade nonfiction and commercial fiction manuscripts. Due to my strategic sales analyses of trade nonfiction markets, I was charged with building a line of trade study aids titles, and managed project development for their corresponding digital programs. My success in these efforts granted me opportunities to work directly with the CEO and Publisher in building a new junior nonfiction line as well. I served as a ghostwriter for key debut authors and supplied print and digital content, including chapter entries, articles for distribution in major media outlets, and blog posts.