Ivett Trazsi – Designer

Illustration experience:

Vibrantly coloured children's books, cookbooks, travel and food illustrations, wall decals and personalised artworks for clients from the UK to the US, NZ and American Samoa Island, including publications in New York, Canada and Australia. My style is joyfully dictated by bright colours and lots of textures combined with abstract elements from nature, working digitally and with messy paints.

Published books:

Illustration, cover and book design:

Glumbags by Charlotte Tarrant, Starlike Books, UK, 2021

Roni la Rana by Nicola Maguire, Silverwood Books, UK, 2021

Dancing with Cara: The Rainbow Stories by AC Bradburn, UK, 2023

The Pixies Plan Christmas by Cheryl Latham, UK and US, 2023

The Fly's Song by S. Michael Smith, US, 2024

Ten Million Colours by Danielle Bradley, US, 2024

Peter and his Rocket Ship by S. Michael Smith, US, 2025

Children's animation:

Dancing with Cara series, author: AC Bradburn, UK, 2022

Cover illustration

Janet Urban: Inside Actor, Los Angeles USA, 2022

Illustration process:

As illustration is not only my job but my passion, I take all parts of it very seriously and with an open heart.

No matter if the manuscript is about a flamboyant flamingo with white eyelashes or a book filled with mouthwatering recipes or a story with a very important message, when reading it for the first time, it is the most magical feeling in the world: being honoured by an author to read their thoughts and create illustrations for them is like reading a mind! For me, it is the most exciting task in the world.

Firstly, I usually have an online meeting to get to know each other before kickstarting the project. This first impression is very important as it sets a good vibe to the whole experience. After discussing all the important details (expectations, deadlines, fees, terms and conditions etc) the first milestone is always to create rough sketches: setting up the pages, layout, basic scenes and characters, moodboard and colours. After sending off the sketches and receiving feedback (that I never take as a critique, I am easy on feedback as I prefer honesty from day one to avoid unnecessary extra time spent on re-drawing major parts), we start to get into detailed drawings, mostly either with pencil or ink lines and blobs of colour. The last stage is about creating the colourful final artworks ready for printing in the required formats.

This process had been tried and tested with a beautiful outcome in the form of published books and really happy authors!