Holly Welker

Holly Welker – Editor

I'm a skilled editor who loves memoir so much I got a PhD in it. I'm interested in your story and want to help you share it with the world.

Overview

I have an MFA and a PhD in literary nonfiction (memoir, essay, autobiography) from the University of Iowa. If you want to write a memoir, I will help you do it. If you've written a memoir, I will help you make it better.

I spent more than three decades studying and teaching literature at the college level. I'm automatically attentive to the traditional elements of good literature, including character development, plot, pacing, dramatic tension, scene, dialogue, etc., but I'm also not put off by unusual or experimental approaches. I have an excellent command of the foundations of good prose (and poetry), and can quickly assess a work's strengths and weaknesses on the sentence, paragraph, chapter, and manuscript level.

My favorite type of writer to work with, regardless of genre, topic, or stage of career, is someone whose life experiences have given them a hard-won wisdom they hope to share with the world.

I'm always delighted to work on a book about a topic a bit outside my comfort zone (I learn so much that way!), but I'm especially interested in projects dealing with family relationships, trauma and recovery, gender, illness, caregiving, history, politics, and religion. Although I left the faith of my childhood and haven't adopted another, I remain interested in religion and both the good and the harm it can do.

I know what it takes to produce publishable work: I’ve published poetry, fiction, creative nonfiction, opinion, journalism, book reviews, blog posts, and scholarly essays in a variety of venues, including "Best American Essays," "The Iowa Review," the "New York Times" Modern Love column, "Slate," "TriQuarterly," etc. I offer coaching, developmental editing, and copyediting in all those genres.

Being edited can be harrowing or revelatory--or a mix of the two. I know how it feels to have writing you've lovingly crafted torn apart by someone who doesn't seem to understand your project. I learned to edit largely by being edited myself, and I strive to implement what I've learned from the best editors about how to support writers. I try to use my own sense of artistry to highlight and enhance the artistry of writers I collaborate with, but I never want to overshadow a writer's voice or impose myself on their work.

I strive to work collaboratively and check in at crucial moments, so I know I'm providing feedback that makes sense to clients and actually helps them improve their work. I am candid, thorough, and tactful when offering criticism, especially when something needs revision. I figure writers would rather hear from me when something isn't working, while they have the option to fix it, instead reading about it over and over in one-star reviews on Amazon or elsewhere.

I do not use generative AI for anything related to editing but am not averse to working with writers who do--in fact, I like helping writers de-AI-ify their prose to make it sound more natural. I just ask you to disclose your use of AI.

Services
Non-Fiction
Biographies & Memoirs Health & Wellbeing History LGBTQ Non-Fiction Religion & Spirituality Sex & Relationships Weddings Writing & Publishing
Languages
English (US)
Certifications
  • PhD in English literature, University of Iowa
  • MFA in nonfiction, University of Iowa
  • MFA in poetry, University of Arizona
  • Certificate in copyediting from University of California San Diego

Work experience

self employed

Jul, 2008 — Present
I've provided developmental and copyediting on novels, poetry collections, and memoirs on a dozen different topics, as well as on scholarly works of religious history, literary criticism, and communication studies.

family

Feb, 2015 — May, 2023 (over 8 years)
I provided full-time in-home care for my father as he developed and died of Alzheimer's.

Penn State Erie, The Behrend College

Aug, 2003 — Jun, 2008 (almost 5 years)
Taught literature, creative writing, and literary nonfiction writing to undergraduates.

University of Iowa

May, 2000 — Jul, 2001 (about 1 year)
Maintained database of news items about the University of Iowa; drafted letters from and speeches for the president of the University.

University of Iowa

Aug, 1994 — Jul, 2001 (almost 7 years)
Taught literature and creative writing courses to undergraduates.

Chinese Academy of Sciences

Sep, 1991 — Dec, 1991 (3 months)
Taught English as a Second Language to college students majoring in the sciences.

University of Arizona

Aug, 1988 — May, 1991 (almost 3 years)
Taught first-year composition and creative writing to undergraduates.

Portfolio

Developmental Editing Copy Editing
Developmental Editing Copy Editing
Made with Reedsy
Badlands

Frye, Candice

Copy Editing
Developmental Editing Copy Editing
Made with Reedsy
The Improbable Professor: An Autobiography

Hambrick, Donald C.

Donald C. Hambrick

Copy Editing
Developmental Editing Copy Editing
Made with Reedsy
SEVEN MURDERS NINE SOULS

Goodnature, Wayne

Independently published

Developmental Editing Copy Editing
Copy Editing
A Danger to God Himself

Draper, John

CreateSpace Independent Publishing Platform

Developmental Editing
Developmental Editing Copy Editing
Developmental Editing Copy Editing
Made with Reedsy
Light Beneath Ashes

Anglade, Boaz

Developmental Editing Copy Editing
Made with Reedsy
A Night in Rome on a Full Moon: A Novel-in-Verse in Five Acts

Dada, M.O.

Thankyou1take Entertainment Ltd

Developmental Editing Copy Editing
Made with Reedsy
Orphande: From Grief to Grit

Sharma, Basu

Star Scholars Press

Developmental Editing Copy Editing
Made with Reedsy
Path Illogical: A Memoir of NYC and OCD

Kastle, Nathan

Spective Press

Developmental Editing Copy Editing
Edward Eberstadt & Sons: Rare Booksellers of Western Americana

Vinson, Michael

The Arthur H. Clark Company

Developmental Editing
Developmental Editing Copy Editing
Finding Feminism: A Memoir

Overvoll, Rachel

Peacock Proud Press

Developmental Editing
Developmental Editing
Method infinite: Freemasonry and the Mormon Restoration

Bruno, Cheryl L.

Greg Kofford Books, Incorporated

Developmental Editing Copy Editing
Developmental Editing Copy Editing

Holly has 34 reviews

Professionalism

Quality

Value

Responsiveness

Joshua S.

Joshua S.

Jun, 2026

Pinned
I worked with Holly on my memoir, a book about a tough childhood and building a business from the ground up, and she was fantastic. Detail-oriented to a level I didn't know existed. She caught everything at the line level, but she also saw the bigger picture: the conceptual storytelling, the arc,...
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Josh R.

Josh R.

Feb, 2026

Pinned
Holly provided a developmental edit on my 68,000-word memoir. She delivered a thorough editorial letter plus over 100 inline comments, but what impressed me most was how deeply she engaged with the material. She didn't just fix things, she helped me understand what the book was actually about. H...
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Michael R.

Michael R.

Feb, 2026

Pinned
Working with Holly Welker on my memoir Under a Canopy of Grapes: Letting Go and Coming Home on the Camino de Santiago was one of the best decisions I made in the entire publishing process. Holly brought extraordinary care, patience, and respect to both the manuscript and the life behind it. She ...
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Kathleen L.

Kathleen L.

Jun, 2026

Working with Holly was exactly what I needed, someone with the insight to give me an honest, professional review of my manuscript. Her initial edits and remarks on how to improve my writing were very thorough and knowledgeable. She gave me the timing flexibility to go thru again following her hel...
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Kim L.

Kim L.

May, 2026

Holly was very objective and thorough in editing my project. She explained her rationale as to why certain suggestions were made and gave examples as needed. I would hire her again and again!

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Most recent contributions

What tips do you have for editing narrative nonfiction, like memoirs?

When editing narrative nonfiction written in the first person, it can be helpful to distinguish between the writer and the narrator. The narrator may share the writer's name and birthdate and all sorts of biographical data, but they are not identical. The writer is the person who hired you; the n...
Read more

How do you handle feedback from authors who may be resistant to revisions or suggestions?

I learned to edit in large part by being edited; I know that it can be a harrowing experience. I have received construction criticism I did not find very constructive. It's rarely pleasant to be told that writing you’ve labored over carefully isn’t working and needs to be changed, even when you k...
Read more

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