Overview
Over the course of my near decade as an editor, I have worked for Fireside Magazine, Uncanny Magazine and dozens of independent author clients, as well as large publishing houses to develop fiction and non-fiction for successful storytelling.
I believe that refining and sharpening the written word is magic. Every word you use has meaning, and finding the right ones can be hard on your own. Which is why a good and compassionate editor is worth finding. I approach the work of each author I work with from the lens of compassionate editorial.
As a sensitivity reader I work with my authors to understand my perspective as a Deafblind woman, living in a world that isn't always as clear cut as one might expect. I offer practical examples, research and more. I also offer alternative solutions to problematic plot points - I don't leave my authors holding the bag, but I offer them support in solving the problems caused by inaccurate or harmful representation.
As a developmental editor I spend time not just evaluating the text, but the worldbuilding and character development to tell comprehensive and compelling stories.
Unlike some editors, I never want my authors to hand me a jar of their tears when I'm done with their work. I seek to create a supportive collaboration so that you feel ready to send your story out into the world.
Testimonial:
Elsa’s feedback brilliantly refines elements of plot and character. She is fast, thorough, and gives invaluable notes that range from small-detail to big-picture. Her approach is both incisive and encouraging, and guides stories toward becoming their best. I’m so grateful for her help on Blanca & Roja.
–Anna-Marie McLemore, author of When the Moon Was Ours and Wild Beauty
Services
Non-Fiction
Fiction
Languages
Awards
- Hugo Award, Best Semiprozine 2019 Winner
- Aurora Award for Best Related Work, 2019
- D. Franklin Defying Doomsday Award Winner 2019
- Hugo Award Nominee, Best Fan Writer 2019
- Nebula Award Finalist, Best Game Writing, 2020
- Hugo Finalist Best Semiprozine, 2018, 2019, 2020
- British Fantasy Award. Best Magazine, 2019
Certifications
- MA in Women's History, Sarah Lawrence College
- BA in History, Gonzaga University
Work experience
Fireside Magazine
Managed behind the scenes editorial support and submissions for a quarterly print and digital magazine. Edited selected non-fiction, and wrote selected editorials as part of the duties behind the scenes. I worked closely with editor Julia Rios to develop tone and vision, as well.
Uncanny Magazine
I've worked for Uncanny Magazine in two separate ways over the last few years. First, I was the Guest Co-Editor in Chief of Disabled People Destroy Science fiction alongside Dominik Parisien (for which we won multiple awards).
And then I was hired starting in January of 2020 to edit the general non-fiction section of the magazine, where I curate, edit and produce content across a wide variety of subjects suited to the Uncanny readership.
Fireside Magazine
Self-employed
I have done a range of editorial jobs as a freelancer in the last decade and change.
I have sensitivity edited content for both independent authors and major publishers (Charlie Jane Anders' "Rock Manning Goes for Broke" and Anna Marie McLemore's "Blanca & Roja" are examples) . I have edited pronunciation guides for narrators, copyedited textbooks for BWH Freeman, and proofread independent client essays and manuscripts.
I have worked as a dramaturge on new theatrical works, including "blahblahblahBANG" which was produced by the Washington Ensemble Theater in 2009.
I also provide developmental edits for non-fiction and fiction projects, as well as short fiction.
As a writer I am proficient in non-fiction essay work, and game design texts.
Portfolio
Elsa has 2 reviews
Professionalism
Quality
Value
Responsiveness
Jurgen A.
Feb, 2021
Tim S.
Jan, 2021