Susanna Forrest

Susanna Forrest – Editor

Memoir, history, culture, and nature: I love working at the point where nonfiction gets truly creative without leaving behind the facts.

Overview

"Writing nonfiction is more like sculpture, a matter of shaping the research into the finished thing." – Joan Didion.

During twenty years in publishing I've edited authors, shaped and polished books, shepherded writers through to completion of their work, typed contracts and worked the tills at a bookshop to see what the public really buy. Having worked with a wide range of publishers, I've edited across genres.

I'm here to help you find a path through your book, teasing out clear themes and arcs that give it depth and dynamism. I'll also help you perfect the text line by line in a way that enables you to build your own skillbase. I spend a lot of time working with authors of biographies and memoirs in my evening classes but I also love history-, culture- and nature-based titles. I'm especially interested in helping academics turn their scholarship into mainstream publications.

Let's see what we can achieve together!

Services
Non-Fiction
Biographies & Memoirs Nature
Languages
English (UK) English (US)
Awards
  • Sophie Coe Prize for an essay on Food History 2016
  • Society of Authors Authors' Foundation Award 2012
  • John Heygate Award for travel writing from Society of Authors 2018

Work experience

Self-employed

Sep, 2004 — Present
Journalist/essayist/book reviewer published in New York Times Online, The Times, the Guardian, Daily Telegraph, New Statesman, Spiegel Online, The Atlantic, Literary Hub, the Literary Review, Scotland on Sunday, Der Freitag, Paris Review Daily, Nowhere magazine (Fall 2017 Travel Writing Finalist), Atlas Obscura, Zoomorphic, Culturised. Critically acclaimed author of two nonfiction titles, The Age of the Horse: An Equine Journey Through Human History (Atlantic Books, 2016) and If Wishes Were Horses (Atlantic Books, 2012). Contributed chapters to scholarly collections. Also author of three academic book chapters. Former creative nonfiction editor at SAND literary journal, Berlin. Ghostwriting, bookdoctoring, editing and commercial writing for; Hay House; Gawker/Gridskipper; Business Franchise; Gradjobs; Gerad Kite; Dropping Knowledge; Wuppertal Institute; Ebury Press/Random House and Virgin Books. Overseeing, writing and completing book-length projects or blogs. Editing, transcreation and translation for ReThink for Volkswagen and ERGO; Der Spiegel Brexit Issue; European Commission; Egmont Royal Institute, Brussels; ECIPE Brussels; European Payments Council; Bertelsmann Stiftung; Blinkist; Pinakothek der Moderne, Munich; Harper Collins; Headline Review; Endeva; Martinus Nijhoff; Piet Zwart Institute; Spectormag; GALERIE EIGEN + ART; Mots Slow; grant applications; academic papers and cover letters. Providing feedback and editing for a wide range of writers from political scientists to erotica authors and molecular biologists; literary and commercial translations; art catalogues and special publications.

The Reader Berlin

Jan, 2016 — Present
Teacher and coach in creative nonfiction, offering Introduction to Creative Nonfiction evening course; Advanced Workshops for students with ongoing book-length projects, and day-length workshops on the personal essay and academic writing.

Waterstones Cambridge

Jan, 2005 — Aug, 2005 (7 months)

Erotic Review magazine

Sep, 2002 — Sep, 2004 (about 2 years)
Commissioning and editing short stories, articles and reviews. Working with authors including Sarah Waters, Michel Faber, Anthony Bourdain and DBC Pierre.

Sheil Land Associates

Apr, 2000 — Sep, 2002 (over 2 years)
Assistant to Vivien Green, literary agent. Drafting contracts, dealing with permissions, author liaison, assessing manuscripts, general admin.

Portfolio

Developmental Editing
Developmental Editing
Paperback. Pages: 320 Publisher: Random House 'I work in a pretty ordinary office from 9 to 5. I could be the receptionist in your building. Or the girl next to you on the bus reading a copy o... read more
Developmental Editing
If Wishes Were Horses Entertaining, beguiling and surprising in equal measure, If Wishes Were Horses is the story of one girl's childhood obsession with ponies and the complex relationship that women have had with horses across the centuries. Full description
Developmental Editing
But what do the producers really do? Do they edit to create characters? Can they really make or break a star? And what do the contestants think? Do they feel used or do they relish the opportu... read more
Developmental Editing
Developmental Editing
Developmental Editing

Susanna has 4 reviews

Professionalism

Quality

Value

Responsiveness

Nicholas W.

Nicholas W.

Dec, 2025

I asked for Susanna's feedback on a pitch: the proposal, cover letter and a chapter-by-chapter summary of my book, after she had already given me feedback on my writing sample. I wanted it quickly - in just over a week - and she got it back to me in that time with constructive comments, both spec...
Read more
Susanna F.
Thank you, Nicholas. Please let me know how the book progresses – I want to keep up to date!
Nick P.

Nick P.

May, 2025

I was given honest and critical editing for my manuscript. Many of my thoughts were scattered, and Susanna could drill down and provide guidance, putting necessary flow to the piece.
Susanna F.
Thank you so much, Nick. Looking forward to seeing where the book takes you!
Michelle S.

Michelle S.

Jan, 2019

I felt connected to Susanna when I read her profile. I felt like she would connect with my story. The collaboration was really smooth. I loved her feedback, I hope to work with her on book 2.
Susanna F.
Thank you Michelle!
Zaake D.

Zaake D.

Aug, 2018

Susanna provided valuable feedback and edits for me. She was extremely thorough in her edits, and I hope to work with her again. Would definitely recommend!

Most recent contributions

Should I follow current trends or write the story I’m most passionate about?

If you write a book inspired by 2025 trends you might find that by the time it's ready for submission and even publication the trend has moved on to something new. It takes a long time to write a book: you have a better chance of sustaining momentum and enthusiasm if you stick to your passion pro...
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Is it the editor's job to fact-check when editing nonfiction?

Fact-checking is a profession in itself but I do look out for glaring issues and inconsistencies.

What is the biggest mistake writers make in their opening chapters?

Your first chapter has a lot of work to do. It needs to engage readers straight away, and by readers I mean everyone from a literary agent's assistant to a commissioning editor, a book marketer, or someone in a bookshop idly picking it up. That means something has to ignite in those first few tho...
Read more

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