Published author. Award-winning screenwriter. University writing professor. Experienced editor. Offering critical feedback on your novel.
Concept and Story Development | Introduce students to concept development and storytelling methods through a variety of screen treatment writing assignments and presentations. Students generate ideas and stories for projects in electronic media and film. Course Objectives: to provide a foundation in story development, which is the genesis for all forms of media and for all genres within that media; to help each student learn the fundamentals of storytelling and conceptual development, and to cultivate her/his own individual voice as a storyteller by combining lecture, class discussion, and workshops; to recognize that all people are individuals who have their own personal experience from which to draw; to learn critical and analytical skills and to become skilled at engaging others in intellectual, analytical, and aesthetic discourse about their own work, as well as the work of others; and to enhance and encourage creativity and risk-taking.
Broadcast and Film Writing | Teach students to write non-fiction and fiction scripts for broadcast media and film through both lecture, film screenings and intense workshopping of material. Course Objectives: to understand the basic vocabulary of film and video production; recognize the script’s role within the overall goals of production; comprehend the attitudes necessary for successful script writing; understand the appropriate formats for specific projects; develop strategies for conceptualizing a project in visual terms; develop a writing style that has simplicity and clarity; analyze and order scripts into appropriate sequencing; understand dramatic elements as they apply to script writing; adapt materials from other media to the needs of film and video.
Educate students on professional writing rhetorical strategies and skills required for effective workplace writing and communication necessary for success in their careers, such as how to identify and analyze audiences; establish credibility; research topics in a specific professional discipline; and write and edit for readability and suitability to audience and purpose. Course objectives: to understand how writing contributes to students’ formation as professionals; to understand the various roles that documents play in their particular field; to research the genres and styles particular to their intended career field; to design projects that exemplify a particular genre and style; to craft sentences, paragraphs, sections, chapters, visual complements, and entire documents for maximum clarity and accessibility to a specific, declared audience; to collaborate with others in evaluating and improving one another’s work; to integrate visual rhetoric into documents; and to develop documents for employment and professional school applications.
Ross Angelella has been a freelance writer since 2009, penning numerous work-for-hire manuscripts, including three Nancy Drew mysteries under the pen name Carolyn Keene and one Hardy Boys Clue Book under Franklin W. Dixon. He also has been a freelance editor since 2015 when his wife, Kate Angelella, founded Angelella Editorial -- a full-service craft-based editing agency, providing professional, in-depth and honest critiques to writers across multiple platforms. AE specializes in editing Young Adult, New Adult and Literary fiction as well as genre fiction, including: Romance, Science Fiction, Fantasy, Mystery, Thriller and Crime fiction. The mission is simple: working with writers to develop their skills, hone their craft, and discover their own unique voice.
Introduction to Creative Writing; Fiction Writing I; Fiction Writing II | Beginning, intermediate and advanced fiction writing programs offering a blend of workshops, writing sessions and lectures devoted to the fundamentals of fiction writing, inspiring students to experiment with new approaches and modes of creativity. Focused on student and professional work, emphasizing the critical reading of appropriate literary models, both historical and contemporary that demonstrate exemplary technique. Examined craft in practice, specifically story structure, point of view, character development, voice, tense, figurative language, dramatic setting, dialog and the ethics of writing fiction. Students also worked with revision, reflection, and rewriting techniques to complete and polish their short fiction.
J.R. Angelella
A zombie movie-obsessed teen is forced to face a dark family secret in this shocking debut literary novel from a talented new author. Fourteen-year-old Jeremy Barker attends an all-boys Catholic high school where roving gangs of bullies make his days a living hell. His mother is an absentee pillhead, his older brother a self-diagnosed sex-addict, and his father disappears night after night wit... read more
Lily Tanzer
AMAZON #1 NEW RELEASE AND #1 BESTSELLERLife in the middle of a big city can be scary. Lily, a young professional living alone in Houston during the mid-1980s, experiences a frightening brush with a near-home invasion. The disturbing episode is the impetus to seek out a home security system: a dog. Fear pushes Lily to purchase her new companion without thinking through the details and she finds... read more
Jon Scieszka
A star-studded anthology with a devilish hook, whose proceeds benefit 826nyc: the fabulous literacy non-profit founded by Dave Eggers. Can you imagine the most cantankerous book editor alive? Part Voldemort, part Cruella de Vil (if she were a dude), and worse in appearance and odor than a gluttonous farm pig? A man who makes no secret of his love of cheese or his disdain of unworthy authors? T... read more
Carolyn Keene's iconic girl detective Nany Drew's cases are more mysterious than ever with three-book arcs!
When the cash box is stolen from the local carnival, all signs point to Ned as the thief. He couldn’t possibly have done this—or could he? But, as with all of Nancy’s cases, this goes much deeper than a few missing bucks as she uncovers a plot involving financial mismanagement and finger-pointing. Nancy manages to solve the mystery of the missing cash, but uncovers more trouble along the way. ... read more
It's time for the final ceremony of the River Heights Celebration, where four candiates are going for the Mahoney Scholarhip. All four are equally qualified--and equally worthy suspects behind the strange occurances that have been happening at the carnival. Arson, theft and threatening notes all combine to provide a stunning conclusion to the Sabotage Mystery Trilogy. Can Nancy finally figure ... read more
Franklin W. Dixon
Detective brothers Frank and Joe must solve another intriguing mystery in the fifth book in the interactive Hardy Boys Clue Book series.Frank and Joe are excited for the class trip to Bayport Bear Park. When they arrive, the entire class is greeted with a beautiful sight: a pile of prizes and goodies in the middle of the room! Their guide, Marnie, explains that they will be split into teams to... read more
The Literary Review, Illan Stavans, Kelly Cherry, R.A. Allen, Michiah Bay Gault, R. G. Evans, Clea Roberts, Nina Berberova, Erica McAlpine, Lawrence Venuti, A.K. Scipioni, Pablo Neruda, Paul Ruffin, David McGlynn
America's premiere literary quarterly explores themes of domination, politics, the public mind, the literary sensibility, and where imagination locks horns with free will. There are poems, stories, essays, gun shows, tennis matches, bad diets, and blizzards. Read curiously. Read bravely. Read more TLR.
Ernestine B. Colombo
AMAZON #1 BESTSELLER with 5-STAR LITERARY TITAN REVIEW Evie D'Arico is just like any other 67-year-old retiree until a sudden stroke puts her life in jeopardy, and catapults her soul through multiple lifetimes. After drifting through a space where time has no meaning, Evie awakens to find herself in the body and mind of someone else. She realizes she is experiencing her soul's past life on Ear... read more
Sharon CassanoLochman
A quirky widow in her early sixties takes her first job ever in a private investigator's office. Arriving early she discovers an agitated man waiting at the door. He insists he must see the PI immediately. In the midst of his anxious demands, he clutches his chest and collapse. Shocked, she runs for help. Upon returning, the man has disappeared. The police are skeptical dismissive of her story... read more
Joe Stracci
When you view 30 as a death sentence, your time is always running out. Such is the predicament of the narrator and Whitney--his long-term girlfriend/ballast/sparring partner. They learn to coexist in a relationship addled by alcohol, drugs, and infidelity. Whether in an apple orchard or a junkie's bathroom, tender moments punctuate an otherwise hauntingly dysfunctional friendship.
Nega Gebreyesus, August 2020
Peter Fagan, July 2020
Reply from Joseph Ross Angelella
W. F. Althaus, May 2020
Reply from Joseph Ross Angelella
Ryan O'Shaughnessy, June 2019
Reply from Joseph Ross Angelella
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Dedicated full-time and freelance editor, copy editor and proofreader with professional, creative publishing experience in numerous genres.
New York, NY, USA
I edit fiction across the literary-to-commercial spectrum, including short stories, big upmarket book-club novels, YA, sci fi, and horror.
New York, NY, USA