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A well-written, fantastical tale that blends magic with reality in a compelling and believable way.

Synopsis

What manner of legends might darkness conceal?

Darkness, no fourteen-year-old should fear. Or so Bastian believes until he discovers that, in the dark, hides a terror known only to old English legends—a terror that’s stalked him since the day he was born.

England’s Sylphic Kingdom, peopled with its Forest Children and Faeries, its Oakmen and Sunwalkers and Sprites, awaits the coming-of-age of its hero—the Sun Child. For at the hand of a Wight Witch, risen to great power, the Sylphic Kingdom stands on the brink of destruction. And with its fall, so too will perish the natural world.

To discover what hunts him, to understand why, Bastian must realize that some legends, holding both wonders and terrors, are real. And to protect his family, Bastian—a boy who fears the dark, who fears the fight—must face dire challenges and win Sylphic allies. And he must wake his courage. For to unlock the secret to the Wight Witch's defeat, he must embrace who he was born to be, even at the cost of his life.

For years, thirteen-year-old Bastian has been intrigued by Sylphic legends and folklore—but it is not until his family moves to the mysterious Kingfisher Chalet in England that Bastian’s studies truly begin to blossom. Under the tutelage of Master Sayre, Bastian improves his skills in Ryudo martial arts, and he comes into the possession of an ancient text that expands upon his Sylphic knowledge. When Bastian’s baby brother comes into the world under dire circumstances, Bastian believes he is the Sun Child prophesied in his treasured texts. But the truth is even more spectacular than Bastian realizes, and he must summon all the strength he has in order to protect those he loves from terrible danger.


This beautifully poetic tale is filled with magic realism, expertly blending the line between fantasy and reality in a compelling and believable manner. Careful world building creates an immersive experience for readers, especially as Bastian’s observations become increasingly more troublesome. Bastian is the central character in this novel, and though he is the only person in his family to truly believe in Sylphic lore, his family recognizes his atypical beliefs and helps guide Bastian to others who share them. Though Sylphic teachings are unique to this book, they hold the power of believeability thanks to Wagner’s masterful writing.


Filled with satisfying detail and descriptions, the pacing of this book is well done overall, engaging readers through both the slower-simmering dramatic moments and the action-centered emphatic ones. Readers familiar with Wagner’s other works will recognize her iconic writing style in this one, and they will easily connect with Bastian and his journey of self discovery within the context of the fantastic. Familial love is a focal point of the novel, as well, especially as each character comes with a unique personality and circumstances. Their interactions with one another are reminiscent of A Wrinkle in Time, and they will appeal to readers who enjoy stories that embrace positive familial connection. This is a delightfully immersive tale of love and personal growth that is well suited to young adult and older readers who enjoy exploring the world’s unlimited possibilities through a magical lens.

Reviewed by

I review books for kids, tweens, and teens and blog about them on my website. To date, I have over 500 published reviews. Sign up for my monthly newsletter at www.maryrlanni.com to get recommendations straight to your inbox! I primarily write reviews, but will create video reviews upon request.

Synopsis

What manner of legends might darkness conceal?

Darkness, no fourteen-year-old should fear. Or so Bastian believes until he discovers that, in the dark, hides a terror known only to old English legends—a terror that’s stalked him since the day he was born.

England’s Sylphic Kingdom, peopled with its Forest Children and Faeries, its Oakmen and Sunwalkers and Sprites, awaits the coming-of-age of its hero—the Sun Child. For at the hand of a Wight Witch, risen to great power, the Sylphic Kingdom stands on the brink of destruction. And with its fall, so too will perish the natural world.

To discover what hunts him, to understand why, Bastian must realize that some legends, holding both wonders and terrors, are real. And to protect his family, Bastian—a boy who fears the dark, who fears the fight—must face dire challenges and win Sylphic allies. And he must wake his courage. For to unlock the secret to the Wight Witch's defeat, he must embrace who he was born to be, even at the cost of his life.

Bastian stared at the dark wall alongside his closet, where the shape of a goblin loomed.

His earliest memories, from just beyond babyhood, were of struggling to lie still in night’s dark, aching for sleep to take hold and dampen his fright. 

But now, at almost thirteen—Bastian was far too old to fear the dark.

Unless there was a legitimate reason. Unless, in the dark, something really was waiting.

It had to be a plain shadow, just there. A shadow cast by the moving boxes, stacked nearly to the ceiling. Because goblins don’t lurk beside closets. 

Of course they don’t. Goblins aren’t real.

And yet—there stood a dark something, more solid than shadow. A dark something breathing, it seemed.

Lucas, Bastian’s closest older brother, lay across the room, fast asleep. Lucas, born deaf, rarely woke to Bastian’s disturbances. He said the shapes Bastian saw in the darkness either were eerie moon shadows cast through the window—some illusion… 

…or they were signs of Bastian’s descent into madness.

Well, Bastian wasn’t going mad. Of course not. 

But it really seemed something monstrous was standing right there. 

The something—thick-looking and massive—bore two defined shoulders. The shape was darker than the deepest night, like a black hole devouring starlight. A suffocating void. A fanged blankness. A something claw-fingered, it seemed. Something biding its time until came the moment to strike. 

Bastian had to do something. 

He could wake Lucas. Should he?

Bastian slipped out of bed. 

Watching the thing, he edged closer to Lucas’ bed.

In the middle of the room, though, he stopped. 

He shouldn’t wake Lucas. When Lucas, together with their oldest brother, Rhys, caught Bastian seeing or hearing odd things, they tore into him. It was all in good fun, but inside the jabs lay the not-too-subtle message that it was time for their youngest brother to let go of his imaginative games. 

Bastian watched the dark wall.

A shadow arm separated from the rest of the form and unsheathed a jagged, obsidian blade.

Bastian rushed to Lucas. Shook him.

Lucas turned over.

Bastian pointed at the goblin standing alongside the closet, its blade glinting darkly in the sheen of the full, gentle moon. 

Lucas looked where Bastian was pointing, then signed, “There’s nothing. Go back to bed.”

Bastian could hardly breathe as the creature came away from the wall; as it moved into a blue shaft of moonlight. 

It was a goblin, unmistakably. Its tusked face was greasy and rippled in terrible folds. A thick ring pierced its nose. Of all the shadow shapes Bastian had glimpsed, nothing ever had seemed this threatening, or this real. 

It opened its eyes, showing irises flickering like fireplace embers.

“I’m not kidding,” signed Bastian. “It’s standing right there.”

Lucas sat up some and squinted where Bastian was looking.

The goblin lifted its blade and stepped toward them.

“It’s coming.” Bastian backed away, signing, “Run.”

Lucas turned on a lamp.

The goblin’s shadowy form, its black blade, its fiery eyes—they all vanished.

Bastian sank into a crouch.

Lucas tapped him on the shoulder. “Are you even awake?” he signed.

Bastian looked at the emptiness where a goblin had undoubtably stood, only seconds ago.

“See, there’s nothing,” signed Lucas.

And there was nothing. There was a legitimate, undeniable nothing.

That mortifying nothingness seemed suddenly worse than a goblin.

Lucas smirked. “If you want to be sure, I can wake Rhys to come check.”

Rhys had lost patience with Bastian’s “night terrors” years ago, when Bastian would wake up in the middle of shouting and running, usually into Rhys’ room. 

But these visions weren’t night terrors. They were Sylphic.

When Bastian was small and had last lived in England, he’d many times heard the legends of the Sylphic Kingdom—tales of its brave Moor Folk and wicked goblins, its shining faeries, its dragons. He’d heard the stories so often, so vividly, they seemed as real as his toys, as concrete as his brothers. 

Even after Bastian and his family had moved away from England and to San Francisco—where few seemed to know the Sylphic legends, he still ran across them. It felt as though Sylphic myths were a part of him; that he’d carried them to San Francisco like luggage. Or maybe they’d followed him there. 

Now that Da’s professorship had moved them to England once again, Sylphic legends were all Bastian could think about. The legends still refused to leave him, it seemed, because the chalet he and his family were soon to move into, nestled inside the forests of Dartmoor, was last owned by Malachi Daoine Kingfisher—the storyteller who’d first recorded the legends of the Sylphic Kingdom.

Bastian stood, steadying himself on the bookcase separating Lucas’ bed from his own. “Don’t tell Rhys,” he signed. “Okay?”

“It’s fine—I won’t,” Lucas signed, wrapping himself in his covers. “Just try and go to sleep.”

Bastian moved to his bed and sat on its edge. “I promise you,” he signed, “I’m not crazy.”

“I didn’t say you were,” Lucas signed back. “I’m not surprised, actually, that you’re having night terrors. This is a weird flat in a creepy borough. And you trained with Master Sayre today. I’m betting he went on and on about the legends.”

Master Sayre, Bastian’s new Ryudo martial arts teacher, did speak of Sylphic legends often. The way he talked of them, so seriously—it did make them seem all the more believable. But he certainly didn’t mean any harm. 

“It seems a bit cruel,” signed Lucas, “the way Master Sayre insists on speaking to you about Sylphic frights, given your wild imagination.” 

“Nothing about Master Sayre could ever be cruel,” signed Bastian.

Master Sayre was a rare and true friend. In San Francisco, Bastian had enjoyed hanging around with the kids on his baseball team, and at school. And of course he’d had Rhys and Lucas. But his friendship with Master Sayre felt different. Though he’d only known his new Master for a few meager weeks, their connection felt somehow deeper. 

With Master Sayre beside him, Bastian felt stronger. Older. More himself. 

Lucas signed, “Still, you should tell him to give the Sylphic legends a rest.”

Bastian glanced at the wall by the closet—empty, but heavy with the memory of that tusked, goblin face. “I don’t think the problem is Master Sayre’s storytelling.”

Though older than Da, Master Sayre seemed like a young man—but for a white padlock of a short beard standing starkly against his suntanned skin. His dark eyes seemed to see to the soul, and he spoke to Bastian as though he were an equal—not just some new kid he had to train. 

It wasn’t that they were never cross with each other. Everyone gets cross from time to time. And on the Ryudo pitch, Master Sayre was a merciless coach. But in his steady way, he seemed to care for Bastian the way Granddadda had. He said he perceived greatness in Bastian and was determined to see him reach his potential. It seemed Master Sayre held a readiness to do anything for Bastian. To spend every spare minute training with him. To live or to die for him. And the feeling was mutual.

“When we’re finally settled in our middle-of-nowhere chalet,” signed Lucas, “where nothing interesting or important could possibly happen, my guess is your nightmares will stop.”

The charmed chalet awaiting them indeed stood in the middle of nowhere. The Dartmoor forests surrounding it were incredible, with their great stretches of moors and wide, starry skies; their ancient knots of woods and spacious vales. But for all their beauty, compared to the scene in San Francisco, there’d be next to nothing to do.

Bastian lay back and signed, “Do you really think it will be that bad—living in Dartmoor?”

“We’ll likely be bored to tears,” signed Lucas. “Although, I do have some good memories of England. Moving back here feels more like returning to a home than leaving one.”

Mum and Da swore to their three boys that they’d love living so close to nature—that unmatched fun awaited in the chance to ramble over Devon like banshees, building forts inside thickets, stalking frogs, sailing rafts of bark and reeds along the winding Windrush.

When Mum and Da talked like that, though, it seemed they hadn’t noticed that Bastian and Lucas were both in secondary school now—and that Rhys had just graduated. 

Bastian and his brothers had been truly sorry to leave San Francisco—although tedium wasn’t Bastian’s primary concern. Dartmoor’s forests were so thick with shadows, and its wilds were so dark at night—even spangled with stars as they were.

 “I’ll miss San Francisco,” signed Bastian. “My baseball team. Our friends. The city lights.”

“Mum says Kingfisher Chalet is the home she and Da will grow old in,” signed Lucas. “So I guess we’d better get used to it.”

Bastian’s family would never have discovered Kingfisher Chalet, a lofty stone mansion tucked deeply inside Dartmoor’s Wystan Woods, except that some obscure realtor firm had sent a package—rumpled and spilling open, stuffed with pictures of the place. 

Mum and Da were so taken by the chalet’s beauty and quaintness that they looked into it immediately. They’d all been thrilled to discover that it was being sold at a deep discount for having suffered some wear, the owner having abandoned it. And not only that—it was well within driving distance of Da’s new job.

When they toured it, they’d found the chalet sound and very charming—just in need of a little care. Its grounds, though, had truly gone badly untended and were swamped with weeds. 

Mum and Da, stricken by both love and pity, had made an offer the very same day they visited. 

The Dartmoor locals had spoken sadly of Malachi Daoine Kingfisher’s strange disappearance, more than a decade ago. It’d seemed a general relief to the village to see that a structure so important to English lore would be cared for once again. 

Bastian glanced at the closet, at the heaps of packing boxes around it. “Settling down anyplace will be better than always worrying about whether we’ll move again,” he signed. “And Kingfisher Chalet will be a thousand times better than this flat.”

Their Exeter flat, cramped with its piles of clothes and towers of boxes, was tiny and stunk of rotten water. Da’s new university had offered it as free temporary housing, so Bastian’s parents hadn’t shopped around. 

They should have. Closing on Kingfisher Chalet had taken longer than they’d planned, and this neighborhood was scary. This was the same borough they’d lived in right after Bastian was born, but it was nothing like anyone in his family remembered. 

Most of the businesses nearby had shut down, making the streets feel abandoned. And all the other houses on the block stood vacant.

Except one. 

Down the street, there lived a boy who harassed them daily, shouting at Bastian, “Hey Bastard,” making raunchy signs at Lucas, and casting threats and stupid insults. Bastian saw red when the boy got after Lucas like that, but he never managed to muster enough nerve to stand up to the boy. Bastian would just sort of freeze where he stood, unable to say or do anything.

Lucas caught Bastian’s attention and signed, “What did your night terror look like this time?”

“It was a Sylphic goblin,” signed Bastian. 

Just picturing the creature’s face quickened his heart. 

“Was the goblin bucktoothed?” Lucas bit his lip and crossed his eyes. 

Bastian smirked.

“Did it have ugly stubble,” Lucas signed, “like what Rhys won’t shave off and swears is a beard?”

Bastian laughed out loud.

Lucas—grinning—signed, “Sweet dreams.” He flashed his brows, then clicked off the lamp.

Bastian, smiling, closed his eyes. Lucas always knew how to lighten things. He always knew exactly what to say to help Bastian ease away from his fears. And he understood what not to say. He knew how to keep a brother’s humiliating secret.

By smiling in the darkness, Bastian felt he was smoothing off its edges, like maybe it wasn’t so threatening. He breathed deeply and grew warm, his muscles finally relaxing.

A growl pierced the stillness.

Bastian sucked a hard breath that he couldn’t let out. 

For there, straight above him, gripping a jagged black blade, stood a swear-to-god goblin.

Bastian tried to cry out, but his voice hitched. He tried to move, but his body felt stony. Staring at the thing’s fiery eyes jolted him to try to jump up and run—but he only managed to kick his covers into a knot.

“Lucas,” he signed to the darkness.

The goblin lifted its blade.

Bastian grasped the bookshelf and tried to bring it down on the goblin, but it wouldn’t budge.

The goblin let a blood-chilling roar, then plunged the blade straight into Bastian’s chest.

Bastian twisted beneath the agony of a sharp coldness rushing into him; an electric, icy current flooding his body.

A flash brightened the window, shattering it. A sound like dissonant chimes blared. 

In through the busted window, a streak of fire streamed. 

Flames shrouded the goblin. Even the blade ignited, shards of fire twisting down its sheath and metal, smoldering across Bastian’s chest.

Bastian shrieked. Thrashed. Down came the bookshelf. It struck the goblin’s shoulder but slid right off and crashed to the floor.

The goblin, its skin smoking, pulled out the knife. 

The lamp snapped on, and suddenly Lucas was standing over Bastian.

Bastian couldn’t draw breath. An aching cold was searing his heart, like a metallic pool of poison was spreading. 

Lucas signed, “Hold tight,” then raced off.

Seconds later, Mum and Da were by Bastian, sitting him up, rubbing his chest, his back, coaching him to take slow breaths.

A thick mist, cold and fresh like what follows a spring rain, seeped in through the broken window. 

As it bathed his face, Bastian found he could draw air, though scantly. Looking down, he discovered his skin unburned, his chest uncut.

Rhys hurried in, carrying an asthma inhaler. 

Lucas, standing alongside, was holding Mum’s phone. He was signing to his telephone interpreter, “Call an ambulance.”



2

Bastian jogged across a Ryudo field deep in the woods behind his family’s chalet in Dartmoor, his eye on a bundle of aspen trunks bound by a rope that Master Sayre was hacking at with his axe. 

The field was littered with racquetballs—Ryudo mortars that Bastian had cast at targets or dodged, painted electric orange for easier retrieval in the woods.

Master Sayre was standing high on a rise, his gaze fixed on Bastian. He was holding back the last axe strike, waiting for the optimal moment to release the trunks, setting them to tear down the rise toward Bastian in an accelerating rush. 

Anytime Bastian asked Master Sayre how he managed to set the logs spinning so fast—faster than seemed natural, and aimed perfectly at him, he’d just reply that some things can’t be explained through pedantic processes; that, at times, we must accept what verges on the non-natural.

The rushing aspens were among the last obstacles Bastian would have to deal with in trying to close in on his Ryudo target—the broad trunk of an old English oak standing recessed in the woodland at the top of the rise. 

He tightened his grip on his racquetball.

Master Sayre’s final axe blow to the rope set the logs loose. 

Bastian leapt into a sprint, racing right at them. A head-on confrontation, he’d learned, was the sole way to deal with them. Turning aside or stopping would end in a pulverizing. 

Bastian tripped over the first few, then managed to leap among the spaces between them until he finally broke past. He sprinted, straining to reach within striking distance of the oak but had to cut back as something like tree roots—maybe actual tree roots—lifted out of the hillside.

Though most of the obstacles on Master Sayre’s course were rigged in ways Bastian could figure out, this one stymied him. Something more than ropes and mechanics had to be at play—something “non-natural.” Though, Bastian couldn’t imagine what that might possibly be. 

He raced among the roots, barely avoiding tripping. Upon reaching their far side, he angled off, running until he had a clear sightline to the oak’s thick trunk, standing among a tangling of branches. 

The instant he found his shot, he pitched his mortar.

The mortar sailed over the top of the rise and struck the oak square, hard enough to leave an imprint of orange. 

Master Sayre, from the hilltop hollered and punched the air. He jogged down to Bastian.

When Bastian first had entered into training with Master Sayre, the idea of casting the Ryudo mortars the great distances, of keying in on targets that were impossibly small, or far, or mired with obstacles, seemed beyond his reach. He’d pitched in baseball leagues all his life, and he’d made a good start with Ryudo in San Francisco. But Master Sayre was renowned, internationally, for his teaching, and Ryudo with him demanded every bit of Bastian’s skill—and then some.

Bastian, staring at the glorious streak of orange marring the distant tree, dropped to kneeling. He gripped his chest, quelling a sharp ache. 

This pain—burning, even stabbing at times—had eased since the dreadful night, a year ago, when he’d suffered the night terror of the goblin. But at times like this, after running a challenging Ryudo course, or after any excitement, really, it still ached terribly.

Master Sayre tried to help him sit straight.

Bastian, cradling his chest, pushed Master Sayre away. “I can deal.” 

It was mortifying, the way Master Sayre was watching him, obviously knowing that Bastian couldn’t deal.

“This asthma isn’t your fault,” said Master Sayre. “You can let go of that shame.”

This ache, termed “asthma” by his doctor, loomed as a constant, sometimes dangerous, threat. It seemed tied to all darkness—a portent of something deadly approaching; something seething in shadows. Something Bastian couldn’t see, much less deal with.

“It’s no wonder you’re struggling,” said Master Sayre, steadying him. “The weeds are coming up quite early. It’s no surprise that working so hard might induce a reaction. But chin up. Pain, often, is a pathway to healing. I’m watching you grow more skilled by the day.”

This pain seemed far more complex than any asthmatic reaction, than any trouble with nightmares or weeds. Though, he himself had to admit that he’d advanced significantly in Ryudo, despite the pain. And the night terrors had markedly lightened over the last year.

By no means, though, were they gone. Bastian could assuredly say he’d never again seen anything like that goblin in Exeter, but he had sensed other odd things. 

He’d seen trees sparkling in the forest, even when no sunlight could reach them. He’d heard the woodlands faintly peal with strange music—something like pipes and flutes and drums, sometimes windchimes. From almost anyplace, he could catch the sound of distant ocean waves crashing. And wherever he went, the smell of rain and freshly cut grass seemed to hang as a heady mist, even on clear sunny days. When he concentrated closely on the sensations, he felt he was sensing the bustle of a country far off.

And, though very rare, when his imagination was particularly active, he’d sometimes sight a shadow at the edge of the forest shaped like a goblin. Or he might think—for a second—on a walk in the darker tracks of Dartmoor’s woods, that he might’ve glimpsed a pair of fiery eyes.

Master Sayre knelt before him. “Try to steady your breathing.”

“It’s just—what I saw—or thought I saw—last year.” Bastian cradled his chest. “When this pain strikes, the memory of it—everything comes rushing back.”

Master Sayre settled his hand on Bastian’s shoulder. “Through reliving our fears, may we overcome them.”

“What happened to me, though—it wasn’t just fear.” Bastian pushed to kneeling, mirroring Master Sayre. “It was more like a hallucination. Why couldn’t I just wake up?”

“Freezing in confrontation happens to even the bravest of us,” said Master Sayre. “And Ryudo—the Way of the Dragon—has markedly strengthened your nerve.”

Bastian studied Master Sayre. “You just said, ‘confrontation.’”

Whenever the nightmare came up, Master Sayre typically digressed into folklore. But at rare times, like this, it seemed he was on the brink of acknowledging that he thought something more sinister than asthma and night terrors, more threatening than a bully’s rock cast through a window, had befallen Bastian that horrific night.

“What I meant to say,” said Master Sayre, adjusting his legs beneath him, “is that we, all of us, might lose our daring when fear strikes.”

Bastian didn’t remove his gaze from Master Sayre’s. “But you said—‘confrontation.’”

Master Sayre seemed to be watching Bastian carefully, as though wisely selecting his words. As though guarding something. “Our fears may surprise us with what forms they take. Standing bravely in the face of anything that might present itself—this is key.” 

And this was the whole point of Ryudo. To learn to stand one’s ground despite opposition—presenting in many forms. It was a challenging athletic art form to say the least, geared to help an athlete develop strength and agility and aim. But it also helped one build tolerance for fear and find the determination to carry out an objective, despite overwhelming odds. 

Bastian tightened his hand against his chest at the ache sharpening. 

Master Sayre eased Bastian’s hand down and pressed his own palm against Bastian’s chest.

Beneath the strong pressure, the ache eased. It seemed to Bastian, even, that his lungs opened a touch, delivering him an almost-full breath.

“See now,” said Master Sayre. “As terribly as that pain troubles you, you are healing.”

Bastian stared into the forest, along a track dark and thick enough that its shadows seemed primed to shift goblin-esque.

“Part of me wishes that goblins truly were real,” said Bastian. 

At this point, after learning Master Sayre’s geometric aiming methods; his techniques for accessing power and strength and control from within his own musculature and frame; for studying and using the wind, the humidity, the light, even, to drive home his mortar—he hardly ever missed a target.

“If I saw a goblin now,” said Bastian, “after training for a whole year with you—I know I wouldn’t freeze.”

“While I appreciate your confidence,” said Master Sayre, “and though I certainly am watching you attain near-champion level, I must caution you—don’t go looking for trouble.”

Bastian eyed him. “What kind of trouble could I look for?” 

“Nothing in particular.” Master Sayre sat back some. “But no matter what strength you may have, I assure you—you’d rather that goblins weren’t real.”

“Goblins might not be real,” said Bastian, “but plenty of dreadful things are.” He found his gaze drawn to the old oak with its splash of orange, darkening beneath mounding clouds. “That night, when I faced—whatever that was, I was less afraid for myself than I was at the thought of something bad happening to Lucas. That rock that flew through the window—it landed an inch from his head. I was terrified that something more, something worse, might be coming..” 

Master Sayre, listening closely, settled back to sitting on his heels.

“I never again want to feel so helpless.” Bastian sent Master Sayre a prompting look. “And I want to understand everything about what happened that night.” 

“When challenges rise, do you not think that I, too, want you ready to meet them?”

At face value, that sounded supportive. But Master Sayre was hedging. It was obvious he was keeping something back.

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15 Comments

Tricia WagnerHello wonderful readers and reviewers! As the author of Sun Child of the Moor, I’d like to say thank you for taking the time to read my book. I hope you enjoy the ride into the Sylphic Kingdom, and into the other stories I’ve written.
over 1 year ago
Vivienne GreenUhm I am so sorry, I want to read this but I can't buy it. I'm only 10
over 1 year ago
Jamil KhanTitle: Sun Child of the Moor - A Captivating Tale of Mystery and Magic Review: "Sun Child of the Moor" invites readers on a mesmerizing journey into a world of enchantment, where mystery and magic intertwine with the rugged beauty of the moorlands. This captivating book, written by [Author's Name], weaves together elements of folklore, adventure, and coming-of-age to create a truly unforgettable reading experience. Set against the backdrop of the mystical moors, the story follows the extraordinary life of the titular character. With lyrical prose and vivid descriptions, the author brings to life the moorland landscape, immersing readers in its atmospheric beauty and beguiling secrets. The book's strength lies in its compelling characters, each with their own unique personalities and motivations. From the brave and curious Sun Child to the wise and enigmatic figures that inhabit the moor, the cast is richly developed and adds depth to the narrative. The plot unfolds with a perfect balance of suspense and wonder, as Sun Child embarks on a quest to discover her true identity and unravel the mysteries that shroud her past. The author skillfully blends elements of fantasy and folklore, creating an intricate tapestry of magic, myth, and ancient traditions. Throughout the story, themes of self-discovery, friendship, and the power of nature are beautifully explored. The author's prose is evocative, painting vivid imagery that transports readers to the heart of the moor, immersing them in its ethereal atmosphere. "Sun Child of the Moor" is a book that will resonate with readers of all ages. Its universal themes, engaging storytelling, and enchanting setting make it a delightful choice for those seeking an escape into a captivating world of imagination. In conclusion, "Sun Child of the Moor" is a mesmerizing tale that transports readers to a realm of magic and mystery. With its evocative prose, well-drawn characters, and a plot that keeps you turning the pages, this book is sure to captivate the hearts of all who venture into its pages.
11 months ago
cynthia joelSun child of the moor is a very captivating book. The plot is mesmerizing as it carries you to the mystic lands. Following the the journey of bastian, seeing what he sees and feeling what he feels as he fights darkness that no one else seems to see and understand was such a thrill. The integration of mystic lands and common reality was so well put and understandable for any kind of reader.
11 months ago
ghousia sabeenThis story is truly a gem the courage to face darkness and the power of belief to face anything. The strength of story is thatcareful imagination and wordings used makes the reader go deeper immersed in that story.The most compelling aspect is the theme of family.Thd novel is a celebration of bonds,of how support and love can strengthen each other.Bastians relationship with his family is easily portrayed.The story is a spellbinding tale that enchants readers of all ages. Tricia Wagners richly imagined world and master in storytelling will last a lasting expression in all hearts.
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10 months ago
Ali MemonTricia D. Wagner's "Sun Child of the Moor" has garnered favorable reviews due to its exquisite fusion of magical realism and fantasy. The narrative, which is set against the backdrop of Dartmoor in England, follows thirteen-year-old Bastian as he makes his way through a world full with mythology and Sylphic legends. The novel is praised by critics for its rich world-building, likable characters, and deft use of magic in the story. The book is suggested because it will pique young readers' curiosity and encourage conversations about the limitations of extraordinary powers and where the line between fact and fiction should be drawn.​
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9 months ago
Shahbaz AnwarThis is a highly perplexing, extremely dynamic text since all sentences are full of synonyms. The output’s length almost fits that of the input. Tilman’s passion for descriptive prose makes it come alive, giving readers a firsthand experience with his words. In other words, so much attention has been paid to the natural beauty and hidden dangers in the moors that they can be regarded as an individual character. The protagonist Alaric starts his life as a naïve boy before becoming an experienced man. At the same time, there are many well-developed minor characters who contribute to the storyline and Alaric’s own journey. Additionally, this book is thoroughly researched incorporating historical facts into fictional narratives with much precision. This inclusion therefore adds up to its educational content besides making it feel real enough for one to believe in what they read. Tilman’s plot line is tight and engaging: it combines adventure, self-reflection and interpersonal relationships with ease. Consequently, these elements have been woven together by Tilman into captivating sequence of events For instance, while enriching the story, these detailed descriptions and moments of introspection may appear slow paced sometimes
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9 months ago
Vighnesh Vijayan T“The Sun Child of Moore” is a publication by Sanjay Bhardwaj, a contemporary author based in India. Let’s analyze and explain the book in detail: Overview This novel portraits political and societal struggles along with a touching story of self identity, family attachment, and courage. Narrated in a fictional town of Moore the plot centers around Abhigyan, a young boy who has the power to talk to the sun beings and his future is to make the world bright and therefore is referred to as “The Sun Child”. Key Themes and Concepts 1. Self-Discovery: Abhigyan’s journey can be seen as every individual’s endeavor in finding their significance in life. The trials and tribulations that come in his way can be interpreted as internal and external struggles we all have to come across. 2. Magical Realism: The narrative is influenced by Indian folk tales, religions, and spirituality. The setting of the book, Moore, is a mythological city becoming a character with its detailed description of setting and culture. 3. Family and Community: With the help of family and community, the hero of the book – Abhigyan is able to achieve a lot from the struggles faced by him. Abhigyan is attached to his family – particularly his mother which contributes to his development. 4. Abhigyan’s Figure in Light and Shadow: The coronavirus pandemic is probably the greatest challenge the diabetes self-management education program has to face. Please, Abhigyan’s character captures the imagination in the sense of dealing the fight against desperation.
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4 months ago
Pavan KumarThis tale is a real treasure. the strength of belief to overcome anything and the bravery to face adversity. The story's success lies in its meticulous use of language and imagination, which draws the reader farther into the narrative. The family motif is the most captivating feature. The book celebrates relationships and the ways that love and support may fortify one another.It is easy to depict Bastian's bond with his family. Readers of all ages are captivated by this captivating novel. Tricia Wagner's masterful storytelling and vividly conceived world will live on in everyone's heart.
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3 months ago
Prosenjit BagBook Review: Sun Child of the Moor by Tricia Wagner Sun Child of the Moor is an evocative and deeply moving tale that intertwines themes of resilience, cultural heritage, and self-discovery. Tricia Wagner transports readers to the mysterious and untamed landscape of the moor, where nature itself becomes a character as much as the humans who traverse it. The protagonist, the “Sun Child,” is a beautifully crafted character, radiating innocence and an unyielding connection to the earth and sky. Wagner's prose is poetic, with vivid imagery that paints the moor in sweeping strokes of light and shadow, making it almost palpable. The narrative deftly explores the child’s relationship with their environment, imbuing every moment with a sense of wonder and spirituality. The story’s pacing strikes a perfect balance, giving readers time to savor the richness of the world while keeping them engaged with a compelling plot. The dialogue and interactions reveal layers of cultural and emotional depth, grounding the mythical quality of the tale in relatable human experiences. One of the most striking aspects of the book is its exploration of identity and belonging. Through the Sun Child's journey, Wagner crafts a poignant commentary on what it means to find one's place in a world that can feel both vast and confining. This novel is a treasure for readers who appreciate lyrical storytelling and tales that delve into the human connection with nature and culture. Wagner's storytelling prowess makes Sun Child of the Moor a captivating read that lingers in the mind long after the final page is turned. Rating: ⭐⭐⭐⭐⭐ Perfect for fans of literature that blends the mythical with the personal, this book is a heartfelt ode to the enduring bond between humanity and the natural world.
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3 months ago
Sureya BibiTricia Wagner's *Sun Child of a Moor* is a spellbinding and profoundly insightful novel that is sure to entrance readers in lush descriptions and deeply introspective themes that unravel a magical world, bringing nature, folk, and spirituality into one. This story follows the self-discovery and resilience of a young hero named Cheryl Brookes. Wagner’s prose is lyrical and evocative, painting vivid pictures of the moorland landscapes, which become more than just a setting but a living, breathing character in the narrative. The world-building is immersive, rich with symbolism, and subtly intertwines elements of mysticism with reality. The central character, often called the "Sun Child," embarks upon a quest for identity and belonging, drawing from themes that relate to transformation and the human struggle between light and darkness. Such reflection by the author is rather moving since it touches aspects of universal struggles with self-acceptance and searching for inner strength. One of the most striking features of the novel is Wagner's ability to create a sense of isolation and at the same time, connectedness. It easily draws readers into the protagonist's internal and external journey, encouraging reflection on one's place in the world and the power of nature as both a source of solace and challenge. However, though the story is rich and beautiful, at times, it drags, and some readers might find the mysticism a little hard to follow. The novel, however, does not fail to provide a poignant, meditative experience, especially to those who enjoy introspective fantasy and literary fiction with strong emotional undertones. Overall, *Sun Child of a Moor* is a perfectly written novel which has the perfect enticement of folklore together with deep emotional explorations in the growth of characters. The reader will identify with this when appreciating atmospheric storytelling, complex characters, and quiet beauty within the mysteries of nature.
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about 2 months ago
Ali asghar*Sun Child of the Moor* by Tricia D. Wagner engages the readers in a world of self discovery, adventure, and mystery as it perfectly blends elements of a children’s fantasy novel with that of a classic work of fiction. The protagonist Alia is endowed with a rather special gift that connects her to the sun, and the story chronicles her life in the mystical region of popular moorlands. The masterpiece of Wagners’s work is in the world he builds, he describes the moors with such vividly that they are almost alive, and the readers get sucked into the region Alia grows up in. One of the major aspects of this book is the author’s ability to create a powerful sense of a place in this world, the moorlands become a character of the story, and hence, are very enchanting, yet ominous. The key elements of society and self are explored in the narrative, specifically the feeling of belonging and the individual. The power Alia is endowed with, makes her journey of self discovery, understanding, and self acceptance all the more compelling. The conflict of Aila wanting to break free from the setting and traditions in which she was born in, and the changes that are expected of her community is explored in this gripping novel that captures the lies of the characters beautifully. While Alia remains as a dynamic and strong protagonist, the story encompasses her to become a well-rounded character. Throughout the story, her interpersonal relations,
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about 2 months ago
Muzammil12 Abbasi### Book Survey: *SPOTLIGHT: Sun Offspring of the Moor* by Tricia Wagner Tricia Wagner's *SPOTLIGHT: Sun Offspring of the Moor* is an entrancing and inspiring book that catches the substance of fortitude, self-disclosure, and the persevering through force of dreams. Set against the distressing yet powerfully lovely scene of the fields, the story brings the peruser into an existence where the lines among dream and the truth are obscured with such ease. The champion, Sun Kid, is a youthful romantic with a solid proclivity for nature. Her mission is as much about understanding the external mysteries of her moorland climate for all intents and purposes about finding her own inward assets. Wagner's depiction of Sun Youngster's own change is significantly influencing, as she figures out how to oust question and acknowledge her unique gifts. Most observable in Wagner's work is her utilization of engaging, idyllic language. The fields are made to wake up with rich depictions of heather-hilled slopes, grasses slammed by wind, and obscuring skies that go from compromising dark to blinding gold. This is such striking world-building that the book takes on a quality of immortality, permitting perusers to lose themselves inside its pages. Specifically, the clever tests general subjects like having a place, grit, and the force of human association. Wagner joins these topics in a way that is immediately private and broad. Sun Kid's connections — first with her savvy guide, then with a fun loving creature companion, lastly with the supernatural field spirits — are thickly layered and affectingly delivered. While the original's pacing can sometimes sluggish during its more contemplative minutes, these stops are at last fulfilling, offering significant bits of knowledge that wait long after the last part. *SPOTLIGHT: Sun Offspring of the Moor* is a shimmering expansion to contemporary dream writing. A story addresses the heart, helping one to remember the charm that lives inside and encompasses us. Tricia Wagner has written a book that will spellbind perusers of each and every age.
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about 2 months ago
Chanda KumariThe young adult fantasy book "Sun Child of the Moor" by Tricia D. Wagner blends aspects of magic, folklore, and human development. After relocating to England's mysterious Kingfisher Chalet, fourteen-year-old Bastian explores Sylphic stories and discovers his possible identity as the Sun Child who has been predicted. Bastian sets off on an adventure of bravery and self-discovery as he faces past horrors and the impending threat of the Wight Witch. The novel's brilliant storytelling and captivating action have won praise from critics. According to D. Donovan, Senior Reviewer at Midwest Book Review, the story "intersects fantasy and physical struggles that play out on internal and external fields," promoting conversations among teenagers about "the consequences of special abilities and the contrast between imagination and reality."
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about 2 months ago
Jean Bai, MDHello, my book, Parenting the Crisis Generation, is now live on Reedsy. Please upvote my book if you like it. https://reedsy.com/discovery/book/parenting-the-crisis-generation-jean-bai-md#review
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25 days ago
About the author

Award-winning, #1 best selling novelist, poet, and short story sojourner. Wonderstruck. Feeling my way about the world through writing. Citizen of a dozen fictional countries. Smoldering inside. Creator of Swift and "The Star of Atlantis" series. view profile

Published on August 03, 2023

120000 words

Worked with a Reedsy professional 🏆

Genre:Young Adult Fantasy

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