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A wise and compassionate relationship told through fairy tales. Pinkola Estés fans will love this one.

Synopsis

Early one summer morning, nine-year-old Sherry Gallagher flees in panic into the woods behind her house to hide from her abusive father. Following the death of their mother her older brothers and sisters have all left home, leaving Sherry to deal with her father alone.

In the woods, Sherry encounters an enigmatic old woman who has just moved into a previously abandoned forest cottage. They form an unlikely friendship, agreeing to exchange fairy tales, which are by turns enchanting and heartbreaking. The old woman introduces the shy and damaged girl to wonder and beauty, but in Sherry’s world hope is a dangerous thing that threatens to unearth the secret she has so carefully buried—the secret of her darkest trauma.

A compelling novel that explores the intersection of myth, love, imagination, and psychological resilience, Sherry and the Butterfly Lady is painful, surprising, and, ultimately, profoundly hopeful.

Celeste Boudreaux is a medicine woman who uses story to create a healing tale of childhood lost and confidence found. What first appears to be a somewhat eccentric woman looking after a little girl unfolds into a tale far more profound, and the slips in compassion, the frustrations, and the misunderstandings all make perfect sense as a twist pulls together the pieces of the tale.


This is a magical story where a young girl from a very difficult background runs into the forest and finds a woman she hasn’t seen before, with wings like a butterfly. The child is vulnerable; the woman does her best, sees the need for care, but sometimes slips up. And yet, over time, the woman is there as a good enough elder that the child can tell her story.


What begins as an exchange of fairy tales, stories of fear or hope, eventually turns into a real-life exchange about the child’s real mother, her loss, and the numbness that shapes her world. Again, the woman, like a healer, is a guide. Magic seems to be at play. The woman believes in fairies. Yet she is frustrated that the child cannot think for herself. What more could be going on?


Ultimately, this is a story of compassion, hope, love, and metaphor, a journey into a magical world where souls are retrieved and bridges or divisions are healed. Mice turn into lions, and shards of mirror fall from the sky. It’s wise, gentle, and surprisingly real, and I would recommend it to anyone working on healing old wounds, who wants to seek transformation, or who has a wounded child who feels abandoned, neglected, and alone. This is a story of trauma and healing, of magic, wisdom, and myth, and it brings in images of Clarissa Pinkola Estés, who shows us that sometimes tales can heal us, and that sometimes all we can do is rock, rock, rock until we are healed and restored.

Reviewed by

I am an avid reader and am currently working on my own book. I enjoy indie or off beat books with interesting perspectives on society, social norms, and spirituality. I’m also a big fan of puzzles and psychological thrillers.

Synopsis

Early one summer morning, nine-year-old Sherry Gallagher flees in panic into the woods behind her house to hide from her abusive father. Following the death of their mother her older brothers and sisters have all left home, leaving Sherry to deal with her father alone.

In the woods, Sherry encounters an enigmatic old woman who has just moved into a previously abandoned forest cottage. They form an unlikely friendship, agreeing to exchange fairy tales, which are by turns enchanting and heartbreaking. The old woman introduces the shy and damaged girl to wonder and beauty, but in Sherry’s world hope is a dangerous thing that threatens to unearth the secret she has so carefully buried—the secret of her darkest trauma.

A compelling novel that explores the intersection of myth, love, imagination, and psychological resilience, Sherry and the Butterfly Lady is painful, surprising, and, ultimately, profoundly hopeful.

The Baby on the Doghouse

Nine-year-old Sherry Gallagher opened her eyes in the darkness, but her heart remained in the dream, as heavy and sodden as a towel soaked in a mud puddle. It was a dream that had revisited her every so often for a long, long time. In it, she is a baby, old enough to sit but not to walk, and she is sitting on the roof of the doghouse in their backyard. She has no idea how she got up there. But there she sits, clothed only in a cotton diaper fastened with safety pins, looking forlornly across the yard at the lighted kitchen window where her mother stands, doing the dishes. As she gazes toward the house, there is a flash of lightning, a slow roll of thunder, and a cold rain begins to fall. Sherry gasps as it hits her skin. Then her eyes widen, her chin puckers, and, dissolving into misery, she balls up her baby fists next to her baby cheeks and lets out a loud baby wail. At the window, her mother looks up for the first time. Her eyes rest on Sherry for a moment, but they register no concern; then she returns matter-of-factly to the dishes.

Sherry had always woken from this dream feeling unutterably sad. And a little guilty, too. Even though her mother had died two years before, the dream still felt somehow disloyal to her because, after all, she had never been heartless—just busy. And tired. With Sherry’s four older brothers and sisters, her mother had constantly been wrestling mountains of laundry, cooking (and burning) meals, scouring dried food off plates and burned crusts from the bottoms of pans, and yelling at kids to hurry up and get dressed or they would miss the bus. It wasn’t that she hadn’t cared; it was just that she hadn’t had time.

When Sherry was little, her mother sometimes read fairy tales to her at bedtime from The Golden Book of Fairy Tales. Sherry loved those stories so much that, when she learned to read, she started reading them to herself from the beloved book with the beautiful illustrations so often that she practically had them memorized. She liked to imagine herself as Cinderella or Rapunzel and would make up fairy tales to narrate her own days. Her oldest sister, Clara, who had come to help with the kids for a couple of months after their mom died, would become a wicked stepmother who made her sweep the crumbs from under the table for hours on end until poor Cinderella would escape to hide at the tip-top of the ladder tree on the side on her house, where her evil taskmaster would never think to look. Or her dad would become a giant, roaring troll when he came up from the basement mad about some little thing, smelling of beer, his shouts slurred and indistinct, and she and her fellow billy goats would have to run and hide.

Hiding was Sherry’s superpower. She was very good at it. She could squeeze into surprisingly small and unexpected places—not just under beds and behind the hanging clothes in a closet, but in kitchen cupboards, behind the water heater, and out the dormer window of her little attic bedroom to the house’s shingled roof. She was always on the lookout for new places to hide because, in her house, you never knew when you would need one.


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About the author

I grew up spending summers in the Piney Woods of East Texas. I raised two children, had a career as a university administrator, and am now a spiritual director, expressive arts facilitator, and poet. I enjoy making art and rescuing butterflies at my home in the Houston, Texas, metro area. view profile

Published on March 18, 2025

Published by SheBooks

40000 words

Genre:Women's Fiction

Reviewed by