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A unique and immersive vision of survival and life during apocalyptic times...

Synopsis

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Pearl Fields and the Oregon Meltdown is a unique reading experience that plays out much like the transcript of a confession, life story and vision of one woman's survival during the 'Meltdown'. The wonderful thing is, its all three of those and more because the immersive conversational style adopted by Drew Faraday pulled me in from the very start and it isn't one I've seen that frequently in fiction. Onthe surface it might appear as just ramblings but like all great books its what lies within those words that make it. Stories of childhood, love, struggle and life in apocalyptic times make up the experience that pulled me in from the start.


The 'M' virus and its fallout is where the majority of this story is set but we only get snippets of that from 'Pearl' and the focus is more on her many experiences during and then after. Its almost as if she is in the room telling you about the various trials and tribulations of her life and she's a fun character to be around. Perhaps a little hardened by that life and her well fleshed out presence really puts you in the passenger seat of her ride. From her wealth of back stories to the various fun names she uses such as 'Camp All She Wrote' and even naming a suicide vest 'Severance Package' are just a few of humorous references peppered with a hint of darkness and there is a lot of emotion at the heart of this one.


'I wouldn't have gone through hell on earth on my own for nearly four years only to be pent-up in this rank jail cell pouring my heart out to a damn gizmo in hopes of not taking the long drop...'


Its part post-apocalyptic and part confessional-survival with ounces of humour and the question is, will this confession help her find acquittal? The answer is something I perhaps would have liked to have seen a little more from but that's a minor critique at best.


Very enjoyable and original.

Reviewed by
Lee Hall

Indie author and book blogger from the UK who works in cutting edge science by day and writes by night. I know the struggle that is indie publishing so my efforts focus on spotlighting fellow authors and contributing to the writing community. I prefer books with a wordcount up to 90k or less

Synopsis

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This book contains sensitive content which some people may find offensive or disturbing.

1

 

Well, your honor, I really appreciate this last chance to set the record straight. Like I said up on the witness stand this morning, I was born Vivian Marley Hobson-Dawson but always went by Viv Dawson till I changed my name to Wheeler when I got married twenty years ago the seventeenth of this next month.

You already know about me being a landscaper down around Seal Rock when the M-virus hit town nearly five long years ago, the Dirge torched our neighborhood and killed Uncle Trey in cold blood for trying to protect some poor Zama, and we all turned into DPs scattered to the four winds.

You gotta believe me, please—I am not that gunrunner the prosecutor keeps saying I am. I know he’s doing the best job he can in these troubled times, but you got the wrong woman, plain and simple.

The real Sunny set me up to take the fall for her right after the Marines rolled into Waldport back at the end of July. She picked me out of that hornet’s nest in the safe haven bulging at the seams where me and Jake were living hand-to-mouth day in, day out same as everybody else. Then she hooked me with that good Samaritan bait of hers after hearing me tell a Guard how the two of us got separated during the food riot out on the Spit.

Like I keep telling anybody bothering to listen, all you gotta do is track down my husband, and he’ll vouch for me. Hope and pray he’s all right ’cause I haven’t heard a peep from him since. That’s not like him, you know, leaving me in a tough spot like this for close to three months without being able to find me or at least get word to me—even if I am a couple hundred miles from home and the Meltdown’s only now easing up enough for those surviving to start pulling things back together here and there.

If any of my kids were around, they’d vouch for me too, but I got no idea where they are either. All I can do is pray they’re safe and sound too while I wait to hear from ’em like a whole lot of others are still doing nowadays. Thought I was gonna go crazy not knowing what happened to everybody when me and Jake were holing up in the safe haven, but that was nothing compared to being locked up alone here in this miserable cell carved out of a supply closet in a rowdy jailhouse full of shameless men with all their howling and cussing and sinful ways and him not in arm’s reach.

And then there’s all the overtime the hangmen keep racking up on the yard right out that barred window in full view not even a stone’s throw from here. Painful enough laying awake half the night worrying about what’s coming down the pike, but hearing all these guys whimpering in their sleep makes me wonder how come I’m not a total basket case like Gonzo Willy was till he finally met his Maker, bless his soul.

Anyhow, that rotten Sunny knocked me out cold with a fish billy or some such thing, stripped me naked, dressed me in her clothes, and planted a knife and a pistol on me. Then she messed with my ID to make it look suspicious and got a lowlife to swear to those bounty hunters I was her ’cause of that crock about the J tattooed over my heart meaning something in her life instead of my husband’s initial.

Sure as I’m sitting here on this flea-bitten, mangy excuse for a mattress, she’s hiding out someplace cozy, laughing like a loon about pulling the wool over all your eyes and living free and clear.

As the Lord is my witness, I’m doing everything I can to help you see the truth, including going through with this special testimony like you told me to. Used to get tongue-tied just leaving a message on somebody’s hub, but blathering on at this little recorder Keera loaned me before I got hauled back down here a bit ago makes that seem like small peanuts.

She says the bottom line is stay focused on telling the truth so you’ll turn me loose and I can find everybody and get back home and try picking up the pieces as best . . .

 


 

2

 

I’m back again. Guess you already know that, huh?

Sorry about having to stop ’cause of getting so choked up. My hands were still shaking something awful, and my stomach was nothing but knots after what happened at the trial and the way this is all going.

Then I started in thinking about . . .

 


 

3

 

OK, I can do this thing, I really can. I was hoping to hold off till Chaplain Eddy makes his evening rounds so he could help me out, but Gaines says I got no time to lose.

All right then, if I kept from bawling like a baby there in court while that prosecutor ripped me up one side and down the other for not being who he thinks I am and those vile men lied about me being Sunny, I can grit my teeth and keep going till I need another breather.

Keera says to tell you about my life all over again—what happened to everybody I know, how me and my husband fell into being DPs and got stuck in Waldport to begin with, how that conniving Sunny tricked me, you, and the rest of creation, and how I wound up all alone inside this lousy cage that’s not much bigger than I am tall.

No doubt you’ve been hearing all kinds of people claiming they’re innocent what with back-to-back trials going on around here like they are, but I hope and pray you believe me at day’s end and won’t punish me anymore for something I had no part in.

Bad enough suffering at the hands of those ruthless bounty hunters after I came to while they were tasing and strip-searching me in plain sight before some Marines put a stop to that abuse and tossed me in the hold of a Coast Guard cutter like a burlap sandbag.

But then there was the long, brutal quarantine trip up here with a bunch of foul-mouthed Dirge losers chained a few feet away whining every other minute they were awake—and me nursing a doozy of a headache and itching like no other all over—before spending months on end as the only woman prisoner on this whole godforsaken jailhouse floor.

You gotta believe me, please. I don’t wanna hang for somebody else’s crimes. I was just in the wrong place at the . . .

 


 

4

 

So like I keep saying, my name’s Viv Wheeler, and I was born and raised down in Seal Rock after my folks moved over to the coast from Hermiston when they . . .

Hold on a sec. All that racket cutting through the usual hubbub around here and trying to drown me out is the cellblock door busting open.

And here comes that public defender of mine waving a fistful of papers and making a beeline for me.

Praise the Lord and pass that release order she kept asking you for so I can hightail it out of this devil’s workshop and take my first breath of . . .

 


 

5

 

Well, shit on my shoes and make me dance.

Keera stormed out of here awhile ago after giving me one wicked tongue lashing for lying to her, you, that old prosecutor, and the rest of the world. She kept fanning my face with that damn NGS report of yours popping up out of nowhere after the fact, getting all high and mighty in her lawyer way how it proves beyond a shadow of a doubt I’m the one Mr. Barebones squawked about like a scrub jay there in court even though nobody’s got my eyeprint or voiceprint or earmark on file and my fingerprints and body scan don’t match. Then she laced into me how I gotta knock off that Viv bullshit and tell the truth for a change, pull the stupid TP plugs out of my nose, clear the frog out of my throat once and for all, and record this testimony for real.

She said that report pissed you off so bad it was all she could do to talk you out of hanging me on the spot yourself—along with the poor guy tasked with giving me that worthless lie detector brain scan I passed the day I got here. Wasn’t his fault, you know.

Anyhow, sorry about putting everybody through the wringer like that, but I figured my choices were few and far between.

I know that’s a tough sell with you sitting pretty like you are and me admitting to lying like a rug up till now, but if you could get so much as a glimpse through my eyes of what I had to do to survive the Meltdown, you’d have a whole different . . .

 

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This book contains sensitive content which some people may find offensive or disturbing.

Drew Faraday
Drew Faraday shared an update on Pearl Fields and the Oregon Meltdownabout 2 months ago
about 2 months ago
The Beast (latest musing) https://drewfaraday.com/2025/02/01/the-beast/
Drew Faraday
Drew Faraday shared an update on Pearl Fields and the Oregon Meltdownabout 2 months ago
about 2 months ago
Brainteaser (Latest musing) https://drewfaraday.com/2025/01/25/brainteaser/
Drew Faraday
Drew Faraday shared an update on Pearl Fields and the Oregon Meltdown3 months ago
3 months ago
Latest musing; new website theme http://drewfaraday.com/2024/12/28/simple/
Drew Faraday
Drew Faraday shared an update on Pearl Fields and the Oregon Meltdown3 months ago
3 months ago
Latest blog, 12-23-24 https://drewfaraday.com/2024/12/23/shifting-gears/
Drew Faraday
Drew Faraday shared an update on Pearl Fields and the Oregon Meltdown4 months ago
4 months ago
Have a few Kindle Vella tokens burning holes in your virtual pocket? Just 330 will buy your ticket to join Nate on his harrowing journey through a wilderness at the height of the Oregon Meltdown. https://www.amazon.com/kindle-vella/story/B0DLHP6RH1
Drew Faraday
Drew Faraday shared an update on Pearl Fields and the Oregon Meltdown4 months ago
4 months ago
https://www.amazon.com/kindle-vella/story/B0DLHP6RH1 Join Nate on his wilderness solo journey to reunite with his family at the height of the Oregon Meltdown. Episodes #1-34 available now. First 10 are free; remaining 33 should cost about $4.
Drew Faraday
Drew Faraday shared an update on Pearl Fields and the Oregon Meltdown5 months ago
5 months ago
Latest novel in serialized form on Kindle Vella. https://www.amazon.com/kindle-vella/story/B0DLHP6RH1
Drew Faraday
Drew Faraday shared an update on Pearl Fields and the Oregon Meltdown5 months ago
5 months ago
Close Enough for Rock & Roll (10-17-24) Blog link (WordPress) http://drewfaraday.com/2024/10/17/close-enough-for-rock-roll
Drew Faraday
Drew Faraday shared an update on Pearl Fields and the Oregon Meltdown6 months ago
6 months ago
Latest Interruption 9-12-24 Blog Link (Wordpress) https://drewfaraday.com/2024/09/12/latest-interruption/
Drew Faraday
Drew Faraday shared an update on Pearl Fields and the Oregon Meltdown10 months ago
10 months ago
Newest blog, 6-8-24 I, Editor https://drewfaraday.com/2024/06/08/i-edithead/
Drew Faraday
Drew Faraday shared an update on Pearl Fields and the Oregon Meltdown12 months ago
12 months ago
Back in the Saddle (4-6-24) I'm sure I could come up with a viable excuse to justify not having posted here of late. After all, I do spend a fair amount of time writing fiction which, it might be argued, is akin to weaving together random excuses with character arcs, plot twists, & doses of action. But the truth of the matter is that I was so neck-deep in my latest project that I allowed my fledgling social media presence to slip even further down my priority list. In previous posts, I've described why copyediting is such a time-consuming, energy-draining process for me, so I'll spare you the latest chapter of my trials & tribulations. However, I will say that it still reigns supreme as the most irksome part of my independent author journey. After repeatedly failing to reframe my attitude so I could more openly embrace the challenge of pouring over my manuscript countless times in an effort to find mechanical flaws, faulty references, clunky phrasing, word overuse, & whatnot, I resorted to good old plan B—I labored; I grumbled; I persevered. It certainly didn't help my attitude that the thought of a fresh pair of professional editor's eyes blithely doing all I did & more in one or two passes has been lurking in the background like a villain hatching their next devious plan. (Cue a suspenseful soundtrack from a spaghetti western.) But now that I'm almost done wearing my copy editor's blinders to keep on the path, I can channel a few precious hours into contemplating the world around me, sleeping a little more, & writing another post about some of my self-publishing experiences. Speaking of which, according to my latest crude calculations, I should be ready to launch my serialized companion novel on Kindle Vella later this month. One of my final decisions has to do with how many middle episodes should read as smoothly as the first twenty & the last two before the first batch goes live. My inclination is to polish all forty-three to the same level beforehand in order to have fewer loose threads or glitches to deal with after the fact. That should also set me up nicely for the release of the ebook version on Kindle sometime in August. Of course, that also means leaving these pesky copyediting blinders in place for a few more weeks as I traverse this lonesome trail. (Cue an inspiring soundtrack from the same western.) Till next time. Drew
Drew Faraday
Drew Faraday shared an update on Pearl Fields and the Oregon Meltdownabout 1 year ago
about 1 year ago
Interference Here of late, I've been dabbling in the field of memory research in preparation for a new project I'm exploring. While doing so, I've been curious about the role memory plays in fiction writing—notably my own. In the past, I've been frustrated by my struggles to remember the names of real individuals not long after meeting them. But now I've lowered my expectations since it's apparently much more common than many others let on. If the professor of psychology & neuroscience & author of Why We Remember, Charan Ranganath, admits to frequently doing so himself, I figure I have nothing to worry about. Of course, like he says, he has the advantage of being able to lean into the absent-minded professor trope. But I wonder how many writers experience the same thing when it comes to characters they've "created" or at least named. Think about those stories you wrote in your late teens either on paper or in your head. Do you honestly remember the names of all the main characters? If so, I'm playing in the minors while you're rocking the big memory league. Awhile back, I made a spreadsheet to track my characters' names since I began to suspect I was inadvertently creating namesakes from one story to the next. Which means I'm constantly on the hunt for unique add-ons. About the only laugh I got from the movie The Man Who Invented Christmas (other than the ludicrous title) was Dickens's penchant for stopping to write down unusual names of real people in a daybook to incorporate into future stories. But what prompted me to write this post was Ranganath's discussion in his book & during an interview about how easy it is to have a "tip of the tongue" moment. For example, if I were on the spot in a social situation to remember whether his first name is Charan or Chandresh, the neurons for those two possibilities would jostle for dominance and make it hard for me to remember the right one. That's why the correct name frequently comes to mind later when revisiting the event since the interference tends to diminish in the absence of stress. After reading & hearing his particular take on the process, I suddenly realized two prominent characters in my upcoming serialized novel had names starting with the same letter. My original thought was the characters themselves were different enough that it shouldn't cause a problem, but now I realize I was creating a potential interference for readers. After I made the change, I also remembered Dreyer's admonition to avoid creating that kind of interference—from an editor's point of view, of course. The last thing I want is a reader experiencing any neuron interference & hesitating even one millisecond to settle on the right character. After all, every little bit helps. Till next time. Drew
Drew Faraday
Drew Faraday shared an update on Pearl Fields and the Oregon Meltdownabout 1 year ago
about 1 year ago
My Own Devices Sometimes when I reach a milestone on my self-publishing journey, I celebrate the moment with abandon. At other times, however, I find myself grumbling that it actually means very little when viewed through the lens of the woes of the outside world. It comes as no surprise that those challenging moments can lead to an overall questioning of my core drive to write fiction. But fortunately, I can usually rely on one of my steadfast mantras to right the ship: • "That's just who I am" • "If a story comes to me, it needs telling" • "I've been writing stories my whole life, if not on paper or a screen, then in my head" • "I'm better off writing than ____ (fill in the blank)." As you might suspect, I recently experienced one of those harsher times when I reached the final stage of copyediting my upcoming serialized companion novel. The moment I replaced my 1137th—& final—first stage rewrite marker with the next stage marker, my writer's soul rejoiced.  But almost at once, that pesky contender started raising hell. Besides my mantras, one of my go-to distraction strategies for such moments is to fantasize what it would be like to have a professional editor point out grammatical missteps or content enhancements along the way. However, that approach doesn't last long since I'm so accustomed to being an independent author that I know full well I'd chafe at mundane things like being told that even though lens (used above) can be spelled either lens or lense, the first spelling holds sway. No problem, says the adult in me; Oh yeah? says my inner child & no doubt opts for the latter in the name of oppositional-defiance. That said, I'd still truly appreciate the same imaginary editor marking up misguided usages & downright fumbles long before I notice them. For example, my current favorite is finding "a blown blur zipped out from under the wreckage" instead of the intended "a brown blur zipped out from under the wreckage."  Good old spellcheckers have their limits, as do I. In my world, their evil cousins grammar checkers are an unwelcome lot, so I'm happy to be left to my own devices in that regard. Never a dull moment on this journey, let me tell you. Time to get back to keeping my nose to the copyediting grindstone before that pesky contender tries pulling another stunt. Drew
Drew Faraday
Drew Faraday shared an update on Pearl Fields and the Oregon Meltdownabout 1 year ago
about 1 year ago
And I'm Milk & Cookies Nope, the title of this post is not a sign that I'm losing touch with reality or trying to write obtuse poetry. It relates to a memory game I recently came up with while trudging through the 1100+ revisions amassed during the final editing phase of my serialized companion novel due to be released on Kindle Vella in March. As I set about combining the various comments/revisions in my Word doc—some of which have been there since November—I realized I might be missing a few words here or there. So in an effort to keep better track, I started linking the first two or three words of the top highlighted section with the last two or three of the second (or third or fourth) neighboring comment. Hence, the title of this post. The first two words are from the wisecrack "And I'm your damn fairy godmother," spoken by the river merchant Sunny (the narrator of my previous novel Pearl Fields and the Oregon Meltdown) to one of her regular customers. The last two words are from another of her wisecracks, this time in answer to a question asked by the protagonist of my new companion novel who she helps at a critical point during his treacherous solo journey to a safe haven downriver. For some reason or other, that mundane memory game keeps giving me a welcome boost as I slog on through my revision process. Who knows? Maybe I'll hold onto this diversion strategy for future copyediting stages, especially if it tamps down my grumbling a little by generating odd mixes like: • the tall patch of moonlight • Sunny whispered second thought • flags fluttered both lanes • why not means right • he fumbled far below • he stammered tsunami level • and I'm something stupid. I sense a random poem taking wing. (No worries, I'll be sure to keep it to myself.) Till next time. Drew
Drew Faraday
Drew Faraday shared an update on Pearl Fields and the Oregon Meltdownabout 1 year ago
about 1 year ago
I Don’t Know Why Updating my first published novel didn't look like it was going to a big deal. After all, the process is pretty straightforward according to Kindlepreneur & other sites: 1. Go to your Amazon KDP dashboard. 2. Find your book, hover over the three dots, &... 3. Make any metadata changes you would like... 4. If you have direct changes to the manuscript or... 5. If you have changes you want to make to the pricing... 6. Hit publish! When I followed those steps a couple days ago, everything appeared in good order, but I soon realized only half the links in my Author's Note worked on my Kindle. After sorting out what I thought were the issues with Scrivener, everything looked copacetic again till I checked the epub version on my iPhone Kindle app. Two links led to error messages, even though both worked just fine in the KDP Previewer & on my Kindle (go figure). I decided the chances were good the glitch was on my end of the equation, so I went back through & verified them once & for all. Now I'll just wait a few days to see how things go with my latest attempt (KDP says give the update 72 hours). To celebrate this whole updating process, I'm lowering the price to $0.99 for a couple weeks since that's the closest I can get to giving it away without using my one Free Book Promotion this cycle (saving that for down the road). Strangely enough—even though there might be more loose ends to tie up in a few days—I feel completely free right now, like Jon Batiste singing & dancing in "Freedom." "I don't know why, but I feel like freedom I hear a song that takes me back And I let go with so much freedom Free to live (how I wanna live)" Keep you posted. Drew
Drew Faraday
Drew Faraday shared an update on Pearl Fields and the Oregon Meltdownabout 1 year ago
about 1 year ago
Getaway Snacks (1-31-24) Nope, this post isn't about eating during a vacation, chase scene, or heist even. It's about a concept I'm borrowing from an exercise trend that promotes spurts of activity throughout the day along with full workouts. Getaway snacks involve those few minutes I find here & there to pretend I'm doing something productive when all I'm really doing is taking five, like my dad used to say. I'm convinced a large percentage of smokers today & in the past were lulled into their habit by the ubiquitous cigarette break it affords. I suppose a breath of fresh air is a suitable replacement—certainly a healthier one—although it does require admitting to actually taking a break. But the underlying enjoyment of my getaway snack is its clandestine nature. When I take out the compost, I might stop while a flock of garrulous geese cruises overhead. Or if I need to put something on the front porch for a trip later to town, I might take a minute to listen to a red-headed woodpecker adding its solo riff to the jam session of rustling pine boughs & dried leaves. Even though pauses like that are often viewed as practicing mindfulness & being in the moment & whatnot, I see them as breakaways from both the mundane & my writing. Some might find it surprising that I go out of my way to escape from my writing rather than escape into it. The truth of the matter is that even though I'm only able to squeeze in an hour or two of writing on any given day, my writing spigot, so to speak, tends to stay wide open. Oddly enough, outside of designated sessions, I exert a fair amount of energy trying to slow the damn thing down a little or at least divert it, but like a rusty old fixture, it resists all but my sneakiest attempts. Fortunately, I don't consider it an affliction & certainly don't suffer from delusions of grandeur. Throughout the years, I've viewed writing as simply a hobby & a steadfast ally that if placated enough with morsels & full-bore feedings will act less like that rusty spigot & more like the steely-eyed bull down the road with a full belly—watchful, but placid as I whistle & stroll on by. Till next time. Drew
Drew Faraday
Drew Faraday shared an update on Pearl Fields and the Oregon Meltdownabout 1 year ago
about 1 year ago
Tea & Toast (1-24-24) Ah, it doesn't get much better for me in my current circumstances than enjoying a steaming cup of black tea & two pieces of toast slathered with butter & honey. The last few days have been a challenge since my aches & pains intensified before finally backing down enough for me to get outside for a short walk & come back to write this first paragraph & maybe even another. (I'm relieved that I don't have a fever or any symptoms other than the usual cold/flu type, most notably a significant lack of energy.) Earl Grey & toast have always proved to be a cure-all for me since it was the only air of my grandmother's English background she could afford. Something about the mix of simplicity & decadence soothes my stomach & my nerves. I like to think I'm fairly adept at balancing all the various aspects of my life (see some earlier posts, especially "Spinning Plates"), but whenever I go through an experience like this, I realize I'm only kidding myself. All it takes is one plate I'm juggling to wobble a little (say, from stress) & the precarious balance can follow suit. But, like I said, I'm on the mend & realize the crucial chores I truly believed needed to be finished no matter what weren't really that crucial & as far as I can tell not in the least bit earthshaking. In fact, my short-lived setback might've been just what the doctor ordered—a bit of R & R to catch my breath, sip some tea, & eat plenty of toast. Till next time. Drew
Drew Faraday
Drew Faraday shared an update on Pearl Fields and the Oregon Meltdownabout 1 year ago
about 1 year ago
Morsels (1-17-24) Sometimes I think my writing life can be measured in morsels—tasty & bite-sized to be sure, but not, I'm happy to report, as in the sample sentence in the last connotation listed in Merriam-Webster: "a negligible person." Yeah, I still like to look up words, especially the roots of any I happen to be focusing on. In this case, morsel was derived from (wait for it...) Latin mordēre "to bite" with Anglo-French & Middle English ushering it our way, of course. Anyway, what does the concept of morsel actually have to do with my writing, you might ask. Plenty. How many tropes have you seen about writers delving into their craft for hours on end? Staying up late? Rising before dawn? Wallowing in their creative zone for hours on end, ignoring the world around them till some dramatic event yanks them back to reality? Well, that sure as hell ain't my writing life. I'm lucky to be able to squeeze in ten minutes to draft this post while eating lunch. Sure I get up early or stay up late depending on circumstances, but the lion's share of my writing comes from times like this—a seam in the action, so to speak. In my experience, a few minutes of downtime waiting for the next round of reality to show its face can work wonders with nudging a writing piece along. Another way morsels make their presence known has to do with the incremental steps I take in the revision process. For example, a proofread I think might take two weeks to complete often takes four— Wait a minute, that's the case for a lot of people working on projects, so enough on that. Finally, there's the tapering off of responses from readers & reviewers. As I mentioned in my previous post, I got caught up in thinking that since the initial response to my first self-published novel was better than expected, the trend might reach some mystical state of perpetual motion. (Cue the laugh track.) Currently, however, morsels from one social platform or another do show up, the visitor column on this website ticks up now & then, an unexpected review of Pearl Fields & the Oregon Meltdown shows up on a book blog, a few more than average pages are read on Kindle Unlimited, and so on. That's why I never complain about any action in the positive column of my independent author scorecard. After all, one tasty, bite-sized morsel might lead to another, right? Keep you posted. Drew
Drew Faraday
Drew Faraday shared an update on Pearl Fields and the Oregon Meltdownabout 1 year ago
about 1 year ago
After-Party (1-10-24) A recent thread I interacted with a bit on both Instagram & Threads has to do with some of the struggles independent authors face when it comes to self-promoting. During the last year & a half, I've grappled with coming out of my shell enough to even consider sharing my writing in any way other than a naive "Here's my novel." In retrospect, I did all right with researching various marketing strategies, creating ads, deciding which platforms to use, settling on a budget, tracking all the hoopla, & above all, keeping true to myself as best I could in the eye of the whirlwind of my own design. But the real challenge for me was the after-party, so to speak. My original expectation was that a few people might actually read & review Pearl Fields & the Oregon Meltdown, plain & simple. I did all right with that baseline expectation till things started moving in what appeared to be a more engaged direction. At that point, I caught myself thinking that a few positive reviews, nearly a thousand readers signing up for my Goodreads Giveaway (100 winners), & hundreds of visitors/views on my author site might mean some leveling up on my part was in order. A year later, gauging from the stats on a couple independent author sites & in a few reliable books, my sales & exposure have been in the average range for a self-published writer in my situation & with my resources. Toss in the novel's quirky narrator & layout (a supplemental testimony for a military judge recorded in a jail cell), & the results have been more than satisfactory for me. However, as some indie authors on Instagram & Threads have pointed out, it's tough coping with the sneaking suspicion that the results might have been more dramatic had I done more or gone in this direction or signed with this promotional outfit, yada yada. And now that I'm about to launch my companion novel on a new-to-me venue (Kindle Vella), I wonder what lessons I'll be able to apply. Aside from embracing the notion of serialization, one of the reasons I'm drawn to that particular platform is the potential for interaction with readers & the de-emphasis on advertising. I'll update this website & post on Instagram et al. to announce the launching & release dates, but the amount of promotion will pale in comparison to its predecessor.  Then a month after the 43rd & final episode is released, I'll decide how much time, energy, & money to invest in promoting that new novel when it launches on the Kindle Store.  Never a dull moment in the life of a self-driven, self-publishing author. Drew
Drew Faraday
Drew Faraday shared an update on Pearl Fields and the Oregon Meltdownabout 1 year ago
about 1 year ago
Free-Range Reading, 1-3-24 Happy New Year! In my last post, I mentioned coming down the homestretch of updating my first self-published novel a year and some change after its release. At that point, I'd finished all the items on my copyediting to-do list & was comfortable enough with the outcome that I added the following comment: "Now that I'm done with that phase & ready to actually update the KDP version tomorrow, I can relax back into..." Then for some reason or other, I took off my copy editor hat & started reading the beginning of that novel. Just free-range reading, you might say, to remind myself of how the narrative flows & all. An hour later I realized I'd gotten caught up in Pearl's narrative again—my own storytelling in written form.  I suppose I could say it dawned on me how much I actually still like the story itself even after crossing the finish line, but what I experienced was a simple emotion devoid of any sense of accomplishment—an appreciation of the story itself.  As it turns out, not only did I finish a novel I enjoyed writing & editing, but one that I can still read with an open mind—or so I think. Of course, the icing on the cake for me continues to be how Pearl Fields and the Oregon Meltdown pays homage to my mother, grandmothers, & aunts in ways most others might never fully appreciate. Now that feels right. Keep you posted. Drew

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Drew FaradayToss a voice recorder through the steel bars to a reluctant river merchant convicted of gunrunning during the Meltdown, tell her it’s her last chance to escape the hangman’s noose, and see what happens.   I look forward to hearing your verdict.
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over 2 years ago
About the author

Drew Faraday lives a quiet writer's life surrounded by family and friends in a remote part of the Oregon Coast Range not far from the Alsea River Basin. view profile

Published on August 30, 2022

50000 words

Contains graphic explicit content ⚠️

Genre:Literary Fiction

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