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An unmissable debut novel perfect for fans of Megan Nolan, Elif Batuman, Naoise Dolan, and Louise Nealon

Synopsis

Nothing in Flo's life is turning out the way she planned. By thirty she was supposed to have been married. Instead, a break up has turned her life upside down. As Flo picks up the pieces, and watches her friends doing all of the things she had imagined herself doing, she receives some devastating news.

Flo starts to ask questions about life, love and friendship, finding answers in places she had never thought to look before.

Flo is an extraordinary novel that took me by surprise at every turn. In it, Rosie Brooks has fashioned a heart-breaking exploration of loss and complicated grief. But it is also often a bleakly yet genuinely funny novel, which captures what it feels like to be a young woman in today’s world, an experience which Brooks’ eponymous heroine memorably compares with being ‘a living imagination-versus-reality meme’.


In keeping with the theme of ‘imagination-versus-reality’, in the novel’s opening chapter, Flo states that her latest relationship ended because her now ex-boyfriend (known acronymically as BHB) turns out, like ‘so many men’, to be ‘an arsehole’ – something which she had not factored into the plans she had made for her adult life and which the rest of the novel does little to disprove. Picking up on the ‘nice guy’ trope made famous in recent years by the film Promising Young Woman, for example, the novel’s ‘nice guy’ turns out to be as useless as the out and out ‘arsehole’ that is BHB. Arguably, the novel’s greatest strength lies in its female-centred exploration of modern romantic relationships, dating culture, and sex. Brooks manages to handle all these topics with both sensitivity and humour.


If readers come to Flo looking for ‘a beautiful, straightforward romance’, however, they are liable to be disappointed. In accordance with the current vogue for (re)viewing singlehood as a source of empowerment, the novel features excellent discussion of the sexual double standards surrounding singlehood for men and women within a heteronormative society. This discussion (or, as Freddie might call it, this ‘feminist agenda) never feels discordant or out of place, however, being instead seamlessly woven into the flow (excuse the pun!) of the novel itself. Ultimately, Flo demonstrates that being single is preferable to settling, regardless of your gender identity, and that our family and friendships can be so much more important and rewarding than our romantic relationships.


Overall, Flo is an unmissable emotional rollercoaster of a read. Rosie Brooks has pulled off quite a feat with her first novel. I cannot recommend it highly enough.

Reviewed by

I have a BA and MA in English Literature from Durham University, and am currently working on a Creative Writing MA.

Synopsis

Nothing in Flo's life is turning out the way she planned. By thirty she was supposed to have been married. Instead, a break up has turned her life upside down. As Flo picks up the pieces, and watches her friends doing all of the things she had imagined herself doing, she receives some devastating news.

Flo starts to ask questions about life, love and friendship, finding answers in places she had never thought to look before.

Chapter 1

I stood in the kitchen, clutching a small box of crockery, and stared 

at the cupboards, which were already full. I wondered if I had ever 

felt so profoundly miserable. I searched my memory but then 

concluded that this was it. This was the most miserable I had ever 

been. In hindsight, I think I was being dramatic. I probably could 

have conjured up more miserable moments if I had wanted to, but 

nobody likes recalling times when they have been utterly miserable.

I wondered how I had come to be standing in the grimy kitchen, 

which was too small, with tacky surfaces that looked like they hadn’t 

been cleaned properly in months, and mismatched crockery that was 

shoved haphazardly in cupboards. There was no room for any of my 

things. I didn’t care about my plates or knives or forks or spoons, but 

it seemed wrong that there was no space for my mugs. I sighed, put 

my battered box on the counter, and took the seven steps to my 

bedroom. 

My room felt even bleaker than the kitchen, which was probably 

because it was empty. The bare walls were a dirty white. The boxes 

and giant IKEA bags of my belongings were scattered across the 

floor. I decided it was okay to be miserable, because anyone would be 

if they could see their life compressed into one of those hideous blue 

bags. There was a faint, but definite, stain on the mattress. How my 

life had come to this? IKEA bags and stained mattresses. I wondered 

whether the stain was coffee, or something else. I wondered which 

was preferable: a blood stain or a shit stain. It was a lose-lose situation. 

I couldn’t even find my bedsheets to cover the stain, but I did find a 

towel. 

The bathroom ceiling had recently been painted, which was good, 

apart from the fact that it was obvious it had been painted to cover mould. There were pockets of mould in the corner of the bath and 

the shampoo bottles on the side of the bath looked like they had been 

growing fungus for months. I took off my clothes, wondering if it 

was possible to get clean in a room that was dirty. The bathtub felt 

slimy under my feet, but the shower was hot and powerful. I stayed in 

the shower, the water beating my skin red, until the water ran 

lukewarm. The floor tiles were pleasantly cool underneath my hot 

feet. The room was so full of steam, it was impossible to get dry. 

I went back to my room. My clothes were buried somewhere in 

the boxes with the bedsheets, and I suddenly felt an insurmountable 

fatigue. I curled up in a ball on the bed, still wrapped in the towel and 

soaking wet. My first night in 3A was spent cold, profoundly 

miserable, and acutely aware of the fact that the only thing separating 

me and the undefined stain was my towel. 

***

Flat 3A, Elsted Street, Elephant and Castle, London, had never been 

part of my plan. It wouldn’t have been part of anyone’s plan. I don’t 

think anything ever goes to plan, though. I should have learned that at 

school, from reading Of Mice and Men. There’s a lot of things I could 

have learned from that book if I had been ready to learn them, but, at 

fifteen, I hadn’t been ready. What I did have when I was fifteen, 

however, was a plan. My plan was this: I would do my GCSEs, then I 

would do my A levels, then I would go to university – to get a degree, 

but also a man – then I would get married, and then I would have 

children. This was all to be completed by the time I was thirty. It was a 

basic plan; I never fleshed it out. Why would I need to? I did consider 

whether it was a plan suited to a modern feminist, but, at fifteen, I 

wasn’t sure whether I considered myself a modern feminist. At 

fifteen, I don’t think I understood much about feminism at all. It was 

confusing because the patriarchal society I inhabited told me that my 

role was to be a wife and a mother, but feminist voices in that society 

told me that being a wife and a mother were not aspirations, that I 

needed a career as well, but that the best women, the best feminists, did it all. It was difficult to decipher the messages that society was giving me. It was difficult to know what I was supposed to do. I talked 

to Mum about it once. ‘I think I want to go to university,’ I told her, a 

few months after I had started my A levels. 

Mum was looking at a piece of paper listing all of my mock exam 

grades on. I had done well in my mocks. Very well. ‘That sounds like a 

good idea, Florence,’ she had mused, looking intently at the paper. 

‘Lots of very intelligent, well put together young men go to university.’ 

I wondered if that flimsy piece of paper made me a good 

candidate for marriage, as well as university. 

When I had made my plan at fifteen, I had not foreseen any 

obstacles getting in my way. There was no reason why, at thirty, 

I shouldn’t have achieved everything I set out to. I should have 

listened to Steinbeck, because, at twenty-nine years and four months 

old, I was moving into 3A. The worst part was, my plans had still been 

very much on track when I was twenty-nine years and one month old. 

Unlike George and Lennie, whose dreams unravelled slowly, my 

plans, my dreams, came crashing down in a way that my fifteen-yearold self could never have predicted. 

I ended up in 3A because my relationship of almost nine years with 

Bradley Hobbs-Beckham ended. There was definitely a part of me that 

was invested in the relationship because of the surname. If I had 

married Bradley Hobbs-Beckham, I would have become Florence 

Hobbs-Beckham, and I liked the sound of that. It sounded better than 

Florence Holt, which I thought sounded abrupt and bland. Florence 

Hobbs-Beckham sounded elaborate and classy, and it might have made 

people think I was related to the Beckhams. People would be drawn to 

it, because they were drawn to Bradley. I never called him Bradley; 

I referred to him as BHB, because that’s what his friends called him. 

BHB and I broke up because he was an arsehole. At fifteen I had 

not known – or factored into my plans – that so many men exist as 

arseholes. 

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About the author

Teacher trying their hand at writing for the first time view profile

Published on February 24, 2022

70000 words

Genre:Contemporary Fiction

Reviewed by