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Essence

By H.M. Hussain

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A poet's attempt at "erasure technique" shows that it sacrifices a poem's meaning for a game of abstract wordplay, to the loss of the reader

Synopsis

Essence is an exploration of poetics in our everyday language. In a mixture of original poems and existing texts, H.M. Hussain uses an erasure technique, reducing words, experimenting with syntax and punctuation to get to the essence of each poem. By showing the stages of evolution for each poem the poet shows a raw and honest editorial process in the same way an artist might show preliminary sketches to a painting.

Using texts we encounter in our everyday lives, Essence celebrated the poetics found in the ordinary, bringing new meaning and light to familiar words.

My chief complaint with this collection is that the poet, in every poem, has sacrificed a unity of meaning and comprehension in favor of a particular technique they have found in another poet’s work. The Poet of this collection should have asked themselves what the impact this technique has on the reader, and whether it positively affects the poem.

Another chief complaint resides on the sparse, free-verse form. It is popular on “PoetryTube” (YouTube channels dedicated to poetry and literature), particularly among young women creators, to criticize Rupi Kaur’s extreme minimalistic poetic style. These poems suffer the same flaws. Here we have single words, sometimes not even significant words, given an entire line to itself in the facade of significance. When you read these poems aloud, you realize the same oratorical trick is engaged as those pseudo-profound public speakers who emphasize and pause after every couple words, making the unattentive listener believe something grand is said; but when you read their speech on paper, you realize they said nothing much at all.

I think the Poet of this work must keep in mind that every reader has a set amount of patience, and it is all the less when they read a new poet. It is very taxing to read the same poem four times, with it making less sense every time as more words are taken away, or arranged in an unnatural speaking pattern.

One last criticism which will save this poet a lot of time and effort in the future if they are serious about writing literature: not everything is worthy of a poem. I know this attitude to “poetize” the personal, or whatever little thing happens in your life is an off-shoot of the popular “anything can be art” perspective. Unfortunately, when you quickly skim the greatest poems that have ever been written, they are written on subjects essential to the human experience, sung or written in a generalized way to be applicable to all. This poet has made the task of creating art so much more difficult for themselves when they choose trivial or timely topics for poems such as “COVID-19 Test Receipt Card” and “Random Wikipedia Article”.

To the poet who composed this debut collection I must commend your courage for attempting to write poetry. So many in their lifetime satisfy themselves standing on the sidelines, when their dream is to put on the uniform and play. My tip for you is to read the old Poets, go into Nature, summon up that same courage when you feel despondent about your abilities, and keep striving for improvement.

Reviewed by

Hi. My name is Nicholas Jaramillo. I am a writer/poet. Criticism is a fundamental part of literature and reviews have an important role to play. My goal is to write reviews that are attuned to the common reader, and makes them interested in picking up the book.

Synopsis

Essence is an exploration of poetics in our everyday language. In a mixture of original poems and existing texts, H.M. Hussain uses an erasure technique, reducing words, experimenting with syntax and punctuation to get to the essence of each poem. By showing the stages of evolution for each poem the poet shows a raw and honest editorial process in the same way an artist might show preliminary sketches to a painting.

Using texts we encounter in our everyday lives, Essence celebrated the poetics found in the ordinary, bringing new meaning and light to familiar words.

Candy by Paolo Nutini

i)


I perched 

myself  

with the 

most

heartless

and helpless one.


Your skin

just

lay

false, defeated.


My name,

quite

rough,

bathed and washed,

lay

on some

writings 

for you.


It was waiting -

waiting for you,


showing jagged ends,

feeling cheap, 

wearing a mimicry of halos.


That’s all they do;

is

cut throats.


All of them

limp atop the

angels,

restless,

they keep me waiting and wanting. 




ii)


I perched 


heartless

and helpless.



Your skin

lay

Defeated.


My name

washed 

you.


Jagged ends

feeling cheap, 

a mimicry.

Restless

me, waiting and wanting. 



iii)


Perched,

heartless,

helpless.

Your skin

defeated

my name.


Feeling cheap, 

restless,

waiting and wanting. 







iv)


Perched, 

heartless,

helpless.


Skin-defeated,

feeling cheap, 

restless

and wanting.



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About the author

H.M. Hussain is a short story and essay writer from Dundee, Scotland He has completed an MLitt in Creative Writing and now lives and works in London. Essence is his first poetry collection. view profile

Published on March 30, 2022

Published by Bookleaf Publishing

5000 words

Genre:Poetry

Reviewed by