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First-person account of what it's like to grow up with an addicted mother in a commune and realize that victimhood doesn't do you any good.

Synopsis

While sitting at her mother’s deathbed, Jean Marie Stark reflects on her childhood spent inside a hippie commune in the mountains above Los Angeles. Neglected by her mother amidst the revelry of the commune’s “Summer of Love” parties, young Jean searches for food as she yearns for denied maternal love. Jean creates solace in Willothin—a concoction of her whimsical imagination—with her new friend by her side; Jean finds beauty amongst the chaos. This coming-of-age account chronicles the struggles and triumphs of a young girl through past and present, reality versus imagination, grief, and acceptance as she digests what it means to feed the heart.

This book hit me between the eyes, mainly due to the fact that my own sister was a serious drug addict, and my sister's addiction did major damage to our entire family. It seemed like deja vu all over again as I was reading this first-hand, present-tense account (although fictionalized) and could have been what my sister's children experienced during their own mother's drug-induced hazes in the 1960s and 1970s. (Note here: My husband and I had to raise my sister's children due to her drug use, so I speak from personal experience.)


This story takes place as Jean Marie is at her mother's bedside while her mother's in a coma as the result of a heroin overdose. Her mother has attempted to commit suicide several times before via drug overdoses, but this time, it seems she's succeeded. Jean Marie has written a memoir, a retrospective, of what it was like to grow up in her mother's party house as the rejected child. She begins reading it to her mother as she's dying. She had one sister, two half siblings (one half-brother, one half sister), a stepfather, a father who mistreated her, and had been in and out of foster care. She was bullied in school, went hungry many days, was only allowed to wash her hair once a month and take a bath once a week, so she was the subject of ridicule in school. Her teachers and the school nurse attempted to help her but her mother and stepfather refused to sign permission slips for her to have her eyes examined.


She was sexually abused by some of the constant partygoers who populated her mother's house. She ended up leaving her home at age 15, got a job and paid her mother's mortgage. Her mother dealt drugs, and Jean Marie was in denial about that until her mother decided she needed all the kids to help her bag the marijuana for her to sell.


The one thing that seemed to help her was that she had an imaginary friend, Willothin, whom she called upon to help her escape in her imagination from difficult situations. She also made friends with a developmentally disabled man and his mother. That was one of the ways she felt "normal" and received regular food. She also depended on her stepdad's aunt for an annual birthday celebration.


Throughout her memories, Jean Marie writes about self-meditation, trying to stop being a victim, but then realizing that being a victim was one way she retained a sense of control, through the beatings, the hunger, the feelings of no self worth.


Just like my sister, the character of Jean Marie's mother had no sense of self worth. Because of that, she was someone who got her importance through parties, drugs, surrounding herself with loud music and people who got high as a vocation. Her children were an afterthought. The raw emotions and situations described by the fictional memoir, read to her mother by Jean Marie, demonstrate the effects that such a lifestyle can have on children.


This is not an uplifting book but it's honest. The writing is emotional, precise, descriptive and valuable for anyone who's interested in getting an inside look at the anguish experienced by children and families of drug addicts. The Jean Marie character tells it like it is, leaving the reader asking the question, "But it's not the way it should be."

Reviewed by

After a 40-year career in public relations/marketing/media relations, I wrote "Empty Seats," a coming-of-age book with baseball as the backdrop. This debut novel is appropriate for all ages and has received excellent reviews. I have since written several short stories and now "A Few Bumps."

Synopsis

While sitting at her mother’s deathbed, Jean Marie Stark reflects on her childhood spent inside a hippie commune in the mountains above Los Angeles. Neglected by her mother amidst the revelry of the commune’s “Summer of Love” parties, young Jean searches for food as she yearns for denied maternal love. Jean creates solace in Willothin—a concoction of her whimsical imagination—with her new friend by her side; Jean finds beauty amongst the chaos. This coming-of-age account chronicles the struggles and triumphs of a young girl through past and present, reality versus imagination, grief, and acceptance as she digests what it means to feed the heart.

Day One, Predawn

The ringtone makes me jerk. I tumble into my body from my meditation’s calm. Force timeworn knees on the thin yoga mat, and reach for my phone. The ringing ignites dread; who calls at five in the morning? Not my mom, but her face flashes before me. I press the green dot.

My older brother demands before I can say hello. 

“Mom’s at Saint Joe’s—JM, you go, I can’t deal.” Adam cuts the call. 

The sun, not yet risen; the battery candle’s weak circle of light reveals my messy home office in the third bedroom, scattered papers, pens, books. I rub the sleep from my face, scratch the back of my head. Squeakers and Malcolm in their high carpeted cat beds swivel pointy ears as if to meow; time for cream?

Dear Ron sleeps. I stagger to our bedroom, kick off my yoga pants, feel for the jeans I wore yesterday, grab my aqua-colored sweater without making a sound. 

I zombie-walk to my car; the keys won’t fit in the ignition. My reflection in the rearview stares freakishly, unwashed face, makeup under the eyes, highlighted hair levitates Einstein-like. I’m sure the garage door wakes Yummaman; wish I could crawl back in bed, sleep until daybreak, and make myself presentable. 


Two nurses converse behind the emergency room desk. Chilly air shrivels my skin into bumps. I search for the sweater I thought I’d tied around my waist—nothing on the floor. There’s no time to check the car because the aide shows me through double doors, around corners to a separate room. One table—is this the morgue? I gasp, zero-in on Mom’s face, freeze. 

“Oh, God. Mom, what did you do?” I say behind my palm. Your fifth try for the death you craved, or did someone poison you? My hand over her forehead, I wonder if the new batch of heroin was too strong? Your first suicide attempt crushed me; I was eight. The second I thought it a mistake, don’t remember the next, I’d stayed with my bio-dad, but the fourth yanked me to your side before entering graduate school thirty years ago. At thirty-two, I quit higher education to become the hairstylist you suggested.

I grab an aluminum chair, drag it close. Mom’s limp body reminds me of all the druggies at the end of those hippy parties. I learned to watch chests to see if people still breathed. Michael’s had not moved.

A blue-gloved hand startles me as a nurse wipes tiny crystals from my mother’s slack lips; the nurse leaves. Her honeysuckle perfume trails behind and dissipates. The scent takes me to the past—to the secret door leading to the side yard outside Mom’s bathroom.

My fingertips caress hundreds of white-yellow blossoms, the honeysuckle’s trunk, full as Grandma’s upper arm. Branches taller than the fence shield me from misery—I dream of fairies, release my bottom lip from between my teeth, my shoulders drop.

“Can I help you?” A man’s voice pulls me from the past. On his white lab coat, a dot of red stains the cuff.

“Oh, sorry, I’m JM—Jean-Marie, Maria’s daughter.” I indicate my mother. 

The man scratches his chin. His medical badge reads Dr. Thomas. “Sorry to inform you, Mrs. Stark is in a coma,” he says. “She may never regain consciousness but doesn’t suffer.” Without emotion, I ignore his babbles until the phrase, “Too much neurological damage.”

The room tailspins, I find myself on achy knees: surprise, the vinyl floor’s spotless, except for a gum wrapper under the ground cabinet. Thought I wanted Mom gone. Instead, tears prick, informing me buried emotions rise to the surface. The young man helps me to stand, hands efficient. His brown eyes shine, but his pupils constrict to pinpoints, the opposite from what I’m familiar with.

My first therapist gave me my first sketchbook; my childhood artwork showed all commune members with dilated pupils with no color—large saucer-eyes. I asked my therapist why. 

She’d said, “Could be drugs, extreme stress, anxiety, fear. Pupils dilate in response to adrenaline rushes. The body’s ‘survival mode’ allows more light to see, removes the body from potential danger.” I’d asked the therapist to repeat the information twice. 

Yes, constant adrenaline rushes. As a child, accused as over-sensitive, I’d attend grammar school every morning hungry, stinging with anxiety; my hypervigilance adhered like skin. 

The nurse returns, shows me through the halls to the ER’s waiting room, where I wait. The tightness in my chest, the throb in my sinuses, aches of my right shoulder, arm, hand keeps me from dozing. Images from my past surface, I fall back in time.



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2 Comments

Daryl TannerThank you for your review, Wanda Fischer
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over 3 years ago
alison shellingI have just finished reading Daryl Glinn-Tanner's book "What Feeds The Heart". This is an extraordinary read. To meet Jean Marie Stark and her imaginary friend Willothin actually does "feed the heart". Reading, we root for Jean, who is growing up in an environment lacking the stability, and safety needed for a child to thrive, to be recognized as the loving, smart, kind and resourceful child she is, deserving the love, protection and stability all children need to prosper. Our hearts fill with wonder as we experience this amazing, resourceful, young girl and journey with her for a year of her young life. I will be re-reading this book and recommending it to others! Enjoy meeting Jean, Cheers, Alison P
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about 3 years ago
About the author

I grew up under Camelback Mountain, near L.A. Didn't know I suffered from dyslexia. Never believed I'd author books. Owned a salon, created hair products, oil painted, yet the fear of marketing kept me small. Feeding the soul with written words next to my cats on rainy days is my focused love now. view profile

Published on December 15, 2021

Published by Atmosphere Press

90000 words

Contains mild explicit content ⚠️

Genre:Literary Fiction

Reviewed by