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A short provocative chapbook that makes you focus on the hard things.

Synopsis

Awarded the 2024 Artist Opportunity Grant from the Arizona Commission on the Arts, Christie Cruise's poetry chapbook, Thick Black Lines, discusses themes of grief and loss, policing Black bodies, and gentrification and colonization. Divided into three sections named for the book's title, Thick Black Lines quickly grabs the reader's attention with poems like Depression Be Like and While You Were Judging Me for Being Fat in the first section, Thick, which explores "heavy" topics such as mental health and sexual abuse. Black grapples with topics related to contemporary social justice issues that specifically impact Black people with poems like When Karens Cry and Attacking Critical Race Theory Won't Make Me Forget. Lines focuses on poems that reflect the effects of colonization and gentrification with poems like Bodies That Know Boxes and Suffer Little Children, which uses ekphrasis to describe Marion Palfi's black and white photo, Detroit, Paradise Valley. Thick Black Lines masterfully blends contemporary social concerns with historical context and poetry to create a chapbook that challenges readers to think critically about our most pressing societal issues.

At first, I was worried. I felt like this may be another trauma porn situation in which we as the reader are made to bear the trauma and weight of others without any alleviation or any actual acknowledgement. Of course, I saw the hurt and the issues that the author obviously dealt with. Loss is never easy and we all have to grieve in our own ways, and hopefully, heal. Considering the length of this book, I was worried we would never get to that "healing" stage when so much of what I'd read was just the brokenness.


However, when we got to "Depression be like," those worries faded.


As we go from poem to poem, we get that the poet has lived with a lot of baggage and this is her way of releasing them into the open. Were all the poems for me? No, and some felt as though they were just a slight rewording of a poem we had already seen. Yet, the emotion is there. You can tell that this is something she truly had to work through, from death to health issues to body image woes to depression and suicidal thoughts. We get all that plainly, but not in a boring way.


"#ThemToo" invites the reader in through the use of second person and it is no longer simply about the poet herself, it is about her audience and those who have a similar story to tell.


While this is not the book I would typically pick up, it is one that sparks questions and makes you think. Hopefully, for readers who aren't familiar with the woes she gives, they will open their eyes. I love the way that the poet sectioned out her chapbook and the forms she chose to use and when. As many readers know, the shape of a poem can matter just as much as the words within it.


I appreciate the poet being vulnerable with us. As a Black woman reader, I felt seen by the poets work, while we are all our own person, we have shared lived experiences that the poet touches on in a pointed manner that is full of emotion and leaves you with the sense of "enough is enough."

Reviewed by

Chyina Powell is a published author and established editor. She enjoys reading speculative fiction to biblical studies and poetry and screenplays, so her blogs and book reviews have something for everyone. Discovery would allow more people to find new favorites, which is something she advocates for.

Synopsis

Awarded the 2024 Artist Opportunity Grant from the Arizona Commission on the Arts, Christie Cruise's poetry chapbook, Thick Black Lines, discusses themes of grief and loss, policing Black bodies, and gentrification and colonization. Divided into three sections named for the book's title, Thick Black Lines quickly grabs the reader's attention with poems like Depression Be Like and While You Were Judging Me for Being Fat in the first section, Thick, which explores "heavy" topics such as mental health and sexual abuse. Black grapples with topics related to contemporary social justice issues that specifically impact Black people with poems like When Karens Cry and Attacking Critical Race Theory Won't Make Me Forget. Lines focuses on poems that reflect the effects of colonization and gentrification with poems like Bodies That Know Boxes and Suffer Little Children, which uses ekphrasis to describe Marion Palfi's black and white photo, Detroit, Paradise Valley. Thick Black Lines masterfully blends contemporary social concerns with historical context and poetry to create a chapbook that challenges readers to think critically about our most pressing societal issues.

Thick

The Bough

I break open.

Each time I remember to whom I am born,

I break open.

Like a pumpkin cradled in the arms

of a clumsy child careening to the ground,

I break open.

Like fresh brown ones and white ones

clacked on the rim of a cold ceramic bowl,

I break open.

When lips part to share the secret

that no other soul can know,

I break open.

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3 Comments

Christie CruiseHi! My name is Christie Cruise, and I'm the author of Thick Black Lines. If you've read it and have questions, I'm more than happy to answer!
6 months ago
Christie CruiseChyina, thank you so much for reviewing my book. I appreciate your honest feedback. I am glad you could see that the book was not meant to retraumatize an already hurting people but as a way to say, "I'm with you. I hear you. I feel you." Thanks again for your time.
0 likes
7 months ago
Chyina Powell@christiecruise Why thank you! I really enjoyed reading your poetry.
6 months ago
About the author

Christie Cruise is an educator whose work has been published in Gumbo Magazine, Remington Review, Gallery & Studio Arts Journal, Sunspot Literary Journal, Kitchen Table Quarterly, Black Minds Mag, Heels Into the Soil, and Our Stories, Ourselves: Narratives from Black Women in Africa and America. view profile

Published on June 28, 2024

Published by Finishing Line Press

4000 words

Genre:Poetry

Reviewed by