All six of Ian Williams stories are set in a not so distant, bleak future. Yet all, but one, feel like happening right here, right now, as they tackle issues familiar and current.
You see?
There is the unspecified virus, disease, natural or man-made disaster that rendered Earth uninhabitable and virtually wiped out humanity in the brilliant 10,000, leaving only a couple of AIs in an off-planet laboratory trying to find some kind of salvation.
There are the hard scientific facts that have been systematically cancelled and replaced by bread and spectacles in Post-Truth Tours.
There is the need to forgo sleep, to create more, produce more, sell more, not to be outpaced, not to be erased by the big, faceless, mass producing corporate behemoths in The Clockmaker's Tale.
There is the tyrannical political correctness of enforced, ostensible politeness in the ingenious Law and Disorder.
And there are the tonnes, towers, mountains of (recycled?) waste suffocating everything and everyone in Waste Not...
You see?
More or less, all of the above cautionary tales resonate with our troubled, in environmental crisis times, particularly riddled with alternatives facts, fake news, conspiracy theories, extreme political correctness, the ever growing, worrisome phenomenons of Cancel Culture and lack of meaningful, (or any kind) of dialogue, plus our ever vacillating between love and hate, beneficiary, or distractive relation with technology.
You see?
Two of these - 10,000 and Law and Disorder - are more self-contained and original than the others, but all are blessed with some inventive ideas and fascinating, albeit grim narratives/wake-up calls, with open-ended conclusions, that feed the ongoing dialogue with the reader and keep asking full-on timely, fertile questions. See no further.
Because Last Bus to Freedom is chosen as the one story to end this collection with, and that's a pity. The lengthiest of them all, is also the least formed, clever, assured, or spot-on in its intentions as a (vague) study on xenophobia and tribalism. More of a brutal action, militaristic thriller than a sharp, prophetic, science fiction tale, it opts for a complicated narration - constantly moving backwards and forwards in time - that serves no purpose, as it helps neither the suspense, nor the characters or themes development. More of a last bus to nowhere, it is quite a let-down, and oh, so undeserving of its predecessors.
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