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The Clockmaker's Tale: and other stories

By Ian Williams

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Socially and environmentally conscious short stories, set in dystopian futures that are mostly an (un)easy, intelligent, and urgent read.

Synopsis

In The Clockmaker’s Tale: and other stories, Ian Williams takes us to the near future and beyond. From a moon base where androids conduct experiments on human test subjects, to futuristic tours of the ocean depths that hide a terrible secret; from a society governed by harsh rule of law that is enforced by AI, to a humble clockmaker tempted by the promise of increased productivity through technological augmentation.

Covering issues such as environmental decay, the end of facts and proven truths, our growing waste problem, and humanity's tendency to divide when we should come together, this collection of six science fiction stories relates as much to our time as it does to the many possible futures.

All six of Ian Williams stories are set in a not so distant, bleak future. Yet all, but one, feel like happening right here, right now, as they tackle issues familiar and current.

You see?

There is the unspecified virus, disease, natural or man-made disaster that rendered Earth uninhabitable and virtually wiped out humanity in the brilliant 10,000, leaving only a couple of AIs in an off-planet laboratory trying to find some kind of salvation.

There are the hard scientific facts that have been systematically cancelled and replaced by bread and spectacles in Post-Truth Tours.

There is the need to forgo sleep, to create more, produce more, sell more, not to be outpaced, not to be erased by the big, faceless, mass producing corporate behemoths in The Clockmaker's Tale.

There is the tyrannical political correctness of enforced, ostensible politeness in the ingenious Law and Disorder.

And there are the tonnes, towers, mountains of (recycled?) waste suffocating everything and everyone in Waste Not...

You see?

More or less, all of the above cautionary tales resonate with our troubled, in environmental crisis times, particularly riddled with alternatives facts, fake news, conspiracy theories, extreme political correctness, the ever growing, worrisome phenomenons of Cancel Culture and lack of meaningful, (or any kind) of dialogue, plus our ever vacillating between love and hate, beneficiary, or distractive relation with technology.

You see?

Two of these - 10,000 and Law and Disorder - are more self-contained and original than the others, but all are blessed with some inventive ideas and fascinating, albeit grim narratives/wake-up calls, with open-ended conclusions, that feed the ongoing dialogue with the reader and keep asking full-on timely, fertile questions. See no further.

Because Last Bus to Freedom is chosen as the one story to end this collection with, and that's a pity. The lengthiest of them all, is also the least formed, clever, assured, or spot-on in its intentions as a (vague) study on xenophobia and tribalism. More of a brutal action, militaristic thriller than a sharp, prophetic, science fiction tale, it opts for a complicated narration - constantly moving backwards and forwards in time - that serves no purpose, as it helps neither the suspense, nor the characters or themes development. More of a last bus to nowhere, it is quite a let-down, and oh, so undeserving of its predecessors.

Reviewed by

I watch, I read, I write. Not necessarily in that order. I am a motion pictures fanatic, an avid book reader, an unabashed amateur photographer, an ever curious globe-trotter, an occasionally addicted video-gamer, a (pop) culture aficionado and socially conscious political animal.

Synopsis

In The Clockmaker’s Tale: and other stories, Ian Williams takes us to the near future and beyond. From a moon base where androids conduct experiments on human test subjects, to futuristic tours of the ocean depths that hide a terrible secret; from a society governed by harsh rule of law that is enforced by AI, to a humble clockmaker tempted by the promise of increased productivity through technological augmentation.

Covering issues such as environmental decay, the end of facts and proven truths, our growing waste problem, and humanity's tendency to divide when we should come together, this collection of six science fiction stories relates as much to our time as it does to the many possible futures.

10,000

Test Subject #47



We lost the Earth today. Well, not physically lost it. It’s still there. In fact, I’m looking at it right now, as I write this report. No, I just mean that we’ve lost contact with it. Earth ‘went dark’ (as Test Subject #47 put it), never to see the light again. What light? You may ask. The light of a stable civilisation is the best answer I can currently offer you.

As I sit here staring at that blue marble in space, I swear I can hear the last of the bombs dropping; smell the stench of decay stretching across every continent; feel the last vibrations of warring nations. You may think I’m being overly dramatic, and you’d be mostly correct. The past ten years have been hard to bear, watching as the people who created me descended further into chaos. They gave me life, now I fight to save theirs.

Even though all communications have ceased, I will continue my work in silence. But don’t fear, dear future reader, I am not alone out here. There is another here just like me. We share this Moon-based facility equally as we do our work. His name is Arthur (originally designated R4).

“Today sees you fully functional, Rachel?” Arthur greeted me with this morning. He’s trying something new today, something a little more personal than my model number; I was originally designated R8CH-L.

Not sure how to respond, I simply smiled and got on with things. I don’t think he understands the significance of a silent Earth. It could mean we’re already too late.

Arthur is a curiosity to me, one that never ceases to surprise. Despite our similarities, we are vastly different individuals. We were designed that way. Our personalities are based on the original scientists that designed and created us. Somewhere we must share a common trait, perhaps a subtle tick or a way of speaking; a hint that part of our makeup is based on the same person.

Where he strives for routine, I seek disorder. I find I work better that way. For every day must promise something new for my attention to remain. And where I see the first signs of human extinction, he only sees the job. We were made for the work we now carry out, but only one of us sees beyond that.

I often imagine myself visiting Earth. Arthur does not. He always says the same thing, ‘We weren’t put here to dream, we were put here to find an answer’.

Arthur came with me to the testing room today, though. That was the unexpected change in routine that made this day a good one. He ordinarily avoids interacting with the test subjects. I, on the other hand, quite enjoy it—to begin with, anyway.

“How are you feeling?” I’d asked the woman awaiting us in that small grey room.

Unfortunately, she was unable to respond. Her mouth had sealed overnight. She died a few hours later, after her nostrils did the same. Poor thing suffocated.

Arthur took notes.

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About the author

Ian Williams is a Science Fiction writer from the UK. He lives in a small town not far from London. Ian had a short career in the UK Court Service, but was forced to quit that job when his medical condition worsened. Now, from the comfort of his wheelchair, he writes the stories he often dreams of. view profile

Published on June 21, 2021

60000 words

Contains mild explicit content ⚠️

Genre:Science Fiction

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