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The adventures are set up to allow the reader to unravel the clues, and solve the crimes along with Sherlock.

Synopsis

Séamas Duffy’s fourth novel, “Sherlock Holmes and the Sixty Steps” follows a similar format to his previously published Holmes collections: a novella together with some shorter stories. The four stories are: “The Tragedy of Langhorne Wyke” (1890); “The Mystery of the Thirteen Bells” (1895); “The Adventure of the Sixty Steps” (1897); “The Problem of the Coptic Patriarchs” (1898).

Holmes and Watson embark on a series of adventures that lead them to solve the murder of Sir Henry Baskerville, whom they had previously helped to solve his attempted murder, and now are faced to solve his actual murder, and how the past has eventually caught up to him.


Each adventure showcases the inner workings of Sherlock, and even his near-failures. Intricately examining the clues, following sources, and trying to understand the psyche of the killers in order to catch them.

 

I really enjoy this style of multiple adventures. There are four different stories that set Holmes and Watson in precarious times of wars, subterfuge and traitorous acts. These stories include fascinating snippets of history while sending Holmes and Watson cross-country to meet diplomates, encounter nefarious characters, and confront old foes.

 

Spoken in first-person by Watson, he effectively narrates their exciting adventures that Politicians and the media try to cover-up. They become embroiled with a range of scandals and present-day cases that are connected to past cases they have investigated.


The first story goes into the case of the murder of a man whose life was previously threatened. The evidence is examined, witnesses disappear, and Holmes begins to piece the case together. How the story is written allows the reader to unravel the clues along with Holmes. Only small hints are given, yet there are clues that can lead you to begin to suspect certain things along the way.


The story is written to allow you to see if you can solve the case before Holmes, what you might have missed, and then the grand reveal. Although there is a lot of dialogue and fillers, it did not feel that it was superfluous. Each aspect and bit of information felt like it had its place, building onto the next bit of story line. Until that ‘ah, ah’, moment.


The second adventure throws Sherlock and Watson into a world of superstition. A series of brutal killings follows, bodies are discarded at churches, with allusions of the occult. A ‘Catch Me if you Can’ game is afoot. The killer publicly taunts Sherlock, seemingly to outsmart and out-step Holmes at every turn, all the while Holmes works quietly in the background.


Each adventure delves into the psychology of criminals, and how Sherlock Holmes deciphers the clues to brings these killers to justice.  


Fans of Sherlock Holmes and historical mysteries will enjoy this read.

Reviewed by

Sharlene Almond is the author of the genre-bending Annabella Cordova series, and a New Zealand travel book Journey in little Paradise. She has written a range of health, writing and body language articles; contributing as a guest writer on other blogs.

Synopsis

Séamas Duffy’s fourth novel, “Sherlock Holmes and the Sixty Steps” follows a similar format to his previously published Holmes collections: a novella together with some shorter stories. The four stories are: “The Tragedy of Langhorne Wyke” (1890); “The Mystery of the Thirteen Bells” (1895); “The Adventure of the Sixty Steps” (1897); “The Problem of the Coptic Patriarchs” (1898).

FOREWORD

 

“Even after 100 years of study, there is still plenty to write about.”

Leslie S. Klinger.[i]

 

I had been a card-carrying Holmesian for many years, but it was only after attending a series of talks given by the Sherlock Holmes Society of Scotland and reading Conan Doyle’s “Memories and Adventures”[ii] that I progressed to becoming a Doylean. Conan Doyle’s book demonstrated the extent to which his own life experiences were reflected in, and coloured, the stories he wrote. It is, of course, well-known that he fashioned Holmes from the bones of Dr. Joseph Bell (his mentor), but it was fascinating to see this or that character whom he had met in real-life later being transformed into a Peter Carey[iii] (the “swarthy, dark-eyed, … beard[ed]” shipmate from his whaling days whose “temper was Satanic”), a Holy Peters[iv] (a number of candidates from amongst the “prophets and perverts” he encountered), or a Thaddeus Sholto[v] (the young Oscar Wilde, perhaps – after all, Holmes’s languid witticism on the invitation from Lord St. Simon[vi] (“one of those unwelcome social summonses which call upon a man either to be bored or to lie”) could have come straight from the lips of Algernon Moncrieff[vii].  

The manner of art imitating life also provided the subject matter for a surprising number of his tales: the affair of the Beryl Coronet[viii] was based on an incident that happened to one of the Doyle family; the convoluted and (ostensibly) implausible denouement of Thor Bridge had at least one counterpart in Austrian[ix] criminal history (“parallel cases!”); the suicide of Montague Druitt in 1888, whose body was found in the Thames with his coat pockets weighted down with stones, may be where Dr. Watson found the idea for the wharfside scene in “The Man With The Twisted Lip”; and even the Red-Headed League, one of the apparently most preposterous, and amusing, inventions in the entire Canon, had its roots in a secret undergraduate Cambridge debating society (the Cambridge Apostles) notorious for their complete lack of earnestness – a trait shared, as we shall see, with the average Holmesian. One of the Apostles’ senior members (Henry Sidgwick, the English utilitarian philosopher) imagined a world in which, “… a rich bachelor with no near relatives leaves the bulk of his property in providing pensions exclusively for indigent red-haired men, (however much)this might strike us as unreasonable and capricious[x].”

Conan Doyle also had a fascination with the Coptic Church and language, despite having abandoned mainstream religion at one point in his life. He went so far as to visit one of the original Coptic monasteries in the Egyptian desert – a trip which almost had fatal consequences when his party managed to get lost in the searing heat (“the only guide being wheel marks across the sand”), and which inadvertently provided the material for his “Tragedy of the Korosko[xi].” He mentions the Copts twice in the Canon, once in a tantalising reference to an unrecorded case. When I sat down to write this book, it was inevitable that I should include a pastiche on the problem which troubled the Coptic Patriarchs.

Having devoured the Holmes Canon, I soon discovered that not only was there a flourishing trade in pastiches (which began in Conan Doyle’s own lifetime, and with his characteristically kind blessing), but that there was also an extensive body of Holmesian scholarship stretching back more than a century. As regards the scholarly (or perhaps, more precisely, mock-scholarly) articles on the canonical works, I noticed immediately that this strand of scholarship differed wholly from the usual “appreciation society” endeavour which is generally based on a kind of hero worship. If you look at the societies which celebrate some of Conan Doyle’s contemporaries – Arthur Morrison, Arnold Bennet, Stevenson, for example – you will find a rather uncritical, not to say, adulatory flavour. This is truer still when it comes to some of the “classic” authors popular during the Victorian period, take Jane Austen or the Brontës, for instance: "… idolatrous enthusiasm for Jane … and every primary, secondary, tertiary … detail relative to her," thundered one literary scholar[xii], and a celebrated academic[xiii] once complained that “there are so many persons to whom speaking lightly about Miss Austen is as bad as ‘speaking against the Prayer Book.’” Even Kipling (hardly an arch-iconoclast) fashioned a parody on the “Janeites.” 

The Brontës fared little better: in the 1950s, the president of the Brontë Society railed against the same “idolatry” which had “a generation ago” spawned a brisk commerce in fake Brontë artefacts fired by “zealous (relic) hunters”[xiv]: A plethora of bogus handkerchiefs, phoney quills, counterfeit inkwells, and forged letters flooded the market, and there were so many pianos circulating in the West Riding whose ivories were reputed to have been tinkled by Anne, Emily, and Charlotte – and just possibly Branwell, when he was sober enough – that they must have gone through one per month at the Haworth Parsonage.

To my initial surprise it seemed that, far from being offenders against the First Commandment, Holmesians – hammering away in each of the five continents, connected by societies, journals, magazines, posh dinners in swanky hotels[xv], and, latterly, the internet – were busily de-constructing, re-constructing, post-modernising, dissimulating, and generally contradicting every single word that Conan Doyle had written on any conceivable point. Every Holmesian worth the name was an avid revisionist; there was no orthodoxy!

On the contrary, they triumphantly gloated over each plot hole and mercilessly exposed every inconsistency: how in “The Sign Of The Four” July slips into September and then apparently back again as dawn breaks at 3 a.m. (it could have been the Côtes De Beaune which Watson had drunk at lunchtime!); Watson’s embarrassing ignorance of the rules of the turf in “The Adventure of Silver Blaze”; the fact that there is no such creature as a “swamp adder,” which allegedly killed Dr. Roylott in “The Adventure of the Speckled Band”; Holmes’s miscalculation of “obliquity of the ecliptic” in the “Musgrave Ritual,” about which he lectured Watson in “The Greek Interpreter”; and how anyone with even a rudimentary knowledge of Victorian railways must have winced painfully when they read about the train departing for the Derbyshire Peak District[xvi] from, yes, Euston!

In addition to those who boldly affirmed that Dr. Watson deliberately lied (“diligently and frequently” according to one scholar[xvii]), there were those who shamelessly propounded an orrery of blatant and unpalatable heresies from behind Watson’s written word: Holmes was a woman (and Watson’s lover); Holmes never emerged from Reichenbach (that was deutero-Holmes); Holmes was Moriarty (playing a cunning dual role); Holmes never existed in the first place (it was Moriarty all along); Holmes was wedded to Irene Adler (who bigamously married Godfrey Norton, with Holmes, albeit incognito, as a witness); Holmes was secretly married to Mrs. Neville St. Clair[xviii]; Watson was not so much Holmes’s Boswell as his Bosie (hence the detective’s apparent overreaction in “The Three Garridebs”[xix] when Watson is wounded by Killer Evans) and so on.

What a breath of fresh air. This was no secret gnostic sect where only a small circle of the anointed received some direct revelation form the deity or were entrusted with the “true” interpretation of the dogma. On the contrary, the tradition of Holmesian scholarship afforded a living example of encouraging a hundred flowers to blossom and allowing a hundred schools of thought to contend; not only was a plurality of readings considered possible, indeed desirable, but any illusion of a single correct reading had been dispelled. Moreover, novitiates were positively welcomed and encouraged.

These influences provided much of the inspiration for writing this book (and others), and for some of my own Holmesian mock-scholarship. As Holmes himself says in “The Problem of Thor Bridge”: “One drawback of an active mind is that one can always conceive alternative explanations.”

 

 


[i] “The New Annotated Sherlock Holmes: The Complete Short Stories, Vol 1,” November 2007, Leslie S. Klinger.

[ii] “Memories and Adventures,” Arthur Conan Doyle.

[iii] From “The Adventure of Black Peter,” Arthur Conan Doyle.

[iv] From “The Disappearance of Lady Frances Carfax,” Arthur Conan Doyle.

[v] From “The Sign of the Four,” Arthur Conan Doyle.

[vi] From “The Adventure of the Noble Bachelor,” Arthur Conan Doyle.

[vii] From “The Importance of Being Earnest,” Oscar Wilde.

[viii] “The Adventure of the Beryl Coronet,” Arthur Conan Doyle.

[ix] Dr. Hans Gross, an Austrian professor of criminology, noted such a case in “The Handbook for Criminal Investigators” (translated into English in 1898).

[x] From “The Methods of Ethics”, Henry Sidgwick, 1874.

[xi] “Tragedy of the Korosko,” Arthur Conan Doyle.

[xii] Professor of English Literature at Princeton University, Claudia L. Johnson.

[xiii] Wordsworth scholar and Oxford Professor of Poetry, Heathcote W. Garrod.

[xiv] From “The Brontë Cabinet: Three Lives in Nine Objects,” Deborah Lutz, Department of English, University of Louisville.

[xv] One of which the author must admit to having been invited by the Baker Street Irregulars, no less, following one of his contributions to the “Baker Street Journal.”

[xvi] In “The Adventure of the Priory School,” Arthur Conan Doyle.

[xvii] Leslie S. Klinger, “What Do We Really Know About Sherlock Holmes And John H. Watson?” of which an earlier version was presented as “A River Runs By It: Holmes and Doyle in Minnesota,” sponsored by the Friends of the Sherlock Holmes Collection and the Elmer Anderson Library of the University of Minnesota in June 2004.

[xviii] In “The Man with the Twisted Lip,” Arthur Conan Doyle.

[xix] In “The Adventure of the Three Garridebs,” Arthur Conan Doyle. The evidence presumably being the recollection by Watson, who has just been wounded, informing the reader that “my friend’s arms were around me ... his eyes ... were dimmed for a moment, the firm lips shaking”, to which Watson reciprocates by revealing that to receive such caresses “… was worth many wounds ...”; the scene climaxes with Holmes ripping off Watson’s trousers with a knife (“… his hands were possessed of extraordinary delicacy of touch” Watson tells us in “A Study In Scarlet”).



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About the author

MX Publishing has over 600 Sherlock Holmes books, from short stories to award winning novels and biographies. Over 350 of the books have made it into audio and there are more coming. We also have regular campaigns on Kickstarter to promote new projects. view profile

Published on September 08, 2022

Published by MX Publishing

100000 words

Contains mild explicit content ⚠️

Genre:Historical Fiction

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