A poltergeist in tattered leotards, a carnivore in love with Gaston and a psychotic arsonist. These are not the Rumpelstiltskin, Beast and Cinderella that Alice knew and loved. Nevertheless, she needs to get them and other fairy tale characters out of Wonderland if sheâs to mend Time and return home. And rescue Jack, the feathered boy sheâs in love with.
Aliceâs quest is not helped by charges of treason, the advances of an amorous Pied Piper and the fact that she is growing younger by the hour. And then there's the Queen of Hearts and her cohorts to contend with.
This humorous account of Alice's adventure in a dystopian Wonderland is peppered with surreal events, gritty wordplay and the sinister backstories to popular fairy tales, making DJ Stoneham's second, stand-alone story in the Wonderland series a must for younger and older adults alike.
Praise for Alice Falls Again (book one in the Wonderland series):
âA brilliant and amusing reinvention.â - Kirkus Reviews
âAn ideal fantasy for Carroll fans.â - blueink
âFantastical wonders and head-over-heels adventures abound.â - Foreword Clarion
A poltergeist in tattered leotards, a carnivore in love with Gaston and a psychotic arsonist. These are not the Rumpelstiltskin, Beast and Cinderella that Alice knew and loved. Nevertheless, she needs to get them and other fairy tale characters out of Wonderland if sheâs to mend Time and return home. And rescue Jack, the feathered boy sheâs in love with.
Aliceâs quest is not helped by charges of treason, the advances of an amorous Pied Piper and the fact that she is growing younger by the hour. And then there's the Queen of Hearts and her cohorts to contend with.
This humorous account of Alice's adventure in a dystopian Wonderland is peppered with surreal events, gritty wordplay and the sinister backstories to popular fairy tales, making DJ Stoneham's second, stand-alone story in the Wonderland series a must for younger and older adults alike.
Praise for Alice Falls Again (book one in the Wonderland series):
âA brilliant and amusing reinvention.â - Kirkus Reviews
âAn ideal fantasy for Carroll fans.â - blueink
âFantastical wonders and head-over-heels adventures abound.â - Foreword Clarion
"Size isnât everything, you know,â said Aliceâs mother, gazing ruefully into her porridge.
âYou wouldnât say that if you had visited Wonderland,â replied Alice, knowing what would follow next. But the usual reprimand never came. The âyouâre too old to be going on about make-believe landsâ was left unsaid.
Alice gave more thought to the concept of size and looked down at her feet. Her mother was right - they were too wide and flat. Not dainty at all. Certainly not the kind of feet that men expected their wives to have. Alice allowed herself a wry smile. She hadnât yet found a husband. And that was for three reasons.
Firstly, unlike her friends, she hadnât been looking for one. She wasnât even sure she wanted a husband. All the men she had met were stuffy and boring, loud and conceited, ignorant or ⌠perhaps I donât like men at all, she pondered. Wouldnât that be a turn up for the books, the black sheep of the family would suddenly become even blacker. In her head she heard the voice of Mr Barnett, her old Maths teacher: âA shape is either a circle or it isnât. Something is either perfect or not. It canât be almost perfect.â Alice had learnt her lesson. I am either the black sheep or not. I canât be blacker than black, she silently scolded. There had been one young man, of course, years ago in a forest. Blacker than black. Jacker than Jack.
Secondly, it was quite evident that, even if she were to be married one day, her husband-to-be hadnât made himself known to her. The only men that had declared their undying love for her were stuffy and boring, loud and ⌠circles within circles. Perfect ones. Concentric. Concentrate, Alice told herself, as she went on to wonder if there was such a word as husbands-to-might-be.
Aliceâs third explanation for not having married was that her parents seemed to proclaim to all and sundry that she was âhigh maintenanceâ, which was quite intimidating for would-be suitors. It wasnât the nicest description one could hope for from oneâs parents, but Alice had learnt long before, that parents stopped dishing out compliments the moment their children stopped being children. It made it easier for their offspring to become independent. Which suited Alice just fine. She had plans.
âYouâre like the princess and the pea,â her mother had once said.
âWhich am I, the princess or the pea?â
âDonât be facetious. Youâre the princess, of course.â
Iâm not a princess, thought Alice. I became a queen when I crossed the last brook, much to the Red and White Queensâ surprise.
âToo clever by half,â as Aliceâs mother liked to tell people. How much was half of the clever she was supposed to be, or the whole for that matter?
âToo lippy by far,â said her father. How far was that? Despite being unable to quantify their daughterâs character, her parents maintained that Alice was headstrong, stubborn, sharp-tongued and lived in a dreamworld. Alice could not disagree with their assessment and was secretly rather proud of the fact she wasnât inseparable from most other young women her age. And not just because she wasnât married. I certainly use more double negatives than other people, she mused.
Given all this, it was therefore surprising that Alice found herself in the drawing room of her parentsâ house, sitting opposite Gareth Monkton, who was trying to balance himself on one knee, while struggling to open a tiny box which, Alice surmised, enclosed a very expensive ring. Truth be told, Alice was curious to see the ring.
Gareth was dressed to the nines for his proposal of marriage. His brand-new morning suit was in stark contrast to the simple white frock and red slippers that Alice liked to lounge around in every morning. She renamed his attire âmoaning suitâ on account of the constant whine in its ownerâs voice, as he implored her to consider his next sentence very carefully. Red-faced and perspiring profusely, he resembled a steaming lobster that had just been pulled out of a pot of boiling water.
Alice almost giggled, not at the idea of a lobster being boiled alive, but at the thought that the man about to propose to her really was, underneath his disguise, a lobster in a moaning suit. To keep a straight face, she stared at the long green drapes that stood like sentinels either side of the French windows. Remove this man, she imagined saying to the guards, which would instantly wrap Mr Monkton up in their folds and unroll him on the garden terrace to become the latest member of an elite group of rejected suitors. Alice was so busy considering the difference between the words enrol and unroll, that she completely missed Mr Monktonâs proposal.
As it was, Alice declined Mr Monktonâs offer of his hand in marriage â or her hand, she wasnât quite sure which. To soften the blow, she feigned tears and ran from the room wailing, which was in many ways even crueller, as Mr Monkton was left without any kind of answer at all. One has to be cruel to be kind, she reflected, though once again she wasnât sure she had it the right way round. Back in her bedroom, Alice thought about the proposal of marriage and burst into real tears. Not because she had treated poor Mr Monkton rather badly but for the reason that she could envisage only one man asking for her hand and he was trapped in a labyrinth of rooms in another world.
Aliceâs father had intended the train ride down to Brighton as a way to cheer his daughter up after the exit of Gareth Monkton from their lives. He meant well but tended to interpret peopleâs feelings the wrong way round. Aliceâs mother had thought that the spring sea air would do her husband the world of good as he had still not fully recovered from the illness that had threatened his life a few years earlier. She knew of the secret pipe smoking in his study but not about the cigars he puffed on at his gentlemanâs club. Or the damage they had done to his lungs. Aliceâs parents also harboured a hope that the trip might help Alice re-establish the tight bond she had once had with her sisters.
For her part, Alice wrongly surmised that their trip to the seaside was a delayed celebration of her graduation from college. She rightly guessed that it was a chance for her parents to corner her long enough to have âa serious discussionâ about her future. Whatever the real reason for their trip, one rule was made very clear - a good time was to be had by one and all. Even Aliceâs two sisters did not have particularly high hopes for this. True, there was a sense of nostalgia about a family outing but the three daughters were no longer children and their interests had progressed far beyond sandcastles and ice cream.
While Aliceâs elder sisters delighted their parents by playing spot the farm animals through the carriage window of the train, Alice was lost in thought. A part of her was expecting â nay dreading â that the people in her carriage would turn into animals and she would be back in Wonderland. It didnât help that the train was the Brighton Express, the very same name of the miniature train that had transported her to Wonderland the last time.
The more I worry about something bad happening, the higher the probability that it wonât happen. So worrying is actually a good thing. The thought of probability and logic made Alice sleepy and she closed her eyes. The air was stuffy and the train rocked to the clickety-clack rhythm of the wheels on the track. Iâll unlock a memory or two from Wonderland to pass the time, Alice mused, but Iâll be sure not to let them take me there. For it all began with a train last time round.
Shrunk to the size of an ant and sitting alongside elderly animals that talked, Alice had ridden the tiny Brighton Express train down the river and over the weir into Wonderland. Once there, she had trudged through the Winter Forest and had met Jack Door â a feathered boy â who was quite unlike any other boy or man she had ever met (and not just on account of his feathers). She had been forced to abandon him and trek across the marshlands to the town of Banbury, where the persecution of animals and elderly people seemed at its worst. Apart from the Cheshire Cat and Humphrey Dunfry, the creatures had been different to the playing cards she had met down the rabbit hole and the chess pieces she had met through the looking glass. On her third visit, Wonderland had been overrun with nursery rhyme characters - not those from the safe and familiar nursery rhymes of Aliceâs childhood but from the dark backstories behind them.
In the market town of Banbury, Alice had finally got to the bottom of what was troubling Wonderland and had liberated the townsfolk. She had left the aged residents of Sweatlands care home in the safe hands of ex-mayor Jackson MacDonald. Yet things had not ended well. She was forced to leave Jack behind as it made him sick to step outside the Forest of Rooms. The folk of Banbury had been bribed to hunt Alice down. To cap it all, the Cheshire Cat had apparently vanished for the last time ever. Worse still, there had been a horrible battle as the animals had tried to save Alice from the angry inhabitants of Banbury. She had escaped the mayhem and saved Wonderland by summoning a colossal tidal wave. That was the moment she had woken up by the riverside back in her own world.
Alice had said very little about her last adventure in Wonderland. She had learnt her lesson from earlier disbelief and ridicule of family and friends. She had detested the âprofessional helpâ her parents had arranged for her â âa friend to talk toâ. Someone who was paid to listen, more like. Now she was older, she had to admit that her Wonderland adventures sounded fanciful. Even she doubted that cake, drinks and mushrooms had made her larger and smaller. âI concede that at least some of it may have been a hallucination,â she told Bluebell, her new kitten. On the other hand, Alice couldnât bear the thought that Wonderland didnât exist at all and that it had been an elaborate dream.
Regardless of just how much of her earlier escapades was true (Alice arrived at a conservative estimate of 87%), Alice had hidden the memories of her third visit deep inside her, allowing them to surface only when she was alone by the river or in her bedroom with Bluebell. There was only one memory from her third visit to Wonderland that she kept near the surface, close to her heart (which, she had been told, she wore on her sleeve). It was of Jack Door, the feathered boy still trapped in the white rooms, deep in the Winter Forest; the smart, modest, unassuming young man, who had saved her; the beautiful youth she had given her heart to, even though she could no longer conjure up his face in her mind. He was the real reason she had not found a husband in her world and probably never would. Alice had kept the black feather he had plucked from his chest and given to her. She now stroked it between her thumb and forefinger. It instantly calmed her as it had on countless other occasions.
Alice rested her head on Jackâs shoulder as a cool breeze blew over them. Birds searched frantically in the park for twigs or a secluded bush or branch, in which to build their nests. By contrast, Alice was at peace.
âI still canât believe how lucky I am to be with you, Alice,â said Jack.
âNonsense. You would have eloped with the Queen of Hearts had she been the one to free you from your prison in the Winter Forest.â
âThatâs not true!â he protested. âOh, I see. Youâre teasing me again.â
It was all too easy to tease someone who had only recently discovered what a joke was, or what Christmas was, or what a city was. But Alice was never mean to Jack. He was too beautiful a person to damage. And he was hers. For now. For always. Her friends and family had warned her not to fall in love with this strange boy, lest he break her heart. She wasnât worried. She knew that their love would last, that she would have children with Jack, that they would grow old together. If that was tempting fate then so be it, but for now, she was content. Jack had left Wonderland to be with her and his sincerity and charm had won her parents over so completely that they had invited him to live with them.
It was a lovely but fanciful dream that Alice liked to play over in her mind, all too often. She would tweak various aspects â a different setting, a different dialogue each time â but the gist was always the same; Jack and her together, in love, as much as any couple ever had been. Real life was different, of course. She told herself that she knew the difference between the two.
To Aliceâs relief, the fellow passengers on the Brighton Express didnât turn into animals and Aliceâs family arrived on the south coast early afternoon on one of the first truly warm days of the year.
âYour father and I need to take the suitcases to the hotel and check in,â said Aliceâs mother, giving her daughters the impression that their presence at the hotel was neither required nor desired. âYou are not to do anything your father and I would disapprove of,â she added, looking directly into Aliceâs eyes. Aliceâs mother loved her dearly but feared for her more than she did for her other daughters. They would marry soon, Alice wouldnât. Â Alice had it all worked out â a future that featured a career, travel, meeting people and no marriage. Her mother knew nothing of Jack. What she did know was that her daughter was facing disappointment. One couldnât plan oneâs life like that.
âYouâre so very sure of yourself, Alice,â her mother had once warned.
âIs that a bad thing?â Alice had replied. âIf I canât be sure of myself, then what can I be sure of?â Alice was now in her twenties and her mother still treated her like a child. âI know you want the best for me, mother, but whatâs wrong with knowing what I want in life?â
âWanting and having are two different things, my young lady. Life isnât like a book. You canât write the pages of your life out in advance. Unexpected things happen, which turn everything upside down. Thatâs why security and stability are so important.â
âYouâre talking about me finding a husband again.â
âYou donât need to find one. Perfectly good men seem to be falling over each other to go down on one knee. And you leave them dangling.â Alice was about to point out that it was difficult to dangle while kneeling but her mother hadnât finished. âSometimes, I donât know what they see in you, really I donât.â
That had upset Alice. She didnât want to hurt people. Itâs just that people could be infuriatingly stupid. She herself feared rejection, so she knew it wasnât fair that she rejected others. On the other hand, she didnât want to end up like her mother â trapped in a gilded cage, waiting hand and foot on Aliceâs father.
Now, on Brighton Beach, Aliceâs mother was giving her that same look. A look of mistrust, disappointment, betrayal. As if she already regretted granting her three daughters their freedom. Alice had learnt to ignore her mother when she assumed the role of martyr. Fearing they may be called back, the sisters needed no more than a few skips to disappear among the throng of beachgoers that paraded up and down the promenade, like animals on their way to the Ark.
âWhere did we go wrong? I do hope theyâll be all right,â said Aliceâs mother, who felt her daughters were still not old enough to walk around in public without a chaperone. âEspecially Alice. She seems so lost half the time.â
Her husband rolled his eyes. âMy dear, our daughters are quite capable of making their own way back to the hotel. They are smart and know the difference between right and wrong. And although you donât think so, Alice is the most independent of them all. What could possibly go wrong?â
Despite Aliceâs reservations, she ended up enjoying the company of her siblings more than she had expected. And without her sisters, Alice knew that her mother would never have allowed her to explore Brighton Beach, walk above the sea on West Pier and see the other sights. As it was, Aliceâs day out became a kaleidoscope of one spectacle after another.
At the turn of the twentieth century, most visitors to Brighton saw the sights on foot or by horse and carriage, although occasional steam-driven trams rumbled like metal dinosaurs up and down the beach road, which was lined with fortune-tellers, fish-and-chip shops, public houses, theatres and shops that sold everything one would never need. Alice even saw a motorcar, the gigantic vehicle that some eccentrics (like her father) said would replace the horse and carriage one day.
Alice hadnât seen or heard so many people since Londonâs Oxford Street, not far from where she had studied History. However, to its credit, Brighton was without Londonâs acrid odour of horse dung, dirt and soot. The salty sea winds swept all of that inland. The town sounded different too. The beach road screamed joy at the top of its voice to drown out the backstreet grime. And the forlorn call of sea gulls gave the cries of the crowd an ethereal quality. There was magic in the air.
Before the three young women could decide what to do first, a man stepped in front of them, shouting, âWelcome to the eighth wonder of the land!â With all the different noises going on, Alice thought that he had said âWelcome to Wonderlandâ. Thatâs why she resisted when he began to pull them through the small side door of what looked like a funeral parlour.
âOh come on, itâll be fun!â said one of Aliceâs sisters. Alice failed to see how the undertaking business could be in the slightest bit amusing until she realised that the establishment in question was, in fact, a fortune tellerâs and her palm was to be read.
âYou will take a boat journey and meet a tall, dark stranger. Beware!â said the old Romany woman. One of Aliceâs sisters was promised luck in horse racing (presumably betting as opposed to riding) and the other would marry well before the New Year. The three sisters whooped and cackled at the prophesies like the witches from Macbeth. Aliceâs sisters had been right - it had been harmless fun. It seemed nothing could spoil their merriment. Not even when the fortune-teller grasped Aliceâs wrist and hissed, âAt the end of the day, seek the truth!â.
Outside, thousands of people strolled along the promenade, while still more were packed onto a broad and raised pebble beach that forced the sea to surrender in waves. The women carried parasols, the men umbrellas. Parents were unfurling blankets or towels, trying not to crease their dresses and suits, as their children ran along the shore with butterfly nets or built castles in the sand. Other children raced each other across loose stony ground while their parents sauntered casually a good distance behind, trying to find the right balance between having a few moments peace and not losing their offspring.
In and amongst the hordes of people, the beach was littered with rowing boats, donkey rides, Punch and Judy shows, chairs and benches, and even picnic tables. Buggies drawn by ponies laboured to ferry people over the flatter areas, where the stones were better packed and withstood heavy loads.
In and out of the water stood dozens of bathing machines - four-wheeled carriages with wooden or canvas walls. There was something forlorn about them, as if they were vehicles that had lost their way then broken down. Every so often, one of them would roll lazily in or out of the sea, pulled by horses or men. The bathing machines in the water were the ones attracting most attention. Once the contraption was far enough from the shore, men and women would appear from the far end and be helped, or pushed, into the icy sea by âdippersâ, a profession in which a streak of sadism came in handy. The women bathers wore ankle-length woollen bathing suits, while the men wore striped tops and knee-length shorts. Some men sported straw hats and were still in their suits with their trouser legs rolled up. Many of the bathers left their demure Victorian values behind with their clothes and splashed around as if never having stood in water before.
Alice and her sisters used one of the inland bathing machines to change into bathing costumes, which they had managed to smuggle past their parents. Alice made a point of placing her red shoes on top of her white dress, so they didnât get dirty. She placed the black feather that Jack had given her inside one of the shoes. The three sisters ran across the stones to the sea, laughing at the disapproving glares and lurid stares of older folk around them. Alice had studied History and knew that her parentsâ generation had forgotten how things used to be. She wondered if society would ever return to the pre-Victorian freedom, when people bathed naked, long before Victorian prudishness had taken over.
Alice and her sisters splashed each other as they transformed into little girls again. The water was bitterly cold but Alice wouldnât have been anywhere else for all the tea in China. She felt ten years younger. Each splash was followed by a scream as the sistersâ faces and hair became progressively colder and wetter. They screamed at the top of their voices â screams of fun. Among them sounded a scream of panic. And another. The nature of the screams had changed. Alice heard words of warning, which became garbled by the water in her ears. Suddenly her head was completely underwater. The bright sun high above was distorted by a foot of water over her head, now two feet. A deep and deafening noise of underwater shouts and air bubbles assaulted her ears.
Alice had learnt to swim but a sinister undertow now tugged at her ankles, preventing her from rising. Alice kicked hard and made contact with something â seaweed or hands? As her head bobbed above the surface of the water, she heard her sisters screaming but could see no sign of them. In fact, her sisters sounded more like seagulls. The only thing Alice saw was a huge green wave rising up above her.
Alice wasnât scared as she knew that waves rolled in towards the shore and that this one would carry her to the safety of dry land. As long as she was able to hold her breath, she would be safe. The wave towered above her for such a long time that she not only had ample time to fill her lungs with air, she also had time to see that in amongst the water and spume were objects and creatures; a bucket and spade, a deck chair, a small shoal of mackerel, two mermaids, a seahorse and a lamp shade, of all things. In fact, the more Alice looked, the more peculiar objects she identified; a porpoise, a picnic basket, a turtle (she checked the head to see if it was genuine or just a mock turtle), a parasol and what looked like a whole nursery of baby clams. The wave was teeming with life and not all of it belonged in the sea.
Unlike hot air, most of what goes up, must come down. Eventually, the wave came crashing down on top of Alice. She had taken a huge gulp of air and had enough sense to grab hold of a small bedside cabinet that flew close by her head. Of all the things she could have and probably should have thought of while trying to stay afloat in the salt water, she ended up wondering if she was swimming in a sea of her own tears.
âJack. Jack! JACK!â Alice woke herself up with her own shouting. She reached for her eiderdown and rolled over to get half an hourâs extra sleep before getting out of bed. But there was no eiderdown. Or bed. She was lying on wet sand.
She lifted her head and saw that a vast stretch of yellow sand lined the seashore. She stood up and examined herself for injuries, which she knew was the first thing one should do after a serious accident. The only odd and uncomfortable sensation was the fabric of her white dress sticking to her skin. Uncomfortable because it was wet and cold. Odd because until very recently, she had been wearing a bathing costume.
It was only then she noticed the silence (with the exception of the waves and one angry seagull) and the fact that there was no sign of her sisters, or indeed of any people at all. Aliceâs stomach turned upside down, which caused her to be sick on the sand. She wanted to believe it was the sea water she had swallowed. Yet she knew the real reason - she had returned to Wonderland.
Transported back to Wonderland yet again Alice finds herself caught up in the midst of another adventure fuelled by a new host of intriguing and messy problems. At the heart of it all, Alice is on her own quest to reunite with Jack Door, her greatest love and adventure yet. This time, Wonderland looks and feels remarkably similar to her previous visit, but Time is all muddled up causing havoc with past and present events, meaning old friends may no longer exist. Alice meets and befriends several fairy tale characters, each revealing a dark twist on the stories she knows and loves, and each contributing to a tangled trail of chaos and confusion for Alice to unravel. With an ever-growing to-do list trailing down her arm, Alice makes it her mission to help out as many citizens of Wonderland as she can before returning home.
Once Upon a Wonderland is a fantastical dystopic delight. Stoneham captures Lewis Carroll's writing style with ease, adopting the whimsical nature of Alice's Adventures in Wonderland whilst making the story and characters his own. This new yet familiar Wonderland carries an extraordinary weight whilst upholding the legacy of its predecessor in which the text certainly delivers. It is an exhilarating expansion to the original tale, allowing readers to revisit the world and characters in a fresh and innovative style. With a world full of possibility, the author is able to explore and experiment with a new cast of characters from beloved fairy tales, which fit the narrative impeccably. There are extensive amounts of creative wordplay which is all witty and amusing enhancing the overall experience. Colourful descriptive imagery launches the reader directly into the pages, enabling us to experience the magical storytelling almost as if we ourselves are a character within the book. Accompanied by captivating and enchantingly unusual illustrations, Once Upon a Wonderland keeps the reader enthralled from page one.
The book offers a healthy escape from reality. Its creativity rooted in pure imagination imitates the simple essence of childhood, encouraging adults to acknowledge the carefree, more innocent characteristics in themselves, occasionally allowing that part of the mind to take the lead. As with the original Alice story, the text explores the defiance of societal pressures and expectations by subverting traditional values as well as leading with a self-assured, confident young woman who knows her own strengths and capabilities. In comparison to the original Alice story and in the prequel to this book, Alice Falls Again, Alice is now a college graduate, an adult faced with a world that extends beyond the security of her childhood and the challenges that come with leaving it behind. The events that take place in Wonderland mirror these changes she is experiencing, forcing Alice to deal with her problems head on. With Time not working as it should, over the course of the book Alice keeps growing younger, becoming more like the young girl that first stepped foot in Wonderland years ago. Through this narrative, we get to see just how much she has grown and matured since her first visit to Wonderland and witness how her journey back home forces her to deal with her fears about the future. Rooted within the book are strong themes surrounding mental health. Alice must explore the raw, unfiltered emotions she is feeling and recognise how they are connected to what is going on in the world around her in order to progress forward. One of her greatest strengths is knowing when to reach out for help, to rely on her friends, when it all gets overwhelming and uncontrollable. These topics are dealt with sensitively and maturely, heightening the story and enriching our connection with Alice.
Along with the Queen of Hearts, the Hatter and the Cheshire Cat (most of him anyway), Stoneham introduces a wonderful array of fairy tale characters to Wonderland, including Cinderella, Rapunzel and the Pied Piper. Each new addition contributes a change or obstacle to Alice's adventure, whilst offering friendship and a sense of familiarity of her childhood. The character's widely different stories to that of their well-known counterparts, reflect Alice's journey of self-discovery. As with all fairy tales, Once Upon a Wonderland is overflowing with morals, each offering a unique outlook or positive perspective on each difficulty Alice is facing. Both Alice and the reader alike embrace these words of comfort or important lessons and let the words filter into the unconscious for the next time they are needed. Alice has always been a remarkable heroine to demonstrate to all readers, but younger audiences in particular, that being different, unique, is something to be celebrated. Stoneham further emphasises that only with a mindset as special as Alice's is she able to overcome all her challenges, learn from them and ultimately save all of Wonderland.Â
The book certainly works as a stand alone with all its charm and wonder, but I personally recommend reading both Alice Falls Again and Once Upon a Wonderland together for an irresistibly entrancing experience.